# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part I
[II, 4]

Henry V

1238

We two saw you four set on four and bound them, and
were masters of their wealth. Mark now, how a plain
tale shall put you down. Then did we two set on you
four; and, with a word, out-faced you from your
prize, and have it; yea, and can show it you here in
the house: and, Falstaff, you carried your guts
away as nimbly, with as quick dexterity, and roared
for mercy and still run and roared, as ever I heard
bull-calf. What a slave art thou, to hack thy sword
as thou hast done, and then say it was in fight!
What trick, what device, what starting-hole, canst
thou now find out to hide thee from this open and
apparent shame?

2

Macbeth
[I, 6]

Duncan

433

This castle hath a pleasant seat; the air
Nimbly and sweetly recommends itself
Unto our gentle senses.

3

Richard II
[IV, 1]

King Richard II

2311

O, good! convey? conveyers are you all,
That rise thus nimbly by a true king's fall.

4

Richard III
[I, 1]

Richard III (Duke of Gloucester)

2

Now is the winter of our discontent
Made glorious summer by this sun of York;
And all the clouds that lour'd upon our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments;
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.
Grim-visaged war hath smooth'd his wrinkled front;
And now, instead of mounting barded steeds
To fright the souls of fearful adversaries,
He capers nimbly in a lady's chamber
To the lascivious pleasing of a lute.
But I, that am not shaped for sportive tricks,
Nor made to court an amorous looking-glass;
I, that am rudely stamp'd, and want love's majesty
To strut before a wanton ambling nymph;
I, that am curtail'd of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinish'd, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them;
Why, I, in this weak piping time of peace,
Have no delight to pass away the time,
Unless to spy my shadow in the sun
And descant on mine own deformity:
And therefore, since I cannot prove a lover,
To entertain these fair well-spoken days,
I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other:
And if King Edward be as true and just
As I am subtle, false and treacherous,
This day should Clarence closely be mew'd up,
About a prophecy, which says that 'G'
Of Edward's heirs the murderer shall be.
Dive, thoughts, down to my soul: here
Clarence comes.
[Enter CLARENCE, guarded, and BRAKENBURY]
Brother, good day; what means this armed guard
That waits upon your grace?

5

Venus and Adonis

Shakespeare

57

The studded bridle on a ragged bough
Nimbly she fastens:—O, how quick is love!—
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.