# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 3]

Bertram

2345

For this description of thine honesty? A pox upon
him for me, he's more and more a cat.

2

Antony and Cleopatra
[II, 2]

Domitius Enobarus

914

I will tell you.
The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion—cloth-of-gold of tissue—
O'er-picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

3

Antony and Cleopatra
[II, 7]

Octavius

1429

Will this description satisfy him?

4

Cymbeline
[II, 4]

Posthumus Leonatus

1287

This is her honour!
Let it be granted you have seen all this—and praise
Be given to your remembrance—the description
Of what is in her chamber nothing saves
The wager you have laid.

5

Cymbeline
[IV, 1]

Cloten

2287

I am near to the place where they should meet, if
Pisanio have mapped it truly. How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rather—saving reverence of the word—for 'tis said
a woman's fitness comes by fits. Therein I must
play the workman. I dare speak it to myself—for it
is not vain-glory for a man and his glass to confer
in his own chamber—I mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations. My
horse is tied up safe: out, sword, and to a sore
purpose! Fortune, put them into my hand! This is
the very description of their meeting-place; and
the fellow dares not deceive me.

6

Cymbeline
[V, 5]

Iachimo

3575

All too soon I shall,
Unless thou wouldst grieve quickly. This Posthumus,
Most like a noble lord in love and one
That had a royal lover, took his hint;
And, not dispraising whom we praised,—therein
He was as calm as virtue—he began
His mistress' picture; which by his tongue
being made,
And then a mind put in't, either our brags
Were crack'd of kitchen-trolls, or his description
Proved us unspeaking sots.

7

Henry V
[III, 6]

Fluellen

1491

By your patience, Aunchient Pistol. Fortune is
painted blind, with a muffler afore her eyes, to
signify to you that Fortune is blind; and she is
painted also with a wheel, to signify to you, which
is the moral of it, that she is turning, and
inconstant, and mutability, and variation: and her
foot, look you, is fixed upon a spherical stone,
which rolls, and rolls, and rolls: in good truth,
the poet makes a most excellent description of it:
Fortune is an excellent moral.

8

Henry V
[IV, 2]

Grandpre

2203

Why do you stay so long, my lords of France?
Yon island carrions, desperate of their bones,
Ill-favouredly become the morning field:
Their ragged curtains poorly are let loose,
And our air shakes them passing scornfully:
Big Mars seems bankrupt in their beggar'd host
And faintly through a rusty beaver peeps:
The horsemen sit like fixed candlesticks,
With torch-staves in their hand; and their poor jades
Lob down their heads, dropping the hides and hips,
The gum down-roping from their pale-dead eyes
And in their pale dull mouths the gimmal bit
Lies foul with chew'd grass, still and motionless;
And their executors, the knavish crows,
Fly o'er them, all impatient for their hour.
Description cannot suit itself in words
To demonstrate the life of such a battle
In life so lifeless as it shows itself.

9

Henry VI, Part I
[V, 5]

Henry VI

2854

Your wondrous rare description, noble earl,
Of beauteous Margaret hath astonish'd me:
Her virtues graced with external gifts
Do breed love's settled passions in my heart:
And like as rigor of tempestuous gusts
Provokes the mightiest hulk against the tide,
So am I driven by breath of her renown
Either to suffer shipwreck or arrive
Where I may have fruition of her love.

10

Love's Labour's Lost
[V, 2]

Biron

2453

A right description of our sport, my lord.

11

Merchant of Venice
[I, 2]

Portia

229

I pray thee, over-name them; and as thou namest
them, I will describe them; and, according to my
description, level at my affection.

12

Merchant of Venice
[III, 2]

Portia

1676

What, no more?
Pay him six thousand, and deface the bond;
Double six thousand, and then treble that,
Before a friend of this description
Shall lose a hair through Bassanio's fault.
First go with me to church and call me wife,
And then away to Venice to your friend;
For never shall you lie by Portia's side
With an unquiet soul. You shall have gold
To pay the petty debt twenty times over:
When it is paid, bring your true friend along.
My maid Nerissa and myself meantime
Will live as maids and widows. Come, away!
For you shall hence upon your wedding-day:
Bid your friends welcome, show a merry cheer:
Since you are dear bought, I will love you dear.
But let me hear the letter of your friend.

13

Merry Wives of Windsor
[I, 1]

Sir Hugh Evans

199

Give ear to his motions, Master Slender: I will
description the matter to you, if you be capacity of it.

14

Othello
[II, 1]

Cassio

835

Most fortunately: he hath achieved a maid
That paragons description and wild fame;
One that excels the quirks of blazoning pens,
And in the essential vesture of creation
Does tire the ingener.
[Re-enter second Gentleman]
How now! who has put in?

15

Pericles
[IV, 2]

Boult

1763

'Faith, they listened to me as they would have
hearkened to their father's testament. There was a
Spaniard's mouth so watered, that he went to bed to
her very description.

16

Timon of Athens
[IV, 3]

Second Bandit

2122

'Tis his description.

17

Timon of Athens
[V, 3]

Soldier

2544

By all description this should be the place.
Who's here? speak, ho! No answer! What is this?
Timon is dead, who hath outstretch'd his span:
Some beast rear'd this; there does not live a man.
Dead, sure; and this his grave. What's on this tomb
I cannot read; the character I'll take with wax:
Our captain hath in every figure skill,
An aged interpreter, though young in days:
Before proud Athens he's set down by this,
Whose fall the mark of his ambition is.

18

Winter's Tale
[V, 2]

Third Gentleman

3151

Then have you lost a sight, which was to be seen,
cannot be spoken of. There might you have beheld one
joy crown another, so and in such manner that it
seemed sorrow wept to take leave of them, for their
joy waded in tears. There was casting up of eyes,
holding up of hands, with countenances of such
distraction that they were to be known by garment,
not by favour. Our king, being ready to leap out of
himself for joy of his found daughter, as if that
joy were now become a loss, cries 'O, thy mother,
thy mother!' then asks Bohemia forgiveness; then
embraces his son-in-law; then again worries he his
daughter with clipping her; now he thanks the old
shepherd, which stands by like a weather-bitten
conduit of many kings' reigns. I never heard of such
another encounter, which lames report to follow it
and undoes description to do it.