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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Messenger |
11 |
Much deserved on his part and equally remembered by
Don Pedro: he hath borne himself beyond the
promise of his age, doing, in the figure of a lamb,
the feats of a lion: he hath indeed better
bettered expectation than you must expect of me to
tell you how.
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2 |
Much Ado about Nothing
[I, 1] |
Don Pedro |
131 |
That is the sum of all, Leonato. Signior Claudio
and Signior Benedick, my dear friend Leonato hath
invited you all. I tell him we shall stay here at
the least a month; and he heartily prays some
occasion may detain us longer. I dare swear he is no
hypocrite, but prays from his heart.
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3 |
Much Ado about Nothing
[I, 1] |
Claudio |
159 |
Thou thinkest I am in sport: I pray thee tell me
truly how thou likest her.
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4 |
Much Ado about Nothing
[I, 1] |
Benedick |
163 |
Yea, and a case to put it into. But speak you this
with a sad brow? or do you play the flouting Jack,
to tell us Cupid is a good hare-finder and Vulcan a
rare carpenter? Come, in what key shall a man take
you, to go in the song?
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5 |
Much Ado about Nothing
[I, 1] |
Benedick |
186 |
I would your grace would constrain me to tell.
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6 |
Much Ado about Nothing
[I, 1] |
Don Pedro |
246 |
Well, you temporize with the hours. In the
meantime, good Signior Benedick, repair to
Leonato's: commend me to him and tell him I will
not fail him at supper; for indeed he hath made
great preparation.
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7 |
Much Ado about Nothing
[I, 1] |
Don Pedro |
288 |
What need the bridge much broader than the flood?
The fairest grant is the necessity.
Look, what will serve is fit: 'tis once, thou lovest,
And I will fit thee with the remedy.
I know we shall have revelling to-night:
I will assume thy part in some disguise
And tell fair Hero I am Claudio,
And in her bosom I'll unclasp my heart
And take her hearing prisoner with the force
And strong encounter of my amorous tale:
Then after to her father will I break;
And the conclusion is, she shall be thine.
In practise let us put it presently.
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8 |
Much Ado about Nothing
[I, 2] |
Antonio |
305 |
He is very busy about it. But, brother, I can tell
you strange news that you yet dreamt not of.
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9 |
Much Ado about Nothing
[I, 2] |
Leonato |
320 |
No, no; we will hold it as a dream till it appear
itself: but I will acquaint my daughter withal,
that she may be the better prepared for an answer,
if peradventure this be true. Go you and tell her of it.
[Enter Attendants]
Cousins, you know what you have to do. O, I cry you
mercy, friend; go you with me, and I will use your
skill. Good cousin, have a care this busy time.
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10 |
Much Ado about Nothing
[II, 1] |
Beatrice |
458 |
The fault will be in the music, cousin, if you be
not wooed in good time: if the prince be too
important, tell him there is measure in every thing
and so dance out the answer. For, hear me, Hero:
wooing, wedding, and repenting, is as a Scotch jig,
a measure, and a cinque pace: the first suit is hot
and hasty, like a Scotch jig, and full as
fantastical; the wedding, mannerly-modest, as a
measure, full of state and ancientry; and then comes
repentance and, with his bad legs, falls into the
cinque pace faster and faster, till he sink into his grave.
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11 |
Much Ado about Nothing
[II, 1] |
Antonio |
501 |
To tell you true, I counterfeit him.
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12 |
Much Ado about Nothing
[II, 1] |
Beatrice |
510 |
Will you not tell me who told you so?
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13 |
Much Ado about Nothing
[II, 1] |
Beatrice |
512 |
Nor will you not tell me who you are?
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14 |
Much Ado about Nothing
[II, 1] |
Benedick |
529 |
When I know the gentleman, I'll tell him what you say.
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15 |
Much Ado about Nothing
[II, 1] |
Don Pedro |
722 |
She cannot endure to hear tell of a husband.
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16 |
Much Ado about Nothing
[II, 1] |
Don Pedro |
748 |
And Benedick is not the unhopefullest husband that
I know. Thus far can I praise him; he is of a noble
strain, of approved valour and confirmed honesty. I
will teach you how to humour your cousin, that she
shall fall in love with Benedick; and I, with your
two helps, will so practise on Benedick that, in
despite of his quick wit and his queasy stomach, he
shall fall in love with Beatrice. If we can do this,
Cupid is no longer an archer: his glory shall be
ours, for we are the only love-gods. Go in with me,
and I will tell you my drift.
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17 |
Much Ado about Nothing
[II, 2] |
Borachio |
778 |
The poison of that lies in you to temper. Go you to
the prince your brother; spare not to tell him that
he hath wronged his honour in marrying the renowned
Claudio—whose estimation do you mightily hold
up—to a contaminated stale, such a one as Hero.
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18 |
Much Ado about Nothing
[II, 2] |
Borachio |
788 |
Go, then; find me a meet hour to draw Don Pedro and
the Count Claudio alone: tell them that you know
that Hero loves me; intend a kind of zeal both to the
prince and Claudio, as,—in love of your brother's
honour, who hath made this match, and his friend's
reputation, who is thus like to be cozened with the
semblance of a maid,—that you have discovered
thus. They will scarcely believe this without trial:
offer them instances; which shall bear no less
likelihood than to see me at her chamber-window,
hear me call Margaret Hero, hear Margaret term me
Claudio; and bring them to see this the very night
before the intended wedding,—for in the meantime I
will so fashion the matter that Hero shall be
absent,—and there shall appear such seeming truth
of Hero's disloyalty that jealousy shall be called
assurance and all the preparation overthrown.
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19 |
Much Ado about Nothing
[II, 3] |
Benedick |
819 |
I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.
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20 |
Much Ado about Nothing
[II, 3] |
Leonato |
918 |
By my troth, my lord, I cannot tell what to think
of it but that she loves him with an enraged
affection: it is past the infinite of thought.
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