# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[IV, 5]

Clown

2560

Faith there's a dozen of 'em, with delicate fine
hats and most courteous feathers, which bow the head
and nod at every man.

2

Antony and Cleopatra
[II, 3]

Octavia

981

All which time
Before the gods my knee shall bow my prayers
To them for you.

3

As You Like It
[III, 3]

Touchstone

1568

As the ox hath his bow, sir, the horse his curb, and
the falcon her bells, so man hath his desires; and as pigeons
bill, so wedlock would be nibbling.

4

As You Like It
[IV, 3]

Celia

2003

I warrant you, with pure love and troubled brain, he hath
ta'en his bow and arrows, and is gone forth- to sleep. Look, who
comes here.

5

Cymbeline
[III, 3]

Belarius

1672

My fault being nothing—as I have told you oft—
But that two villains, whose false oaths prevail'd
Before my perfect honour, swore to Cymbeline
I was confederate with the Romans: so
Follow'd my banishment, and this twenty years
This rock and these demesnes have been my world;
Where I have lived at honest freedom, paid
More pious debts to heaven than in all
The fore-end of my time. But up to the mountains!
This is not hunters' language: he that strikes
The venison first shall be the lord o' the feast;
To him the other two shall minister;
And we will fear no poison, which attends
In place of greater state. I'll meet you in the valleys.
[Exeunt GUIDERIUS and ARVIRAGUS]
How hard it is to hide the sparks of nature!
These boys know little they are sons to the king;
Nor Cymbeline dreams that they are alive.
They think they are mine; and though train'd
up thus meanly
I' the cave wherein they bow, their thoughts do hit
The roofs of palaces, and nature prompts them
In simple and low things to prince it much
Beyond the trick of others. This Polydore,
The heir of Cymbeline and Britain, who
The king his father call'd Guiderius,—Jove!
When on my three-foot stool I sit and tell
The warlike feats I have done, his spirits fly out
Into my story: say 'Thus, mine enemy fell,
And thus I set my foot on 's neck;' even then
The princely blood flows in his cheek, he sweats,
Strains his young nerves and puts himself in posture
That acts my words. The younger brother, Cadwal,
Once Arviragus, in as like a figure,
Strikes life into my speech and shows much more
His own conceiving.—Hark, the game is roused!
O Cymbeline! heaven and my conscience knows
Thou didst unjustly banish me: whereon,
At three and two years old, I stole these babes;
Thinking to bar thee of succession, as
Thou reft'st me of my lands. Euriphile,
Thou wast their nurse; they took thee for
their mother,
And every day do honour to her grave:
Myself, Belarius, that am Morgan call'd,
They take for natural father. The game is up.

6

Cymbeline
[V, 5]

Cymbeline

3390

Bow your knees.
Arise my knights o' the battle: I create you
Companions to our person and will fit you
With dignities becoming your estates.
[Enter CORNELIUS and Ladies]
There's business in these faces. Why so sadly
Greet you our victory? you look like Romans,
And not o' the court of Britain.

7

Hamlet
[I, 2]

Laertes

252

My dread lord,
Your leave and favour to return to France;
From whence though willingly I came to Denmark
To show my duty in your coronation,
Yet now I must confess, that duty done,
My thoughts and wishes bend again toward France
And bow them to your gracious leave and pardon.

8

Hamlet
[III, 3]

Claudius

2316

Thanks, dear my lord.
[Exit [Polonius].]
O, my offence is rank, it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murther! Pray can I not,
Though inclination be as sharp as will.
My stronger guilt defeats my strong intent,
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood,
Is there not rain enough in the sweet heavens
To wash it white as snow? Whereto serves mercy
But to confront the visage of offence?
And what's in prayer but this twofold force,
To be forestalled ere we come to fall,
Or pardon'd being down? Then I'll look up;
My fault is past. But, O, what form of prayer
Can serve my turn? 'Forgive me my foul murther'?
That cannot be; since I am still possess'd
Of those effects for which I did the murther-
My crown, mine own ambition, and my queen.
May one be pardon'd and retain th' offence?
In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law; but 'tis not so above.
There is no shuffling; there the action lies
In his true nature, and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? What rests?
Try what repentance can. What can it not?
Yet what can it when one cannot repent?
O wretched state! O bosom black as death!
O limed soul, that, struggling to be free,
Art more engag'd! Help, angels! Make assay.
Bow, stubborn knees; and heart with strings of steel,
Be soft as sinews of the new-born babe!
All may be well. He kneels.

