# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 3]

Lafeu

1098

To what is count's man: count's master is of
another style.

2

As You Like It
[II, 1]

Amiens

566

Happy is your Grace,
That can translate the stubbornness of fortune
Into so quiet and so sweet a style.

3

As You Like It
[IV, 3]

Rosalind

2033

Why, 'tis a boisterous and a cruel style;
A style for challengers. Why, she defies me,
Like Turk to Christian. Women's gentle brain
Could not drop forth such giant-rude invention,
Such Ethiope words, blacker in their effect
Than in their countenance. Will you hear the letter?

4

Henry VI, Part I
[IV, 1]

Duke of Gloucester

1811

What means his grace, that he hath changed his style?
No more but, plain and bluntly, 'To the king!'
Hath he forgot he is his sovereign?
Or doth this churlish superscription
Pretend some alteration in good will?
What's here?
[Reads]
'I have, upon especial cause,
Moved with compassion of my country's wreck,
Together with the pitiful complaints
Of such as your oppression feeds upon,
Forsaken your pernicious faction
And join'd with Charles, the rightful King of France.'
O monstrous treachery! can this be so,
That in alliance, amity and oaths,
There should be found such false dissembling guile?

5

Henry VI, Part I
[IV, 7]

Joan la Pucelle

2329

Here is a silly stately style indeed!
The Turk, that two and fifty kingdoms hath,
Writes not so tedious a style as this.
Him that thou magnifiest with all these titles
Stinking and fly-blown lies here at our feet.

6

Henry VI, Part II
[I, 1]

Duke of Gloucester

114

Ay, uncle, we will keep it, if we can;
But now it is impossible we should:
Suffolk, the new-made duke that rules the roast,
Hath given the duchy of Anjou and Maine
Unto the poor King Reignier, whose large style
Agrees not with the leanness of his purse.

7

Henry VI, Part II
[I, 3]

Queen Margaret

433

My Lord of Suffolk, say, is this the guise,
Is this the fashion in the court of England?
Is this the government of Britain's isle,
And this the royalty of Albion's king?
What shall King Henry be a pupil still
Under the surly Gloucester's governance?
Am I a queen in title and in style,
And must be made a subject to a duke?
I tell thee, Pole, when in the city Tours
Thou ran'st a tilt in honour of my love
And stolest away the ladies' hearts of France,
I thought King Henry had resembled thee
In courage, courtship and proportion:
But all his mind is bent to holiness,
To number Ave-Maries on his beads;
His champions are the prophets and apostles,
His weapons holy saws of sacred writ,
His study is his tilt-yard, and his loves
Are brazen images of canonized saints.
I would the college of the cardinals
Would choose him pope, and carry him to Rome,
And set the triple crown upon his head:
That were a state fit for his holiness.

8

Love's Labour's Lost
[I, 1]

Biron

202

Well, sir, be it as the style shall give us cause to
climb in the merriness.

9

Love's Labour's Lost
[IV, 1]

Boyet

1071

I am much deceived but I remember the style.

10

Merry Wives of Windsor
[I, 3]

Falstaff

341

No quips now, Pistol! Indeed, I am in the waist two
yards about; but I am now about no waste; I am about
thrift. Briefly, I do mean to make love to Ford's
wife: I spy entertainment in her; she discourses,
she carves, she gives the leer of invitation: I
can construe the action of her familiar style; and
the hardest voice of her behavior, to be Englished
rightly, is, 'I am Sir John Falstaff's.'

11

Merry Wives of Windsor
[II, 2]

Falstaff

1063

Hang him, mechanical salt-butter rogue! I will
stare him out of his wits; I will awe him with my
cudgel: it shall hang like a meteor o'er the
cuckold's horns. Master Brook, thou shalt know I
will predominate over the peasant, and thou shalt
lie with his wife. Come to me soon at night.
Ford's a knave, and I will aggravate his style;
thou, Master Brook, shalt know him for knave and
cuckold. Come to me soon at night.

12

Much Ado about Nothing
[V, 1]

Leonato

2102

I pray thee, peace. I will be flesh and blood;
For there was never yet philosopher
That could endure the toothache patiently,
However they have writ the style of gods
And made a push at chance and sufferance.

13

Much Ado about Nothing
[V, 2]

Benedick

2414

In so high a style, Margaret, that no man living
shall come over it; for, in most comely truth, thou
deservest it.

14

Richard III
[IV, 4]

Queen Elizabeth

3167

Plain and not honest is too harsh a style.

15

Sonnet 32

Shakespeare

435

If thou survive my well-contented day,
When that churl Death my bones with dust shall cover,
And shalt by fortune once more re-survey
These poor rude lines of thy deceased lover,
Compare them with the bettering of the time,
And though they be outstripp'd by every pen,
Reserve them for my love, not for their rhyme,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought:
'Had my friend's Muse grown with this growing age,
A dearer birth than this his love had brought,
To march in ranks of better equipage:
But since he died and poets better prove,
Theirs for their style I'll read, his for his love.'

16

Sonnet 78

Shakespeare

1079

So oft have I invoked thee for my Muse
And found such fair assistance in my verse
As every alien pen hath got my use
And under thee their poesy disperse.
Thine eyes that taught the dumb on high to sing
And heavy ignorance aloft to fly
Have added feathers to the learned's wing
And given grace a double majesty.
Yet be most proud of that which I compile,
Whose influence is thine and born of thee:
In others' works thou dost but mend the style,
And arts with thy sweet graces graced be;
But thou art all my art and dost advance
As high as learning my rude ignorance.

17

Sonnet 84

Shakespeare

1163

Who is it that says most? which can say more
Than this rich praise, that you alone are you?
In whose confine immured is the store
Which should example where your equal grew.
Lean penury within that pen doth dwell
That to his subject lends not some small glory;
But he that writes of you, if he can tell
That you are you, so dignifies his story,
Let him but copy what in you is writ,
Not making worse what nature made so clear,
And such a counterpart shall fame his wit,
Making his style admired every where.
You to your beauteous blessings add a curse,
Being fond on praise, which makes your praises worse.