# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 2]

Domitius Enobarus

256

Why, sir, give the gods a thankful sacrifice. When
it pleaseth their deities to take the wife of a man
from him, it shows to man the tailors of the earth;
comforting therein, that when old robes are worn
out, there are members to make new. If there were
no more women but Fulvia, then had you indeed a cut,
and the case to be lamented: this grief is crowned
with consolation; your old smock brings forth a new
petticoat: and indeed the tears live in an onion
that should water this sorrow.

2

Henry IV, Part I
[III, 3]

Falstaff

2036

No, I'll be sworn; I make as good use of it as many
a man doth of a Death's-head or a memento mori: I
never see thy face but I think upon hell-fire and
Dives that lived in purple; for there he is in his
robes, burning, burning. If thou wert any way
given to virtue, I would swear by thy face; my oath
should be 'By this fire, that's God's angel:' but
thou art altogether given over; and wert indeed, but
for the light in thy face, the son of utter
darkness. When thou rannest up Gadshill in the
night to catch my horse, if I did not think thou
hadst been an ignis fatuus or a ball of wildfire,
there's no purchase in money. O, thou art a
perpetual triumph, an everlasting bonfire-light!
Thou hast saved me a thousand marks in links and
torches, walking with thee in the night betwixt
tavern and tavern: but the sack that thou hast
drunk me would have bought me lights as good cheap
at the dearest chandler's in Europe. I have
maintained that salamander of yours with fire any
time this two and thirty years; God reward me for
it!

3

Henry IV, Part I
[V, 1]

Henry IV

2628

Then with the losers let it sympathize,
For nothing can seem foul to those that win.
[The trumpet sounds]
[Enter WORCESTER and VERNON]
How now, my Lord of Worcester! 'tis not well
That you and I should meet upon such terms
As now we meet. You have deceived our trust,
And made us doff our easy robes of peace,
To crush our old limbs in ungentle steel:
This is not well, my lord, this is not well.
What say you to it? will you again unknit
This curlish knot of all-abhorred war?
And move in that obedient orb again
Where you did give a fair and natural light,
And be no more an exhaled meteor,
A prodigy of fear and a portent
Of broached mischief to the unborn times?

4

Henry V
[IV, 3]

Henry V

2328

I pray thee, bear my former answer back:
Bid them achieve me and then sell my bones.
Good God! why should they mock poor fellows thus?
The man that once did sell the lion's skin
While the beast lived, was killed with hunting him.
A many of our bodies shall no doubt
Find native graves; upon the which, I trust,
Shall witness live in brass of this day's work:
And those that leave their valiant bones in France,
Dying like men, though buried in your dunghills,
They shall be famed; for there the sun shall greet them,
And draw their honours reeking up to heaven;
Leaving their earthly parts to choke your clime,
The smell whereof shall breed a plague in France.
Mark then abounding valour in our English,
That being dead, like to the bullet's grazing,
Break out into a second course of mischief,
Killing in relapse of mortality.
Let me speak proudly: tell the constable
We are but warriors for the working-day;
Our gayness and our gilt are all besmirch'd
With rainy marching in the painful field;
There's not a piece of feather in our host—
Good argument, I hope, we will not fly—
And time hath worn us into slovenry:
But, by the mass, our hearts are in the trim;
And my poor soldiers tell me, yet ere night
They'll be in fresher robes, or they will pluck
The gay new coats o'er the French soldiers' heads
And turn them out of service. If they do this,—
As, if God please, they shall,—my ransom then
Will soon be levied. Herald, save thou thy labour;
Come thou no more for ransom, gentle herald:
They shall have none, I swear, but these my joints;
Which if they have as I will leave 'em them,
Shall yield them little, tell the constable.

5

Henry VI, Part I
[I, 1]

Duke of Bedford

89

Me they concern; Regent I am of France.
Give me my steeled coat. I'll fight for France.
Away with these disgraceful wailing robes!
Wounds will I lend the French instead of eyes,
To weep their intermissive miseries.

6

Henry VI, Part I
[I, 3]

Duke of Gloucester

396

I will not slay thee, but I'll drive thee back:
Thy scarlet robes as a child's bearing-cloth
I'll use to carry thee out of this place.