9

Hamlet
[IV, 7]

Claudius

3141

O, for two special reasons,
Which may to you, perhaps, seem much unsinew'd,
But yet to me they are strong. The Queen his mother
Lives almost by his looks; and for myself,-
My virtue or my plague, be it either which,-
She's so conjunctive to my life and soul
That, as the star moves not but in his sphere,
I could not but by her. The other motive
Why to a public count I might not go
Is the great love the general gender bear him,
Who, dipping all his faults in their affection,
Would, like the spring that turneth wood to stone,
Convert his gives to graces; so that my arrows,
Too slightly timber'd for so loud a wind,
Would have reverted to my bow again,
And not where I had aim'd them.

10

Henry IV, Part II
[III, 2]

Robert Shallow

1871

Jesu, Jesu, dead! drew a good bow; and dead! 'A shot a
fine shoot. John a Gaunt loved him well, and betted much
his head. Dead! 'A would have clapp'd i' th' clout at twelve
score, and carried you a forehand shaft a fourteen and
and a half, that it would have done a man's heart good to
How a score of ewes now?

11

Henry V
[I, 2]

Henry V

153

Sure, we thank you.
My learned lord, we pray you to proceed
And justly and religiously unfold
Why the law Salique that they have in France
Or should, or should not, bar us in our claim:
And God forbid, my dear and faithful lord,
That you should fashion, wrest, or bow your reading,
Or nicely charge your understanding soul
With opening titles miscreate, whose right
Suits not in native colours with the truth;
For God doth know how many now in health
Shall drop their blood in approbation
Of what your reverence shall incite us to.
Therefore take heed how you impawn our person,
How you awake our sleeping sword of war:
We charge you, in the name of God, take heed;
For never two such kingdoms did contend
Without much fall of blood; whose guiltless drops
Are every one a woe, a sore complaint
'Gainst him whose wrong gives edge unto the swords
That make such waste in brief mortality.
Under this conjuration, speak, my lord;
For we will hear, note and believe in heart
That what you speak is in your conscience wash'd
As pure as sin with baptism.

12

Henry V
[III, 6]

Montjoy

1584

Thus says my king: Say thou to Harry of England:
Though we seemed dead, we did but sleep: advantage
is a better soldier than rashness. Tell him we
could have rebuked him at Harfleur, but that we
thought not good to bruise an injury till it were
full ripe: now we speak upon our cue, and our voice
is imperial: England shall repent his folly, see
his weakness, and admire our sufferance. Bid him
therefore consider of his ransom; which must
proportion the losses we have borne, the subjects we
have lost, the disgrace we have digested; which in
weight to re-answer, his pettiness would bow under.
For our losses, his exchequer is too poor; for the
effusion of our blood, the muster of his kingdom too
faint a number; and for our disgrace, his own
person, kneeling at our feet, but a weak and
worthless satisfaction. To this add defiance: and
tell him, for conclusion, he hath betrayed his
followers, whose condemnation is pronounced. So far
my king and master; so much my office.

13

Henry VI, Part I
[IV, 5]

John Talbot

2155

Then let me stay; and, father, do you fly:
Your loss is great, so your regard should be;
My worth unknown, no loss is known in me.
Upon my death the French can little boast;
In yours they will, in you all hopes are lost.
Flight cannot stain the honour you have won;
But mine it will, that no exploit have done:
You fled for vantage, everyone will swear;
But, if I bow, they'll say it was for fear.
There is no hope that ever I will stay,
If the first hour I shrink and run away.
Here on my knee I beg mortality,
Rather than life preserved with infamy.

