# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 5]

Cleopatra

1058

And when good will is show'd, though't come
too short,
The actor may plead pardon. I'll none now:
Give me mine angle; we'll to the river: there,
My music playing far off, I will betray
Tawny-finn'd fishes; my bended hook shall pierce
Their slimy jaws; and, as I draw them up,
I'll think them every one an Antony,
And say 'Ah, ha! you're caught.'

2

Coriolanus
[II, 2]

Cominius

1329

I shall lack voice: the deeds of Coriolanus
Should not be utter'd feebly. It is held
That valour is the chiefest virtue, and
Most dignifies the haver: if it be,
The man I speak of cannot in the world
Be singly counterpoised. At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: be bestrid
An o'er-press'd Roman and i' the consul's view
Slew three opposers: Tarquin's self he met,
And struck him on his knee: in that day's feats,
When he might act the woman in the scene,
He proved best man i' the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter'd thus, he waxed like a sea,
And in the brunt of seventeen battles since
He lurch'd all swords of the garland. For this last,
Before and in Corioli, let me say,
I cannot speak him home: he stopp'd the fliers;
And by his rare example made the coward
Turn terror into sport: as weeds before
A vessel under sail, so men obey'd
And fell below his stem: his sword, death's stamp,
Where it did mark, it took; from face to foot
He was a thing of blood, whose every motion
Was timed with dying cries: alone he enter'd
The mortal gate of the city, which he painted
With shunless destiny; aidless came off,
And with a sudden reinforcement struck
Corioli like a planet: now all's his:
When, by and by, the din of war gan pierce
His ready sense; then straight his doubled spirit
Re-quicken'd what in flesh was fatigate,
And to the battle came he; where he did
Run reeking o'er the lives of men, as if
'Twere a perpetual spoil: and till we call'd
Both field and city ours, he never stood
To ease his breast with panting.

3

Coriolanus
[V, 4]

Menenius Agrippa

3745

So did he me: and he no more remembers his mother
now than an eight-year-old horse. The tartness
of his face sours ripe grapes: when he walks, he
moves like an engine, and the ground shrinks before
his treading: he is able to pierce a corslet with
his eye; talks like a knell, and his hum is a
battery. He sits in his state, as a thing made for
Alexander. What he bids be done is finished with
his bidding. He wants nothing of a god but eternity
and a heaven to throne in.

4

Hamlet
[IV, 5]

Claudius

3023

Why, now You speak
Like a good child and a true gentleman.
That I am guiltless of your father's death,
And am most sensibly in grief for it,
It shall as level to your judgment pierce
As day does to your eye.

5

Henry IV, Part I
[V, 3]

Falstaff

2942

Well, if Percy be alive, I'll pierce him. If he do
come in my way, so: if he do not, if I come in his
willingly, let him make a carbonado of me. I like
not such grinning honour as Sir Walter hath: give me
life: which if I can save, so; if not, honour comes
unlooked for, and there's an end.

6

Henry VI, Part III
[II, 1]

Richard III (Duke of Gloucester)

829

Then, Clifford, were thy heart as hard as steel,
As thou hast shown it flinty by thy deeds,
I come to pierce it, or to give thee mine.

7

Henry VI, Part III
[III, 1]

Henry VI

1395

My queen and son are gone to France for aid;
And, as I hear, the great commanding Warwick
Is thither gone, to crave the French king's sister
To wife for Edward: if this news be true,
Poor queen and son, your labour is but lost;
For Warwick is a subtle orator,
And Lewis a prince soon won with moving words.
By this account then Margaret may win him;
For she's a woman to be pitied much:
Her sighs will make a battery in his breast;
Her tears will pierce into a marble heart;
The tiger will be mild whiles she doth mourn;
And Nero will be tainted with remorse,
To hear and see her plaints, her brinish tears.
Ay, but she's come to beg, Warwick to give;
She, on his left side, craving aid for Henry,
He, on his right, asking a wife for Edward.
She weeps, and says her Henry is deposed;
He smiles, and says his Edward is install'd;
That she, poor wretch, for grief can speak no more;
Whiles Warwick tells his title, smooths the wrong,
Inferreth arguments of mighty strength,
And in conclusion wins the king from her,
With promise of his sister, and what else,
To strengthen and support King Edward's place.
O Margaret, thus 'twill be; and thou, poor soul,
Art then forsaken, as thou went'st forlorn!

8

Henry VIII
[I, 1]

Lord Abergavenny

110

I cannot tell
What heaven hath given him,—let some graver eye
Pierce into that; but I can see his pride
Peep through each part of him: whence has he that,
If not from hell? the devil is a niggard,
Or has given all before, and he begins
A new hell in himself.

