# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[III, 2]

Antony

1644

The April 's in her eyes: it is love's spring,
And these the showers to bring it on. Be cheerful.

2

As You Like It
[I, 3]

Celia

499

Thou hast not, cousin.
Prithee be cheerful. Know'st thou not the Duke
Hath banish'd me, his daughter?

3

Cymbeline
[IV, 2]

Caius Lucius

2813

Ay, good youth!
And rather father thee than master thee.
My friends,
The boy hath taught us manly duties: let us
Find out the prettiest daisied plot we can,
And make him with our pikes and partisans
A grave: come, arm him. Boy, he is preferr'd
By thee to us, and he shall be interr'd
As soldiers can. Be cheerful; wipe thine eyes
Some falls are means the happier to arise.

4

Henry IV, Part I
[II, 4]

Falstaff

1404

A goodly portly man, i' faith, and a corpulent; of a
cheerful look, a pleasing eye and a most noble
carriage; and, as I think, his age some fifty, or,
by'r lady, inclining to three score; and now I
remember me, his name is Falstaff: if that man
should be lewdly given, he deceiveth me; for, Harry,
I see virtue in his looks. If then the tree may be
known by the fruit, as the fruit by the tree, then,
peremptorily I speak it, there is virtue in that
Falstaff: him keep with, the rest banish. And tell
me now, thou naughty varlet, tell me, where hast
thou been this month?

5

Henry IV, Part II
[IV, 2]

Lord Mowbray

2535

This had been cheerful after victory.

6

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

7

Henry VI, Part II
[I, 1]

Henry VI

36

Her sight did ravish; but her grace in speech,
Her words y-clad with wisdom's majesty,
Makes me from wondering fall to weeping joys;
Such is the fulness of my heart's content.
Lords, with one cheerful voice welcome my love.

8

Henry VI, Part III
[V, 1]

Earl of Warwick

2655

O cheerful colours! see where Oxford comes!

9

King John
[IV, 2]

King John

1728

Here once again we sit, once again crown'd,
And looked upon, I hope, with cheerful eyes.

10

Merry Wives of Windsor
[V, 5]

Page

2742

Yet be cheerful, knight: thou shalt eat a posset
to-night at my house; where I will desire thee to
laugh at my wife, that now laughs at thee: tell her
Master Slender hath married her daughter.

11

Pericles
[IV, 1]

Dionyza

1580

Come, come;
I love the king your father, and yourself,
With more than foreign heart. We every day
Expect him here: when he shall come and find
Our paragon to all reports thus blasted,
He will repent the breadth of his great voyage;
Blame both my lord and me, that we have taken
No care to your best courses. Go, I pray you,
Walk, and be cheerful once again; reserve
That excellent complexion, which did steal
The eyes of young and old. Care not for me
I can go home alone.

12

Richard II
[II, 2]

Bushy

994

Madam, your majesty is too much sad:
You promised, when you parted with the king,
To lay aside life-harming heaviness
And entertain a cheerful disposition.

13

Richard III
[V, 3]

Prince Edward

3593

[To KING RICHARD III]
Let me sit heavy on thy soul to-morrow!
Think, how thou stab'dst me in my prime of youth
At Tewksbury: despair, therefore, and die!
[To RICHMOND]
Be cheerful, Richmond; for the wronged souls
Of butcher'd princes fight in thy behalf
King Henry's issue, Richmond, comforts thee.

14

Romeo and Juliet
[V, 1]

Romeo

2805

If I may trust the flattering truth of sleep,
My dreams presage some joyful news at hand:
My bosom's lord sits lightly in his throne;
And all this day an unaccustom'd spirit
Lifts me above the ground with cheerful thoughts.
I dreamt my lady came and found me dead—
Strange dream, that gives a dead man leave
to think!—
And breathed such life with kisses in my lips,
That I revived, and was an emperor.
Ah me! how sweet is love itself possess'd,
When but love's shadows are so rich in joy!
[Enter BALTHASAR, booted]
News from Verona!—How now, Balthasar!
Dost thou not bring me letters from the friar?
How doth my lady? Is my father well?
How fares my Juliet? that I ask again;
For nothing can be ill, if she be well.

15

Tempest
[IV, 1]

Prospero

1877

You do look, my son, in a moved sort,
As if you were dismay'd: be cheerful, sir.
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Ye all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep. Sir, I am vex'd;
Bear with my weakness; my, brain is troubled:
Be not disturb'd with my infirmity:
If you be pleased, retire into my cell
And there repose: a turn or two I'll walk,
To still my beating mind.

16

Tempest
[V, 1]

Prospero

2311

Sir, my liege,
Do not infest your mind with beating on
The strangeness of this business; at pick'd leisure
Which shall be shortly, single I'll resolve you,
Which to you shall seem probable, of every
These happen'd accidents; till when, be cheerful
And think of each thing well.
[Aside to ARIEL]
Come hither, spirit:
Set Caliban and his companions free;
Untie the spell.
[Exit ARIEL]
How fares my gracious sir?
There are yet missing of your company
Some few odd lads that you remember not.
[Re-enter ARIEL, driving in CALIBAN, STEPHANO]
and TRINCULO, in their stolen apparel]

17

Titus Andronicus
[II, 3]

Tamora

743

My lovely Aaron, wherefore look'st thou sad,
When every thing doth make a gleeful boast?
The birds chant melody on every bush,
The snake lies rolled in the cheerful sun,
The green leaves quiver with the cooling wind
And make a chequer'd shadow on the ground:
Under their sweet shade, Aaron, let us sit,
And, whilst the babbling echo mocks the hounds,
Replying shrilly to the well-tuned horns,
As if a double hunt were heard at once,
Let us sit down and mark their yelping noise;
And, after conflict such as was supposed
The wandering prince and Dido once enjoy'd,
When with a happy storm they were surprised
And curtain'd with a counsel-keeping cave,
We may, each wreathed in the other's arms,
Our pastimes done, possess a golden slumber;
Whiles hounds and horns and sweet melodious birds
Be unto us as is a nurse's song
Of lullaby to bring her babe asleep.