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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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3 |
Love's Labour's Lost
[V, 2] |
Biron |
2386 |
Neither of either; I remit both twain.
I see the trick on't: here was a consent,
Knowing aforehand of our merriment,
To dash it like a Christmas comedy:
Some carry-tale, some please-man, some slight zany,
Some mumble-news, some trencher-knight, some Dick,
That smiles his cheek in years and knows the trick
To make my lady laugh when she's disposed,
Told our intents before; which once disclosed,
The ladies did change favours: and then we,
Following the signs, woo'd but the sign of she.
Now, to our perjury to add more terror,
We are again forsworn, in will and error.
Much upon this it is: and might not you
[To BOYET]
Forestall our sport, to make us thus untrue?
Do not you know my lady's foot by the squier,
And laugh upon the apple of her eye?
And stand between her back, sir, and the fire,
Holding a trencher, jesting merrily?
You put our page out: go, you are allow'd;
Die when you will, a smock shall be your shroud.
You leer upon me, do you? there's an eye
Wounds like a leaden sword.
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4 |
Merry Wives of Windsor
[I, 3] |
Falstaff |
341 |
No quips now, Pistol! Indeed, I am in the waist two
yards about; but I am now about no waste; I am about
thrift. Briefly, I do mean to make love to Ford's
wife: I spy entertainment in her; she discourses,
she carves, she gives the leer of invitation: I
can construe the action of her familiar style; and
the hardest voice of her behavior, to be Englished
rightly, is, 'I am Sir John Falstaff's.'
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5 |
Titus Andronicus
[IV, 2] |
Aaron |
1806 |
Why, there's the privilege your beauty bears:
Fie, treacherous hue, that will betray with blushing
The close enacts and counsels of the heart!
Here's a young lad framed of another leer:
Look, how the black slave smiles upon the father,
As who should say 'Old lad, I am thine own.'
He is your brother, lords, sensibly fed
Of that self-blood that first gave life to you,
And from that womb where you imprison'd were
He is enfranchised and come to light:
Nay, he is your brother by the surer side,
Although my seal be stamped in his face.
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