9

King Lear
[I, 4]

Lear

825

I'll tell thee. [To Goneril] Life and death! I am asham'd
That thou hast power to shake my manhood thus;
That these hot tears, which break from me perforce,
Should make thee worth them. Blasts and fogs upon thee!
Th' untented woundings of a father's curse
Pierce every sense about thee!- Old fond eyes,
Beweep this cause again, I'll pluck ye out,
And cast you, with the waters that you lose,
To temper clay. Yea, is it come to this?
Let it be so. Yet have I left a daughter,
Who I am sure is kind and comfortable.
When she shall hear this of thee, with her nails
She'll flay thy wolvish visage. Thou shalt find
That I'll resume the shape which thou dost think
I have cast off for ever; thou shalt, I warrant thee.

10

King Lear
[I, 4]

Duke of Albany

877

How far your eyes may pierce I cannot tell.
Striving to better, oft we mar what's well.

11

King Lear
[IV, 3]

Earl of Kent

2462

Did your letters pierce the Queen to any demonstration of
grief?

12

King Lear
[IV, 6]

Lear

2763

And the creature run from the cur? There thou mightst behold
the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand!
Why dost thou lash that whore? Strip thine own back.
Thou hotly lusts to use her in that kind
For which thou whip'st her. The usurer hangs the cozener.
Through tatter'd clothes small vices do appear;
Robes and furr'd gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks;
Arm it in rags, a pygmy's straw does pierce it.
None does offend, none- I say none! I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes
And, like a scurvy politician, seem
To see the things thou dost not. Now, now, now, now!
Pull off my boots. Harder, harder! So.

13

Love's Labour's Lost
[V, 2]

Biron

2693

Honest plain words best pierce the ear of grief;
And by these badges understand the king.
For your fair sakes have we neglected time,
Play'd foul play with our oaths: your beauty, ladies,
Hath much deform'd us, fashioning our humours
Even to the opposed end of our intents:
And what in us hath seem'd ridiculous,—
As love is full of unbefitting strains,
All wanton as a child, skipping and vain,
Form'd by the eye and therefore, like the eye,
Full of strange shapes, of habits and of forms,
Varying in subjects as the eye doth roll
To every varied object in his glance:
Which parti-coated presence of loose love
Put on by us, if, in your heavenly eyes,
Have misbecomed our oaths and gravities,
Those heavenly eyes, that look into these faults,
Suggested us to make. Therefore, ladies,
Our love being yours, the error that love makes
Is likewise yours: we to ourselves prove false,
By being once false for ever to be true
To those that make us both,—fair ladies, you:
And even that falsehood, in itself a sin,
Thus purifies itself and turns to grace.

14

Measure for Measure
[I, 3]

Vincentio

290

No, holy father; throw away that thought;
Believe not that the dribbling dart of love
Can pierce a complete bosom. Why I desire thee
To give me secret harbour, hath a purpose
More grave and wrinkled than the aims and ends
Of burning youth.

15

Merchant of Venice
[IV, 1]

Gratiano

2058

Not on thy sole, but on thy soul, harsh Jew,
Thou makest thy knife keen; but no metal can,
No, not the hangman's axe, bear half the keenness
Of thy sharp envy. Can no prayers pierce thee?

16

Merchant of Venice
[V, 1]

Lorenzo

2502

Sweet soul, let's in, and there expect their coming.
And yet no matter: why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand;
And bring your music forth into the air.
[Exit Stephano]
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
[Enter Musicians]
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress' ear,
And draw her home with music.

17

Midsummer Night's Dream
[II, 1]

Oberon

527

That very time I saw, but thou couldst not,
Flying between the cold moon and the earth,
Cupid all arm'd: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.
Yet mark'd I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love's wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew'd thee once:
The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.

18

Much Ado about Nothing
[II, 1]

Beatrice

450

Not till God make men of some other metal than
earth. Would it not grieve a woman to be
overmastered with a pierce of valiant dust? to make
an account of her life to a clod of wayward marl?
No, uncle, I'll none: Adam's sons are my brethren;
and, truly, I hold it a sin to match in my kindred.

19

Othello
[IV, 1]

Lodovico

2712

Is this the noble Moor whom our full senate
Call all in all sufficient? Is this the nature
Whom passion could not shake? whose solid virtue
The shot of accident, nor dart of chance,
Could neither graze nor pierce?

20

Richard II
[V, 3]

Duchess of York

2703

Dost thou teach pardon pardon to destroy?
Ah, my sour husband, my hard-hearted lord,
That set'st the word itself against the word!
Speak 'pardon' as 'tis current in our land;
The chopping French we do not understand.
Thine eye begins to speak; set thy tongue there;
Or in thy piteous heart plant thou thine ear;
That hearing how our plaints and prayers do pierce,
Pity may move thee 'pardon' to rehearse.