7

Henry VI, Part II
[II, 4]

Eleanor

1270

My shame will not be shifted with my sheet:
No, it will hang upon my richest robes
And show itself, attire me how I can.
Go, lead the way; I long to see my prison.

8

Henry VIII
[IV, 2]

Griffith

2645

She is asleep: good wench, let's sit down quiet,
For fear we wake her: softly, gentle Patience.
[The vision. Enter, solemnly tripping one after]
another, six personages, clad in white robes,
wearing on their heads garlands of bays, and golden
vizards on their faces; branches of bays or palm in
their hands. They first congee unto her, then
dance; and, at certain changes, the first two hold
a spare garland over her head; at which the other
four make reverent curtsies; then the two that held
the garland deliver the same to the other next two,
who observe the same order in their changes, and
holding the garland over her head: which done,
they deliver the same garland to the last two, who
likewise observe the same order: at which, as it
were by inspiration, she makes in her sleep signs
of rejoicing, and holdeth up her hands to heaven:
and so in their dancing vanish, carrying the
garland with them. The music continues]

9

King Lear
[IV, 6]

Lear

2763

And the creature run from the cur? There thou mightst behold
the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand!
Why dost thou lash that whore? Strip thine own back.
Thou hotly lusts to use her in that kind
For which thou whip'st her. The usurer hangs the cozener.
Through tatter'd clothes small vices do appear;
Robes and furr'd gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks;
Arm it in rags, a pygmy's straw does pierce it.
None does offend, none- I say none! I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes
And, like a scurvy politician, seem
To see the things thou dost not. Now, now, now, now!
Pull off my boots. Harder, harder! So.

10

Love's Labour's Lost
[IV, 1]

Boyet

1034

'By heaven, that thou art fair, is most infallible;
true, that thou art beauteous; truth itself, that
thou art lovely. More fairer than fair, beautiful
than beauteous, truer than truth itself, have
commiseration on thy heroical vassal! The
magnanimous and most illustrate king Cophetua set
eye upon the pernicious and indubitate beggar
Zenelophon; and he it was that might rightly say,
Veni, vidi, vici; which to annothanize in the
vulgar,—O base and obscure vulgar!—videlicet, He
came, saw, and overcame: he came, one; saw two;
overcame, three. Who came? the king: why did he
come? to see: why did he see? to overcome: to
whom came he? to the beggar: what saw he? the
beggar: who overcame he? the beggar. The
conclusion is victory: on whose side? the king's.
The captive is enriched: on whose side? the
beggar's. The catastrophe is a nuptial: on whose
side? the king's: no, on both in one, or one in
both. I am the king; for so stands the comparison:
thou the beggar; for so witnesseth thy lowliness.
Shall I command thy love? I may: shall I enforce
thy love? I could: shall I entreat thy love? I
will. What shalt thou exchange for rags? robes;
for tittles? titles; for thyself? me. Thus,
expecting thy reply, I profane my lips on thy foot,
my eyes on thy picture. and my heart on thy every
part. Thine, in the dearest design of industry,
DON ADRIANO DE ARMADO.'
Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey.
Submissive fall his princely feet before,
And he from forage will incline to play:
But if thou strive, poor soul, what art thou then?
Food for his rage, repasture for his den.

11

Macbeth
[I, 3]

Macbeth

214

The thane of Cawdor lives: why do you dress me
In borrow'd robes?

12

Macbeth
[II, 4]

Macduff

995

Well, may you see things well done there: adieu!
Lest our old robes sit easier than our new!

13

Pericles
[V, 1]

Pericles

2439

I embrace you.
Give me my robes. I am wild in my beholding.
O heavens bless my girl! But, hark, what music?
Tell Helicanus, my Marina, tell him
O'er, point by point, for yet he seems to doubt,
How sure you are my daughter. But, what music?

14

Romeo and Juliet
[III, 2]

Juliet

1719

Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
[Enter Nurse, with cords]
Now, nurse, what news? What hast thou there? the cords
That Romeo bid thee fetch?