14

Henry VI, Part II
[IV, 1]

Earl of Suffolk

2277

Suffolk's imperial tongue is stern and rough,
Used to command, untaught to plead for favour.
Far be it we should honour such as these
With humble suit: no, rather let my head
Stoop to the block than these knees bow to any
Save to the God of heaven and to my king;
And sooner dance upon a bloody pole
Than stand uncover'd to the vulgar groom.
True nobility is exempt from fear:
More can I bear than you dare execute.

15

Henry VI, Part II
[V, 1]

Richard Plantagenet (Duke of Gloucester)

3092

Wouldst have me kneel? first let me ask of these,
If they can brook I bow a knee to man.
Sirrah, call in my sons to be my bail;
[Exit Attendant]
I know, ere they will have me go to ward,
They'll pawn their swords for my enfranchisement.

16

Henry VI, Part II
[V, 1]

Henry VI

3151

Why, Warwick, hath thy knee forgot to bow?
Old Salisbury, shame to thy silver hair,
Thou mad misleader of thy brain-sick son!
What, wilt thou on thy death-bed play the ruffian,
And seek for sorrow with thy spectacles?
O, where is faith? O, where is loyalty?
If it be banish'd from the frosty head,
Where shall it find a harbour in the earth?
Wilt thou go dig a grave to find out war,
And shame thine honourable age with blood?
Why art thou old, and want'st experience?
Or wherefore dost abuse it, if thou hast it?
For shame! in duty bend thy knee to me
That bows unto the grave with mickle age.

17

Henry VI, Part III
[I, 4]

Queen Margaret

505

Brave warriors, Clifford and Northumberland,
Come, make him stand upon this molehill here,
That raught at mountains with outstretched arms,
Yet parted but the shadow with his hand.
What! was it you that would be England's king?
Was't you that revell'd in our parliament,
And made a preachment of your high descent?
Where are your mess of sons to back you now?
The wanton Edward, and the lusty George?
And where's that valiant crook-back prodigy,
Dicky your boy, that with his grumbling voice
Was wont to cheer his dad in mutinies?
Or, with the rest, where is your darling Rutland?
Look, York: I stain'd this napkin with the blood
That valiant Clifford, with his rapier's point,
Made issue from the bosom of the boy;
And if thine eyes can water for his death,
I give thee this to dry thy cheeks withal.
Alas poor York! but that I hate thee deadly,
I should lament thy miserable state.
I prithee, grieve, to make me merry, York.
What, hath thy fiery heart so parch'd thine entrails
That not a tear can fall for Rutland's death?
Why art thou patient, man? thou shouldst be mad;
And I, to make thee mad, do mock thee thus.
Stamp, rave, and fret, that I may sing and dance.
Thou wouldst be fee'd, I see, to make me sport:
York cannot speak, unless he wear a crown.
A crown for York! and, lords, bow low to him:
Hold you his hands, whilst I do set it on.
[Putting a paper crown on his head]
Ay, marry, sir, now looks he like a king!
Ay, this is he that took King Henry's chair,
And this is he was his adopted heir.
But how is it that great Plantagenet
Is crown'd so soon, and broke his solemn oath?
As I bethink me, you should not be king
Till our King Henry had shook hands with death.
And will you pale your head in Henry's glory,
And rob his temples of the diadem,
Now in his life, against your holy oath?
O, 'tis a fault too too unpardonable!
Off with the crown, and with the crown his head;
And, whilst we breathe, take time to do him dead.

18

Henry VI, Part III
[II, 2]

King Edward IV (Plantagenet)

932

I am his king, and he should bow his knee;
I was adopted heir by his consent:
Since when, his oath is broke; for, as I hear,
You, that are king, though he do wear the crown,
Have caused him, by new act of parliament,
To blot out me, and put his own son in.

19

Henry VIII
[III, 1]

Queen Katharine

1620

Take thy lute, wench: my soul grows sad with troubles;
Sing, and disperse 'em, if thou canst: leave working.
[SONG]
Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Every thing that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.

20

Henry VIII
[IV, 2]

Queen Katharine

2559

O Griffith, sick to death!
My legs, like loaden branches, bow to the earth,
Willing to leave their burthen. Reach a chair:
So; now, methinks, I feel a little ease.
Didst thou not tell me, Griffith, as thou led'st me,
That the great child of honour, Cardinal Wolsey, Was dead?