# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 2]

King of France

265

I would I had that corporal soundness now,
As when thy father and myself in friendship
First tried our soldiership! He did look far
Into the service of the time and was
Discipled of the bravest: he lasted long;
But on us both did haggish age steal on
And wore us out of act. It much repairs me
To talk of your good father. In his youth
He had the wit which I can well observe
To-day in our young lords; but they may jest
Till their own scorn return to them unnoted
Ere they can hide their levity in honour;
So like a courtier, contempt nor bitterness
Were in his pride or sharpness; if they were,
His equal had awaked them, and his honour,
Clock to itself, knew the true minute when
Exception bid him speak, and at this time
His tongue obey'd his hand: who were below him
He used as creatures of another place
And bow'd his eminent top to their low ranks,
Making them proud of his humility,
In their poor praise he humbled. Such a man
Might be a copy to these younger times;
Which, follow'd well, would demonstrate them now
But goers backward.

2

All's Well That Ends Well
[II, 2]

Clown

853

From below your duke to beneath your constable, it
will fit any question.

3

Antony and Cleopatra
[IV, 15]

Cleopatra

3165

No, I will not:
All strange and terrible events are welcome,
But comforts we despise; our size of sorrow,
Proportion'd to our cause, must be as great
As that which makes it.
[Enter, below, DIOMEDES]
How now! is he dead?

4

Antony and Cleopatra
[IV, 15]

(stage directions)

3175

[Enter, below, MARK ANTONY, borne by the Guard]

5

Antony and Cleopatra
[IV, 15]

Cleopatra

3176

O sun,
Burn the great sphere thou movest in!
darkling stand
The varying shore o' the world. O Antony,
Antony, Antony! Help, Charmian, help, Iras, help;
Help, friends below; let's draw him hither.

6

Coriolanus
[I, 1]

Coriolanus

193

Hang 'em! They say!
They'll sit by the fire, and presume to know
What's done i' the Capitol; who's like to rise,
Who thrives and who declines; side factions
and give out
Conjectural marriages; making parties strong
And feebling such as stand not in their liking
Below their cobbled shoes. They say there's
grain enough!
Would the nobility lay aside their ruth,
And let me use my sword, I'll make a quarry
With thousands of these quarter'd slaves, as high
As I could pick my lance.

7

Coriolanus
[I, 1]

Junius Brutus

289

Fame, at the which he aims,
In whom already he's well graced, can not
Better be held nor more attain'd than by
A place below the first: for what miscarries
Shall be the general's fault, though he perform
To the utmost of a man, and giddy censure
Will then cry out of CORIOLANUS 'O if he
Had borne the business!'

8

Coriolanus
[I, 3]

Volumnia

410

He'll beat Aufidius 'head below his knee
And tread upon his neck.

9

Coriolanus
[II, 2]

Cominius

1329

I shall lack voice: the deeds of Coriolanus
Should not be utter'd feebly. It is held
That valour is the chiefest virtue, and
Most dignifies the haver: if it be,
The man I speak of cannot in the world
Be singly counterpoised. At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: be bestrid
An o'er-press'd Roman and i' the consul's view
Slew three opposers: Tarquin's self he met,
And struck him on his knee: in that day's feats,
When he might act the woman in the scene,
He proved best man i' the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter'd thus, he waxed like a sea,
And in the brunt of seventeen battles since
He lurch'd all swords of the garland. For this last,
Before and in Corioli, let me say,
I cannot speak him home: he stopp'd the fliers;
And by his rare example made the coward
Turn terror into sport: as weeds before
A vessel under sail, so men obey'd
And fell below his stem: his sword, death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries: alone he enter'd
The mortal gate of the city, which he painted
With shunless destiny; aidless came off,
And with a sudden reinforcement struck
Corioli like a planet: now all's his:
When, by and by, the din of war gan pierce
His ready sense; then straight his doubled spirit
Re-quicken'd what in flesh was fatigate,
And to the battle came he; where he did
Run reeking o'er the lives of men, as if
'Twere a perpetual spoil: and till we call'd
Both field and city ours, he never stood
To ease his breast with panting.

