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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Much Ado about Nothing
[I, 1] |
Leonato |
53 |
You must not, sir, mistake my niece. There is a
kind of merry war betwixt Signior Benedick and her:
they never meet but there's a skirmish of wit
between them.
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2 |
Much Ado about Nothing
[I, 1] |
Beatrice |
57 |
Alas! he gets nothing by that. In our last
conflict four of his five wits went halting off, and
now is the whole man governed with one: so that if
he have wit enough to keep himself warm, let him
bear it for a difference between himself and his
horse; for it is all the wealth that he hath left,
to be known a reasonable creature. Who is his
companion now? He hath every month a new sworn brother.
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3 |
Much Ado about Nothing
[II, 1] |
Beatrice |
404 |
He were an excellent man that were made just in the
midway between him and Benedick: the one is too
like an image and says nothing, and the other too
like my lady's eldest son, evermore tattling.
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4 |
Much Ado about Nothing
[II, 3] |
Leonato |
951 |
O, when she had writ it and was reading it over, she
found Benedick and Beatrice between the sheet?
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5 |
Much Ado about Nothing
[III, 3] |
Borachio |
1444 |
Seest thou not, I say, what a deformed thief this
fashion is? how giddily a' turns about all the hot
bloods between fourteen and five-and-thirty?
sometimes fashioning them like Pharaoh's soldiers
in the reeky painting, sometime like god Bel's
priests in the old church-window, sometime like the
shaven Hercules in the smirched worm-eaten tapestry,
where his codpiece seems as massy as his club?
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6 |
Much Ado about Nothing
[III, 5] |
Dogberry |
1588 |
Goodman Verges, sir, speaks a little off the
matter: an old man, sir, and his wits are not so
blunt as, God help, I would desire they were; but,
in faith, honest as the skin between his brows.
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7 |
Much Ado about Nothing
[V, 2] |
Beatrice |
2452 |
'Then' is spoken; fare you well now: and yet, ere
I go, let me go with that I came; which is, with
knowing what hath passed between you and Claudio.
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