# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Countess

489

Yes, Helen, you might be my daughter-in-law:
God shield you mean it not! daughter and mother
So strive upon your pulse. What, pale again?
My fear hath catch'd your fondness: now I see
The mystery of your loneliness, and find
Your salt tears' head: now to all sense 'tis gross
You love my son; invention is ashamed,
Against the proclamation of thy passion,
To say thou dost not: therefore tell me true;
But tell me then, 'tis so; for, look thy cheeks
Confess it, th' one to th' other; and thine eyes
See it so grossly shown in thy behaviors
That in their kind they speak it: only sin
And hellish obstinacy tie thy tongue,
That truth should be suspected. Speak, is't so?
If it be so, you have wound a goodly clew;
If it be not, forswear't: howe'er, I charge thee,
As heaven shall work in me for thine avail,
Tell me truly.

2

All's Well That Ends Well
[II, 3]

Helena

962

I am a simple maid, and therein wealthiest,
That I protest I simply am a maid.
Please it your majesty, I have done already:
The blushes in my cheeks thus whisper me,
'We blush that thou shouldst choose; but, be refused,
Let the white death sit on thy cheek for ever;
We'll ne'er come there again.'

3

Antony and Cleopatra
[II, 2]

Domitius Enobarus

914

I will tell you.
The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion—cloth-of-gold of tissue—
O'er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

4

Antony and Cleopatra
[II, 7]

First Servant

1386

To be called into a huge sphere, and not to be seen
to move in't, are the holes where eyes should be,
which pitifully disaster the cheeks.
[A sennet sounded. Enter OCTAVIUS CAESAR, MARK]
ANTONY, LEPIDUS, POMPEY, AGRIPPA, MECAENAS,
DOMITIUS ENOBARBUS, MENAS, with other captains]

5

Antony and Cleopatra
[II, 7]

Octavius

1521

What would you more? Pompey, good night. Good brother,
Let me request you off: our graver business
Frowns at this levity. Gentle lords, let's part;
You see we have burnt our cheeks: strong Enobarb
Is weaker than the wine; and mine own tongue
Splits what it speaks: the wild disguise hath almost
Antick'd us all. What needs more words? Good night.
Good Antony, your hand.

6

Coriolanus
[II, 1]

Junius Brutus

1143

All tongues speak of him, and the bleared sights
Are spectacled to see him: your prattling nurse
Into a rapture lets her baby cry
While she chats him: the kitchen malkin pins
Her richest lockram 'bout her reechy neck,
Clambering the walls to eye him: stalls, bulks, windows,
Are smother'd up, leads fill'd, and ridges horsed
With variable complexions, all agreeing
In earnestness to see him: seld-shown flamens
Do press among the popular throngs and puff
To win a vulgar station: or veil'd dames
Commit the war of white and damask in
Their nicely-gawded cheeks to the wanton spoil
Of Phoebus' burning kisses: such a pother
As if that whatsoever god who leads him
Were slily crept into his human powers
And gave him graceful posture.

7

Coriolanus
[III, 2]

Coriolanus

2298

Well, I must do't:
Away, my disposition, and possess me
Some harlot's spirit! my throat of war be turn'd,
Which quired with my drum, into a pipe
Small as an eunuch, or the virgin voice
That babies lulls asleep! the smiles of knaves
Tent in my cheeks, and schoolboys' tears take up
The glasses of my sight! a beggar's tongue
Make motion through my lips, and my arm'd knees,
Who bow'd but in my stirrup, bend like his
That hath received an alms! I will not do't,
Lest I surcease to honour mine own truth
And by my body's action teach my mind
A most inherent baseness.

8

Coriolanus
[V, 3]

Volumnia

3642

Nay, go not from us thus.
If it were so that our request did tend
To save the Romans, thereby to destroy
The Volsces whom you serve, you might condemn us,
As poisonous of your honour: no; our suit
Is that you reconcile them: while the Volsces
May say 'This mercy we have show'd;' the Romans,
'This we received;' and each in either side
Give the all-hail to thee and cry 'Be blest
For making up this peace!' Thou know'st, great son,
The end of war's uncertain, but this certain,
That, if thou conquer Rome, the benefit
Which thou shalt thereby reap is such a name,
Whose repetition will be dogg'd with curses;
Whose chronicle thus writ: 'The man was noble,
But with his last attempt he wiped it out;
Destroy'd his country, and his name remains
To the ensuing age abhorr'd.' Speak to me, son:
Thou hast affected the fine strains of honour,
To imitate the graces of the gods;
To tear with thunder the wide cheeks o' the air,
And yet to charge thy sulphur with a bolt
That should but rive an oak. Why dost not speak?
Think'st thou it honourable for a noble man
Still to remember wrongs? Daughter, speak you:
He cares not for your weeping. Speak thou, boy:
Perhaps thy childishness will move him more
Than can our reasons. There's no man in the world
More bound to 's mother; yet here he lets me prate
Like one i' the stocks. Thou hast never in thy life
Show'd thy dear mother any courtesy,
When she, poor hen, fond of no second brood,
Has cluck'd thee to the wars and safely home,
Loaden with honour. Say my request's unjust,
And spurn me back: but if it be not so,
Thou art not honest; and the gods will plague thee,
That thou restrain'st from me the duty which
To a mother's part belongs. He turns away:
Down, ladies; let us shame him with our knees.
To his surname Coriolanus 'longs more pride
Than pity to our prayers. Down: an end;
This is the last: so we will home to Rome,
And die among our neighbours. Nay, behold 's:
This boy, that cannot tell what he would have
But kneels and holds up bands for fellowship,
Does reason our petition with more strength
Than thou hast to deny 't. Come, let us go:
This fellow had a Volscian to his mother;
His wife is in Corioli and his child
Like him by chance. Yet give us our dispatch:
I am hush'd until our city be a-fire,
And then I'll speak a little.