10

Coriolanus
[III, 2]

Coriolanus

2163

Let them puff all about mine ears, present me
Death on the wheel or at wild horses' heels,
Or pile ten hills on the Tarpeian rock,
That the precipitation might down stretch
Below the beam of sight, yet will I still
Be thus to them.

11

Cymbeline
[IV, 2]

Belarius

2540

O thou goddess,
Thou divine Nature, how thyself thou blazon'st
In these two princely boys! They are as gentle
As zephyrs blowing below the violet,
Not wagging his sweet head; and yet as rough,
Their royal blood enchafed, as the rudest wind,
That by the top doth take the mountain pine,
And make him stoop to the vale. 'Tis wonder
That an invisible instinct should frame them
To royalty unlearn'd, honour untaught,
Civility not seen from other, valour
That wildly grows in them, but yields a crop
As if it had been sow'd. Yet still it's strange
What Cloten's being here to us portends,
Or what his death will bring us.

12

Hamlet
[II, 2]

First Player

1542

'Anon he finds him,
Striking too short at Greeks. His antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to command. Unequal match'd,
Pyrrhus at Priam drives, in rage strikes wide;
But with the whiff and wind of his fell sword
Th' unnerved father falls. Then senseless Ilium,
Seeming to feel this blow, with flaming top
Stoops to his base, and with a hideous crash
Takes prisoner Pyrrhus' ear. For lo! his sword,
Which was declining on the milky head
Of reverend Priam, seem'd i' th' air to stick.
So, as a painted tyrant, Pyrrhus stood,
And, like a neutral to his will and matter,
Did nothing.
But, as we often see, against some storm,
A silence in the heavens, the rack stand still,
The bold winds speechless, and the orb below
As hush as death- anon the dreadful thunder
Doth rend the region; so, after Pyrrhus' pause,
Aroused vengeance sets him new awork;
And never did the Cyclops' hammers fall
On Mars's armour, forg'd for proof eterne,
With less remorse than Pyrrhus' bleeding sword
Now falls on Priam.
Out, out, thou strumpet Fortune! All you gods,
In general synod take away her power;
Break all the spokes and fellies from her wheel,
And bowl the round nave down the hill of heaven,
As low as to the fiends!

13

Hamlet
[III, 3]

Claudius

2380

[rises] My words fly up, my thoughts remain below.
Words without thoughts never to heaven go. Exit.

14

Hamlet
[III, 4]

Hamlet

2607

There's letters seal'd; and my two schoolfellows,
Whom I will trust as I will adders fang'd,
They bear the mandate; they must sweep my way
And marshal me to knavery. Let it work;
For 'tis the sport to have the enginer
Hoist with his own petar; and 't shall go hard
But I will delve one yard below their mines
And blow them at the moon. O, 'tis most sweet
When in one line two crafts directly meet.
This man shall set me packing.
I'll lug the guts into the neighbour room.-
Mother, good night.- Indeed, this counsellor
Is now most still, most secret, and most grave,
Who was in life a foolish peating knave.
Come, sir, to draw toward an end with you.
Good night, mother.

15

Henry IV, Part II
[II, 4]

Francis

1317

Sir, Ancient Pistol's below and would speak with you.

16

Henry V
[III, 3]

(stage directions)

1272

[The Governor and some Citizens on the walls; the English forces below. Enter KING HENRY and his train]

17

Henry VI, Part I
[V, 3]

(stage directions)

2613

[Trumpets sound. Enter REIGNIER, below]

18

Henry VI, Part II
[I, 4]

Bolingbroke

630

I have heard her reported to be a woman of an
invincible spirit: but it shall be convenient,
Master Hume, that you be by her aloft, while we be
busy below; and so, I pray you, go, in God's name,
and leave us.
[Exit HUME]
Mother Jourdain, be you
prostrate and grovel on the earth; John Southwell,
read you; and let us to our work.

19

Henry VI, Part II
[IV, 5]

(stage directions)

2586

[Enter SCALES upon the Tower, walking.]
Then enter two or three Citizens below]

20

Henry VI, Part II
[IV, 9]

Henry VI

2840

Why, Buckingham, is the traitor Cade surprised?
Or is he but retired to make him strong?
[Enter below, multitudes, with halters about]
their necks]