15

Romeo and Juliet
[IV, 1]

Friar Laurence

2455

Hold, then; go home, be merry, give consent
To marry Paris: Wednesday is to-morrow:
To-morrow night look that thou lie alone;
Let not thy nurse lie with thee in thy chamber:
Take thou this vial, being then in bed,
And this distilled liquor drink thou off;
When presently through all thy veins shall run
A cold and drowsy humour, for no pulse
Shall keep his native progress, but surcease:
No warmth, no breath, shall testify thou livest;
The roses in thy lips and cheeks shall fade
To paly ashes, thy eyes' windows fall,
Like death, when he shuts up the day of life;
Each part, deprived of supple government,
Shall, stiff and stark and cold, appear like death:
And in this borrow'd likeness of shrunk death
Thou shalt continue two and forty hours,
And then awake as from a pleasant sleep.
Now, when the bridegroom in the morning comes
To rouse thee from thy bed, there art thou dead:
Then, as the manner of our country is,
In thy best robes uncover'd on the bier
Thou shalt be borne to that same ancient vault
Where all the kindred of the Capulets lie.
In the mean time, against thou shalt awake,
Shall Romeo by my letters know our drift,
And hither shall he come: and he and I
Will watch thy waking, and that very night
Shall Romeo bear thee hence to Mantua.
And this shall free thee from this present shame;
If no inconstant toy, nor womanish fear,
Abate thy valour in the acting it.

16

Taming of the Shrew
[I, 2]

Hortensio

677

Now shall my friend Petruchio do me grace,
And offer me disguis'd in sober robes
To old Baptista as a schoolmaster
Well seen in music, to instruct Bianca;
That so I may by this device at least
Have leave and leisure to make love to her,
And unsuspected court her by herself.
Enter GREMIO with LUCENTIO disguised as CAMBIO

17

Taming of the Shrew
[III, 2]

Tranio

1471

See not your bride in these unreverent robes;
Go to my chamber, put on clothes of mine.

18

Tempest
[V, 1]

(stage directions)

2015

[Enter PROSPERO in his magic robes, and ARIEL]

19

Winter's Tale
[III, 3]

Antigonus

1506

Come, poor babe:
I have heard, but not believed,
the spirits o' the dead
May walk again: if such thing be, thy mother
Appear'd to me last night, for ne'er was dream
So like a waking. To me comes a creature,
Sometimes her head on one side, some another;
I never saw a vessel of like sorrow,
So fill'd and so becoming: in pure white robes,
Like very sanctity, she did approach
My cabin where I lay; thrice bow'd before me,
And gasping to begin some speech, her eyes
Became two spouts: the fury spent, anon
Did this break-from her: 'Good Antigonus,
Since fate, against thy better disposition,
Hath made thy person for the thrower-out
Of my poor babe, according to thine oath,
Places remote enough are in Bohemia,
There weep and leave it crying; and, for the babe
Is counted lost for ever, Perdita,
I prithee, call't. For this ungentle business
Put on thee by my lord, thou ne'er shalt see
Thy wife Paulina more.' And so, with shrieks
She melted into air. Affrighted much,
I did in time collect myself and thought
This was so and no slumber. Dreams are toys:
Yet for this once, yea, superstitiously,
I will be squared by this. I do believe
Hermione hath suffer'd death, and that
Apollo would, this being indeed the issue
Of King Polixenes, it should here be laid,
Either for life or death, upon the earth
Of its right father. Blossom, speed thee well!
There lie, and there thy character: there these;
Which may, if fortune please, both breed thee, pretty,
And still rest thine. The storm begins; poor wretch,
That for thy mother's fault art thus exposed
To loss and what may follow! Weep I cannot,
But my heart bleeds; and most accursed am I
To be by oath enjoin'd to this. Farewell!
The day frowns more and more: thou'rt like to have
A lullaby too rough: I never saw
The heavens so dim by day. A savage clamour!
Well may I get aboard! This is the chase:
I am gone for ever.

20

Winter's Tale
[V, 2]

Clown

3238

You are well met, sir. You denied to fight with me
this other day, because I was no gentleman born.
See you these clothes? say you see them not and
think me still no gentleman born: you were best say
these robes are not gentlemen born: give me the
lie, do, and try whether I am not now a gentleman born.