# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Coriolanus
[III, 1]

Coriolanus

1823

How! no more!
As for my country I have shed my blood,
Not fearing outward force, so shall my lungs
Coin words till their decay against those measles,
Which we disdain should tatter us, yet sought
The very way to catch them.

2

Cymbeline
[I, 5]

Queen

550

Weeps she still, say'st thou? Dost thou think in time
She will not quench and let instructions enter
Where folly now possesses? Do thou work:
When thou shalt bring me word she loves my son,
I'll tell thee on the instant thou art then
As great as is thy master, greater, for
His fortunes all lie speechless and his name
Is at last gasp: return he cannot, nor
Continue where he is: to shift his being
Is to exchange one misery with another,
And every day that comes comes to decay
A day's work in him. What shalt thou expect,
To be depender on a thing that leans,
Who cannot be new built, nor has no friends,
So much as but to prop him?
[The QUEEN drops the box: PISANIO takes it up]
Thou takest up
Thou know'st not what; but take it for thy labour:
It is a thing I made, which hath the king
Five times redeem'd from death: I do not know
What is more cordial. Nay, I prethee, take it;
It is an earnest of a further good
That I mean to thee. Tell thy mistress how
The case stands with her; do't as from thyself.
Think what a chance thou changest on, but think
Thou hast thy mistress still, to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment such
As thou'lt desire; and then myself, I chiefly,
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words.
[Exit PISANIO]
A sly and constant knave,
Not to be shaked; the agent for his master
And the remembrancer of her to hold
The hand-fast to her lord. I have given him that
Which, if he take, shall quite unpeople her
Of liegers for her sweet, and which she after,
Except she bend her humour, shall be assured
To taste of too.
[Re-enter PISANIO and Ladies]
So, so: well done, well done:
The violets, cowslips, and the primroses,
Bear to my closet. Fare thee well, Pisanio;
Think on my words.

3

Henry IV, Part II
[I, 1]

Morton

220

Sweet Earl, divorce not wisdom from your honour.
The lives of all your loving complices
Lean on your health; the which, if you give o'er
To stormy passion, must perforce decay.
You cast th' event of war, my noble lord,
And summ'd the account of chance before you said
'Let us make head.' It was your pre-surmise
That in the dole of blows your son might drop.
You knew he walk'd o'er perils on an edge,
More likely to fall in than to get o'er;
You were advis'd his flesh was capable
Of wounds and scars, and that his forward spirit
Would lift him where most trade of danger rang'd;
Yet did you say 'Go forth'; and none of this,
Though strongly apprehended, could restrain
The stiff-borne action. What hath then befall'n,
Or what hath this bold enterprise brought forth
More than that being which was like to be?

4

Henry IV, Part II
[IV, 4]

Henry IV

2802

Most subject is the fattest soil to weeds;
And he, the noble image of my youth,
Is overspread with them; therefore my grief
Stretches itself beyond the hour of death.
The blood weeps from my heart when I do shape,
In forms imaginary, th'unguided days
And rotten times that you shall look upon
When I am sleeping with my ancestors.
For when his headstrong riot hath no curb,
When rage and hot blood are his counsellors
When means and lavish manners meet together,
O, with what wings shall his affections fly
Towards fronting peril and oppos'd decay!

5

Henry VI, Part II
[III, 1]

Duke of Gloucester

1470

Ah! thus King Henry throws away his crutch
Before his legs be firm to bear his body.
Thus is the shepherd beaten from thy side,
And wolves are gnarling who shall gnaw thee first.
Ah, that my fear were false! ah, that it were!
For, good King Henry, thy decay I fear.

6

Henry VI, Part III
[IV, 4]

Queen Elizabeth

2258

Till then fair hope must hinder life's decay.
And I the rather wean me from despair
For love of Edward's offspring in my womb:
This is it that makes me bridle passion
And bear with mildness my misfortune's cross;
Ay, ay, for this I draw in many a tear
And stop the rising of blood-sucking sighs,
Lest with my sighs or tears I blast or drown
King Edward's fruit, true heir to the English crown.

7

Julius Caesar
[IV, 2]

Brutus

1937

Thou hast described
A hot friend cooling: ever note, Lucilius,
When love begins to sicken and decay,
It useth an enforced ceremony.
There are no tricks in plain and simple faith;
But hollow men, like horses hot at hand,
Make gallant show and promise of their mettle;
But when they should endure the bloody spur,
They fall their crests, and, like deceitful jades,
Sink in the trial. Comes his army on?

8

King John
[I, 1]

King John

25

Bear mine to him, and so depart in peace:
Be thou as lightning in the eyes of France;
For ere thou canst report I will be there,
The thunder of my cannon shall be heard:
So hence! Be thou the trumpet of our wrath
And sullen presage of your own decay.
An honourable conduct let him have:
Pembroke, look to 't. Farewell, Chatillon.

