# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part II
[IV, 5]

Henry V

2907

No; I will sit and watch here by the King.
[Exeunt all but the PRINCE]
Why doth the crown lie there upon his pillow,
Being so troublesome a bedfellow?
O polish'd perturbation! golden care!
That keep'st the ports of slumber open wide
To many a watchful night! Sleep with it now!
Yet not so sound and half so deeply sweet
As he whose brow with homely biggen bound
Snores out the watch of night. O majesty!
When thou dost pinch thy bearer, thou dost sit
Like a rich armour worn in heat of day
That scald'st with safety. By his gates of breath
There lies a downy feather which stirs not.
Did he suspire, that light and weightless down
Perforce must move. My gracious lord! my father!
This sleep is sound indeed; this is a sleep
That from this golden rigol hath divorc'd
So many English kings. Thy due from me
Is tears and heavy sorrows of the blood
Which nature, love, and filial tenderness,
Shall, O dear father, pay thee plenteously.
My due from thee is this imperial crown,
Which, as immediate from thy place and blood,
Derives itself to me. [Putting on the crown] Lo where it
Which God shall guard; and put the world's whole strength
Into one giant arm, it shall not force
This lineal honour from me. This from thee
Will I to mine leave as 'tis left to me. Exit

2

Henry IV, Part II
[IV, 5]

Henry V

3034

O, pardon me, my liege! But for my tears,
The moist impediments unto my speech,
I had forestall'd this dear and deep rebuke
Ere you with grief had spoke and I had heard
The course of it so far. There is your crown,
And he that wears the crown immortally
Long guard it yours! [Kneeling] If I affect it more
Than as your honour and as your renown,
Let me no more from this obedience rise,
Which my most inward true and duteous spirit
Teacheth this prostrate and exterior bending!
God witness with me, when I here came in
And found no course of breath within your Majesty,
How cold it struck my heart! If I do feign,
O, let me in my present wildness die,
And never live to show th' incredulous world
The noble change that I have purposed!
Coming to look on you, thinking you dead-
And dead almost, my liege, to think you were-
I spake unto this crown as having sense,
And thus upbraided it: 'The care on thee depending
Hath fed upon the body of my father;
Therefore thou best of gold art worst of gold.
Other, less fine in carat, is more precious,
Preserving life in med'cine potable;
But thou, most fine, most honour'd, most renown'd,
Hast eat thy bearer up.' Thus, my most royal liege,
Accusing it, I put it on my head,
To try with it—as with an enemy
That had before my face murd'red my father—
The quarrel of a true inheritor.
But if it did infect my blood with joy,
Or swell my thoughts to any strain of pride;
If any rebel or vain spirit of mine
Did with the least affection of a welcome
Give entertainment to the might of it,
Let God for ever keep it from my head,
And make me as the poorest vassal is,
That doth with awe and terror kneel to it!

3

Henry VIII
[II, 3]

Anne Bullen

1214

O, God's will! much better
She ne'er had known pomp: though't be temporal,
Yet, if that quarrel, fortune, do divorce
It from the bearer, 'tis a sufferance panging
As soul and body's severing.

4

Love's Labour's Lost
[IV, 1]

Princess of France

1025

O, thy letter, thy letter! he's a good friend of mine:
Stand aside, good bearer. Boyet, you can carve;
Break up this capon.

5

Sonnet 51

Shakespeare

701

Thus can my love excuse the slow offence
Of my dull bearer when from thee I speed:
From where thou art why should I haste me thence?
Till I return, of posting is no need.
O, what excuse will my poor beast then find,
When swift extremity can seem but slow?
Then should I spur, though mounted on the wind;
In winged speed no motion shall I know:
Then can no horse with my desire keep pace;
Therefore desire of perfect'st love being made,
Shall neigh—no dull flesh—in his fiery race;
But love, for love, thus shall excuse my jade;
Since from thee going he went wilful-slow,
Towards thee I'll run, and give him leave to go.

6

Timon of Athens
[V, 4]

Alcibiades

2556

Sound to this coward and lascivious town
Our terrible approach.
[A parley sounded]
[Enter Senators on the walls]
Till now you have gone on and fill'd the time
With all licentious measure, making your wills
The scope of justice; till now myself and such
As slept within the shadow of your power
Have wander'd with our traversed arms and breathed
Our sufferance vainly: now the time is flush,
When crouching marrow in the bearer strong
Cries of itself 'No more:' now breathless wrong
Shall sit and pant in your great chairs of ease,
And pursy insolence shall break his wind
With fear and horrid flight.

7

Troilus and Cressida
[III, 3]

Achilles

1977

This is not strange, Ulysses.
The beauty that is borne here in the face
The bearer knows not, but commends itself
To others' eyes; nor doth the eye itself,
That most pure spirit of sense, behold itself,
Not going from itself; but eye to eye opposed
Salutes each other with each other's form;
For speculation turns not to itself,
Till it hath travell'd and is mirror'd there
Where it may see itself. This is not strange at all.