# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[V, 1]

Aemilia

1523

No, not a creature enters in my house.

2

Coriolanus
[I, 4]

(stage directions)

541

[Enters the gates]

3

Coriolanus
[I, 4]

First Soldier

551

Following the fliers at the very heels,
With them he enters; who, upon the sudden,
Clapp'd to their gates: he is himself alone,
To answer all the city.

4

Coriolanus
[I, 7]

(stage directions)

722

[TITUS LARTIUS, having set a guard upon]
Corioli, going with drum and trumpet toward
COMINIUS and CAIUS CORIOLANUS, enters with
Lieutenant, other Soldiers, and a Scout]

5

Cymbeline
[III, 4]

Pisanio

1753

What shall I need to draw my sword? the paper
Hath cut her throat already. No, 'tis slander,
Whose edge is sharper than the sword, whose tongue
Outvenoms all the worms of Nile, whose breath
Rides on the posting winds and doth belie
All corners of the world: kings, queens and states,
Maids, matrons, nay, the secrets of the grave
This viperous slander enters. What cheer, madam?

6

Hamlet
[III, 2]

Hamlet

2009

So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten
yet? Then there's hope a great man's memory may outlive his life
half a year. But, by'r Lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For O, for O, the hobby-horse is forgot!'
[Hautboys play. The dumb show enters.]
Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck. He lays him down upon a bank of flowers. She, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his
crown, kisses it, pours poison in the sleeper's ears, and
leaves him. The Queen returns, finds the King dead, and makes
passionate action. The Poisoner with some three or four Mutes,
comes in again, seem to condole with her. The dead body is
carried away. The Poisoner wooes the Queen with gifts; she
seems harsh and unwilling awhile, but in the end accepts
his love.

7

Henry IV, Part I
[V, 3]

(stage directions)

2878

[KING HENRY enters with his power. Alarum to the battle. Then enter DOUGLAS and SIR WALTER BLUNT]

8

Henry IV, Part I
[V, 4]

(stage directions)

2992

[They fight. KING HENRY being in danger, PRINCE HENRY enters]

9

Henry VI, Part II
[II, 3]

Richard Plantagenet (Duke of Gloucester)

1101

I never saw a fellow worse bested,
Or more afraid to fight, than is the appellant,
The servant of this armourer, my lords.
[Enter at one door, HORNER, the Armourer, and his]
Neighbours, drinking to him so much that he is drunk;
and he enters with a drum before him and his staff
with a sand-bag fastened to it; and at the other
door PETER, his man, with a drum and sand-bag, and
'Prentices drinking to him]

10

Henry VIII
[V, 3]

(stage directions)

3065

[CRANMER enters and approaches the council-table]

11

Macbeth
[III, 4]

Lennox

1320

May't please your highness sit.
[The GHOST OF BANQUO enters, and sits in]
MACBETH's place]

12

Rape of Lucrece

Shakespeare

640

'All which together, like a troubled ocean,
Beat at thy rocky and wreck-threatening heart,
To soften it with their continual motion;
For stones dissolved to water do convert.
O, if no harder than a stone thou art,
Melt at my tears, and be compassionate!
Soft pity enters at an iron gate.

13

Richard II
[I, 3]

Duke of Aumerle

294

Why, then, the champions are prepared, and stay
For nothing but his majesty's approach.
[The trumpets sound, and KING RICHARD enters with]
his nobles, JOHN OF GAUNT, BUSHY, BAGOT, GREEN, and
others. When they are set, enter THOMAS MOWBRAY in
arms, defendant, with a Herald]

14

Richard II
[V, 2]

Edmund of Langley

2464

As in a theatre, the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious;
Even so, or with much more contempt, men's eyes
Did scowl on gentle Richard; no man cried 'God save him!'
No joyful tongue gave him his welcome home:
But dust was thrown upon his sacred head:
Which with such gentle sorrow he shook off,
His face still combating with tears and smiles,
The badges of his grief and patience,
That had not God, for some strong purpose, steel'd
The hearts of men, they must perforce have melted
And barbarism itself have pitied him.
But heaven hath a hand in these events,
To whose high will we bound our calm contents.
To Bolingbroke are we sworn subjects now,
Whose state and honour I for aye allow.

15

Romeo and Juliet
[III, 1]

Mercutio

1503

Thou art like one of those fellows that when he
enters the confines of a tavern claps me his sword
upon the table and says 'God send me no need of
thee!' and by the operation of the second cup draws
it on the drawer, when indeed there is no need.

16

Romeo and Juliet
[V, 3]

Friar Laurence

3095

Romeo!
[Advances]
Alack, alack, what blood is this, which stains
The stony entrance of this sepulchre?
What mean these masterless and gory swords
To lie discolour'd by this place of peace?
[Enters the tomb]
Romeo! O, pale! Who else? what, Paris too?
And steep'd in blood? Ah, what an unkind hour
Is guilty of this lamentable chance!
The lady stirs.

17

Twelfth Night
[I, 1]

Orsino

2

If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.

18

Venus and Adonis

Shakespeare

911

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.