9

King John
[IV, 3]

Philip the Bastard

2169

Go, bear him in thine arms.
I am amazed, methinks, and lose my way
Among the thorns and dangers of this world.
How easy dost thou take all England up!
From forth this morsel of dead royalty,
The life, the right and truth of all this realm
Is fled to heaven; and England now is left
To tug and scamble and to part by the teeth
The unowed interest of proud-swelling state.
Now for the bare-pick'd bone of majesty
Doth dogged war bristle his angry crest
And snarleth in the gentle eyes of peace:
Now powers from home and discontents at home
Meet in one line; and vast confusion waits,
As doth a raven on a sick-fall'n beast,
The imminent decay of wrested pomp.
Now happy he whose cloak and cincture can
Hold out this tempest. Bear away that child
And follow me with speed: I'll to the king:
A thousand businesses are brief in hand,
And heaven itself doth frown upon the land.

10

King Lear
[V, 3]

Earl of Kent

3471

That from your first of difference and decay
Have followed your sad steps.

11

King Lear
[V, 3]

Duke of Albany

3483

That's but a trifle here.
You lords and noble friends, know our intent.
What comfort to this great decay may come
Shall be applied. For us, we will resign,
During the life of this old Majesty,
To him our absolute power; [to Edgar and Kent] you to your
rights;
With boot, and such addition as your honours
Have more than merited.- All friends shall taste
The wages of their virtue, and all foes
The cup of their deservings.- O, see, see!

12

Merchant of Venice
[V, 1]

Lorenzo

2502

Sweet soul, let's in, and there expect their coming.
And yet no matter: why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand;
And bring your music forth into the air.
[Exit Stephano]
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
[Enter Musicians]
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress' ear,
And draw her home with music.

13

Merry Wives of Windsor
[V, 5]

Falstaff

2716

'Seese' and 'putter'! have I lived to stand at the
taunt of one that makes fritters of English? This
is enough to be the decay of lust and late-walking
through the realm.

14

Passionate Pilgrim

Shakespeare

182

Good night, good rest. Ah, neither be my share:
She bade good night that kept my rest away;
And daff'd me to a cabin hang'd with care,
To descant on the doubts of my decay.
'Farewell,' quoth she, 'and come again tomorrow:'
Fare well I could not, for I supp'd with sorrow.

15

Pericles
[III, 2]

Second Gentleman

1334

Your honour has through Ephesus pour'd forth
Your charity, and hundreds call themselves
Your creatures, who by you have been restored:
And not your knowledge, your personal pain, but even
Your purse, still open, hath built Lord Cerimon
Such strong renown as time shall ne'er decay.

16

Rape of Lucrece

Shakespeare

563

'Lucrece,' quoth he,'this night I must enjoy thee:
If thou deny, then force must work my way,
For in thy bed I purpose to destroy thee:
That done, some worthless slave of thine I'll slay,
To kill thine honour with thy life's decay;
And in thy dead arms do I mean to place him,
Swearing I slew him, seeing thee embrace him.

17

Rape of Lucrece

Shakespeare

857

'Make me not object to the tell-tale Day!
The light will show, character'd in my brow,
The story of sweet chastity's decay,
The impious breach of holy wedlock vow:
Yea the illiterate, that know not how
To cipher what is writ in learned books,
Will quote my loathsome trespass in my looks.

18

Rape of Lucrece

Shakespeare

997

'To fill with worm-holes stately monuments,
To feed oblivion with decay of things,
To blot old books and alter their contents,
To pluck the quills from ancient ravens' wings,
To dry the old oak's sap and cherish springs,
To spoil antiquities of hammer'd steel,
And turn the giddy round of Fortune's wheel;

19

Rape of Lucrece

Shakespeare

1214

'My body or my soul, which was the dearer,
When the one pure, the other made divine?
Whose love of either to myself was nearer,
When both were kept for heaven and Collatine?
Ay me! the bark peel'd from the lofty pine,
His leaves will wither and his sap decay;
So must my soul, her bark being peel'd away.

20

Richard II
[III, 2]

King Richard II

1503

Mine ear is open and my heart prepared;
The worst is worldly loss thou canst unfold.
Say, is my kingdom lost? why, 'twas my care
And what loss is it to be rid of care?
Strives Bolingbroke to be as great as we?
Greater he shall not be; if he serve God,
We'll serve Him too and be his fellow so:
Revolt our subjects? that we cannot mend;
They break their faith to God as well as us:
Cry woe, destruction, ruin and decay:
The worst is death, and death will have his day.