# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[IV, 4]

(stage directions)

2652

[Shout. Trumpets flourish]

2

Antony and Cleopatra
[V, 2]

Dolabella

3523

Madam, he will; I know't.
[Flourish, and shout within, 'Make way there:]
Octavius Caesar!']
[Enter OCTAVIUS CAESAR, GALLUS, PROCULEIUS,]
MECAENAS, SELEUCUS, and others of his Train]

3

As You Like It
[I, 2]

(stage directions)

325

[CHARLES is thrown. Shout]

4

Coriolanus
[I, 6]

Coriolanus

695

Those are they
That most are willing. If any such be here—
As it were sin to doubt—that love this painting
Wherein you see me smear'd; if any fear
Lesser his person than an ill report;
If any think brave death outweighs bad life
And that his country's dearer than himself;
Let him alone, or so many so minded,
Wave thus, to express his disposition,
And follow CORIOLANUS.
[They all shout and wave their swords, take him up in]
their arms, and cast up their caps]
O, me alone! make you a sword of me?
If these shows be not outward, which of you
But is four Volsces? none of you but is
Able to bear against the great Aufidius
A shield as hard as his. A certain number,
Though thanks to all, must I select
from all: the rest
Shall bear the business in some other fight,
As cause will be obey'd. Please you to march;
And four shall quickly draw out my command,
Which men are best inclined.

5

Coriolanus
[I, 9]

Coriolanus

814

May these same instruments, which you profane,
Never sound more! when drums and trumpets shall
I' the field prove flatterers, let courts and cities be
Made all of false-faced soothing!
When steel grows soft as the parasite's silk,
Let him be made a coverture for the wars!
No more, I say! For that I have not wash'd
My nose that bled, or foil'd some debile wretch.—
Which, without note, here's many else have done,—
You shout me forth
In acclamations hyperbolical;
As if I loved my little should be dieted
In praises sauced with lies.

6

Coriolanus
[II, 1]

Menenius Agrippa

1073

Now it's twenty-seven: every gash was an enemy's grave.
[A shout and flourish]
Hark! the trumpets.

7

Coriolanus
[V, 3]

Coriolanus

3499

This last old man,
Whom with a crack'd heart I have sent to Rome,
Loved me above the measure of a father;
Nay, godded me, indeed. Their latest refuge
Was to send him; for whose old love I have,
Though I show'd sourly to him, once more offer'd
The first conditions, which they did refuse
And cannot now accept; to grace him only
That thought he could do more, a very little
I have yielded to: fresh embassies and suits,
Nor from the state nor private friends, hereafter
Will I lend ear to. Ha! what shout is this?
[Shout within]
Shall I be tempted to infringe my vow
In the same time 'tis made? I will not.
[Enter in mourning habits, VIRGILIA, VOLUMNIA,]
leading young CORIOLANUS, VALERIA, and Attendants]
My wife comes foremost; then the honour'd mould
Wherein this trunk was framed, and in her hand
The grandchild to her blood. But, out, affection!
All bond and privilege of nature, break!
Let it be virtuous to be obstinate.
What is that curt'sy worth? or those doves' eyes,
Which can make gods forsworn? I melt, and am not
Of stronger earth than others. My mother bows;
As if Olympus to a molehill should
In supplication nod: and my young boy
Hath an aspect of intercession, which
Great nature cries 'Deny not.' let the Volsces
Plough Rome and harrow Italy: I'll never
Be such a gosling to obey instinct, but stand,
As if a man were author of himself
And knew no other kin.

8

Coriolanus
[V, 4]

(stage directions)

3787

[A shout within]

9

Henry VI, Part III
[IV, 8]

(stage directions)

2573

[Shout within. 'A Lancaster! A Lancaster!']

10

Julius Caesar
[I, 1]

Marullus

33

Wherefore rejoice? What conquest brings he home?
What tributaries follow him to Rome,
To grace in captive bonds his chariot-wheels?
You blocks, you stones, you worse than senseless things!
O you hard hearts, you cruel men of Rome,
Knew you not Pompey? Many a time and oft
Have you climb'd up to walls and battlements,
To towers and windows, yea, to chimney-tops,
Your infants in your arms, and there have sat
The livelong day, with patient expectation,
To see great Pompey pass the streets of Rome:
And when you saw his chariot but appear,
Have you not made an universal shout,
That Tiber trembled underneath her banks,
To hear the replication of your sounds
Made in her concave shores?
And do you now put on your best attire?
And do you now cull out a holiday?
And do you now strew flowers in his way
That comes in triumph over Pompey's blood? Be gone!
Run to your houses, fall upon your knees,
Pray to the gods to intermit the plague
That needs must light on this ingratitude.