9

Cymbeline
[V, 5]

Cornelius

3405

With horror, madly dying, like her life,
Which, being cruel to the world, concluded
Most cruel to herself. What she confess'd
I will report, so please you: these her women
Can trip me, if I err; who with wet cheeks
Were present when she finish'd.

10

Henry IV, Part I
[II, 3]

Lady Percy

896

O, my good lord, why are you thus alone?
For what offence have I this fortnight been
A banish'd woman from my Harry's bed?
Tell me, sweet lord, what is't that takes from thee
Thy stomach, pleasure and thy golden sleep?
Why dost thou bend thine eyes upon the earth,
And start so often when thou sit'st alone?
Why hast thou lost the fresh blood in thy cheeks;
And given my treasures and my rights of thee
To thick-eyed musing and cursed melancholy?
In thy faint slumbers I by thee have watch'd,
And heard thee murmur tales of iron wars;
Speak terms of manage to thy bounding steed;
Cry 'Courage! to the field!' And thou hast talk'd
Of sallies and retires, of trenches, tents,
Of palisadoes, frontiers, parapets,
Of basilisks, of cannon, culverin,
Of prisoners' ransom and of soldiers slain,
And all the currents of a heady fight.
Thy spirit within thee hath been so at war
And thus hath so bestirr'd thee in thy sleep,
That beads of sweat have stood upon thy brow
Like bubbles in a late-disturbed stream;
And in thy face strange motions have appear'd,
Such as we see when men restrain their breath
On some great sudden hest. O, what portents are these?
Some heavy business hath my lord in hand,
And I must know it, else he loves me not.

11

Henry IV, Part I
[III, 3]

Falstaff

2086

How! poor? look upon his face; what call you rich?
let them coin his nose, let them coin his cheeks:
Ill not pay a denier. What, will you make a younker
of me? shall I not take mine case in mine inn but I
shall have my pocket picked? I have lost a
seal-ring of my grandfather's worth forty mark.

12

Henry IV, Part II
[IV, 5]

Earl of Warwick

2976

My lord, I found the Prince in the next room,
Washing with kindly tears his gentle cheeks,
With such a deep demeanour in great sorrow,
That tyranny, which never quaff'd but blood,
Would, by beholding him, have wash'd his knife
With gentle eye-drops. He is coming hither.

13

Henry V
[II, 2]

Henry V

701

Then, Richard Earl of Cambridge, there is yours;
There yours, Lord Scroop of Masham; and, sir knight,
Grey of Northumberland, this same is yours:
Read them; and know, I know your worthiness.
My Lord of Westmoreland, and uncle Exeter,
We will aboard to night. Why, how now, gentlemen!
What see you in those papers that you lose
So much complexion? Look ye, how they change!
Their cheeks are paper. Why, what read you there
That hath so cowarded and chased your blood
Out of appearance?

14

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

15

Henry VI, Part I
[I, 2]

Joan la Pucelle

269

Dauphin, I am by birth a shepherd's daughter,
My wit untrain'd in any kind of art.
Heaven and our Lady gracious hath it pleased
To shine on my contemptible estate:
Lo, whilst I waited on my tender lambs,
And to sun's parching heat display'd my cheeks,
God's mother deigned to appear to me
And in a vision full of majesty
Will'd me to leave my base vocation
And free my country from calamity:
Her aid she promised and assured success:
In complete glory she reveal'd herself;
And, whereas I was black and swart before,
With those clear rays which she infused on me
That beauty am I bless'd with which you see.
Ask me what question thou canst possible,
And I will answer unpremeditated:
My courage try by combat, if thou darest,
And thou shalt find that I exceed my sex.
Resolve on this, thou shalt be fortunate,
If thou receive me for thy warlike mate.

16

Henry VI, Part I
[I, 3]

Duke of Gloucester

400

What! am I dared and bearded to my face?
Draw, men, for all this privileged place;
Blue coats to tawny coats. Priest, beware your beard,
I mean to tug it and to cuff you soundly:
Under my feet I stamp thy cardinal's hat:
In spite of pope or dignities of church,
Here by the cheeks I'll drag thee up and down.

17

Henry VI, Part I
[II, 4]

Richard Plantagenet (Duke of Gloucester)

988

Meantime your cheeks do counterfeit our roses;
For pale they look with fear, as witnessing
The truth on our side.

18

Henry VI, Part I
[II, 4]

Duke/Earl of Somerset

991

No, Plantagenet,
'Tis not for fear but anger that thy cheeks
Blush for pure shame to counterfeit our roses,
And yet thy tongue will not confess thy error.

19

Henry VI, Part I
[II, 5]

Edmund Mortimer

1114

Direct mine arms I may embrace his neck,
And in his bosom spend my latter gasp:
O, tell me when my lips do touch his cheeks,
That I may kindly give one fainting kiss.
And now declare, sweet stem from York's great stock,
Why didst thou say, of late thou wert despised?

20

Henry VI, Part I
[IV, 1]

Basset

1854

Crossing the sea from England into France,
This fellow here, with envious carping tongue,
Upbraided me about the rose I wear;
Saying, the sanguine colour of the leaves
Did represent my master's blushing cheeks,
When stubbornly he did repugn the truth
About a certain question in the law
Argued betwixt the Duke of York and him;
With other vile and ignominious terms:
In confutation of which rude reproach
And in defence of my lord's worthiness,
I crave the benefit of law of arms.