# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Leonato

88

Never came trouble to my house in the likeness of
your grace: for trouble being gone, comfort should
remain; but when you depart from me, sorrow abides
and happiness takes his leave.

2

Much Ado about Nothing
[I, 3]

Borachio

369

I came yonder from a great supper: the prince your
brother is royally entertained by Leonato: and I
can give you intelligence of an intended marriage.

3

Much Ado about Nothing
[I, 3]

Don John

381

A very forward March-chick! How came you to this?

4

Much Ado about Nothing
[II, 3]

Leonato

923

O God, counterfeit! There was never counterfeit of
passion came so near the life of passion as she
discovers it.

5

Much Ado about Nothing
[III, 2]

Don John

1289

I came hither to tell you; and, circumstances
shortened, for she has been too long a talking of,
the lady is disloyal.

6

Much Ado about Nothing
[V, 1]

Benedick

2198

In a false quarrel there is no true valour. I came
to seek you both.

7

Much Ado about Nothing
[V, 2]

Beatrice

2452

'Then' is spoken; fare you well now: and yet, ere
I go, let me go with that I came; which is, with
knowing what hath passed between you and Claudio.