11

Julius Caesar
[I, 2]

(stage directions)

167

Flourish, and shout

12

Julius Caesar
[I, 2]

(stage directions)

222

Shout. Flourish

13

Julius Caesar
[I, 2]

Brutus

223

Another general shout!
I do believe that these applauses are
For some new honours that are heap'd on Caesar.

14

Julius Caesar
[V, 3]

Pindarus

2528

[Above] Tintinius is enclosed round about
With horsemen, that make to him on the spur;
Yet he spurs on. Now they are almost on him.
Now, Tintinius! Now some light. O, he lights too.
He's ta'en.
[Shout]
And, hark! they shout for joy.

15

King John
[V, 2]

Lewis

2358

Your grace shall pardon me, I will not back:
I am too high-born to be propertied,
To be a secondary at control,
Or useful serving-man and instrument,
To any sovereign state throughout the world.
Your breath first kindled the dead coal of wars
Between this chastised kingdom and myself,
And brought in matter that should feed this fire;
And now 'tis far too huge to be blown out
With that same weak wind which enkindled it.
You taught me how to know the face of right,
Acquainted me with interest to this land,
Yea, thrust this enterprise into my heart;
And come ye now to tell me John hath made
His peace with Rome? What is that peace to me?
I, by the honour of my marriage-bed,
After young Arthur, claim this land for mine;
And, now it is half-conquer'd, must I back
Because that John hath made his peace with Rome?
Am I Rome's slave? What penny hath Rome borne,
What men provided, what munition sent,
To underprop this action? Is't not I
That undergo this charge? who else but I,
And such as to my claim are liable,
Sweat in this business and maintain this war?
Have I not heard these islanders shout out
'Vive le roi!' as I have bank'd their towns?
Have I not here the best cards for the game,
To win this easy match play'd for a crown?
And shall I now give o'er the yielded set?
No, no, on my soul, it never shall be said.

16

Love's Labour's Lost
[IV, 1]

(stage directions)

1139

[Shout within]

17

Merchant of Venice
[III, 2]

Bassanio

1482

What find I here?
[Opening the leaden casket]
Fair Portia's counterfeit! What demi-god
Hath come so near creation? Move these eyes?
Or whether, riding on the balls of mine,
Seem they in motion? Here are sever'd lips,
Parted with sugar breath: so sweet a bar
Should sunder such sweet friends. Here in her hairs
The painter plays the spider and hath woven
A golden mesh to entrap the hearts of men,
Faster than gnats in cobwebs; but her eyes,—
How could he see to do them? having made one,
Methinks it should have power to steal both his
And leave itself unfurnish'd. Yet look, how far
The substance of my praise doth wrong this shadow
In underprizing it, so far this shadow
Doth limp behind the substance. Here's the scroll,
The continent and summary of my fortune.
[Reads]
You that choose not by the view,
Chance as fair and choose as true!
Since this fortune falls to you,
Be content and seek no new,
If you be well pleased with this
And hold your fortune for your bliss,
Turn you where your lady is
And claim her with a loving kiss.
A gentle scroll. Fair lady, by your leave;
I come by note, to give and to receive.
Like one of two contending in a prize,
That thinks he hath done well in people's eyes,
Hearing applause and universal shout,
Giddy in spirit, still gazing in a doubt
Whether these pearls of praise be his or no;
So, thrice fair lady, stand I, even so;
As doubtful whether what I see be true,
Until confirm'd, sign'd, ratified by you.

18

Midsummer Night's Dream
[IV, 1]

Theseus

1693

Go, bid the huntsmen wake them with their horns.
[Horns and shout within. LYSANDER, DEMETRIUS,]
HELENA, and HERMIA wake and start up]
Good morrow, friends. Saint Valentine is past:
Begin these wood-birds but to couple now?

19

Richard III
[III, 7]

Duke of Buckingham

2225

No, so God help me, they spake not a word;
But, like dumb statues or breathing stones,
Gazed each on other, and look'd deadly pale.
Which when I saw, I reprehended them;
And ask'd the mayor what meant this wilful silence:
His answer was, the people were not wont
To be spoke to but by the recorder.
Then he was urged to tell my tale again,
'Thus saith the duke, thus hath the duke inferr'd;'
But nothing spake in warrant from himself.
When he had done, some followers of mine own,
At the lower end of the hall, hurl'd up their caps,
And some ten voices cried 'God save King Richard!'
And thus I took the vantage of those few,
'Thanks, gentle citizens and friends,' quoth I;
'This general applause and loving shout
Argues your wisdoms and your love to Richard:'
And even here brake off, and came away.

20

Troilus and Cressida
[V, 9]

Agamemnon

3619

Hark! hark! what shout is that?