# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Leonato

25

A kind overflow of kindness: there are no faces
truer than those that are so washed. How much
better is it to weep at joy than to joy at weeping!

2

Much Ado about Nothing
[I, 1]

Beatrice

51

It is so, indeed; he is no less than a stuffed man:
but for the stuffing,—well, we are all mortal.

3

Much Ado about Nothing
[I, 1]

Don Pedro

85

Good Signior Leonato, you are come to meet your
trouble: the fashion of the world is to avoid
cost, and you encounter it.

4

Much Ado about Nothing
[I, 1]

Don Pedro

97

You have it full, Benedick: we may guess by this
what you are, being a man. Truly, the lady fathers
herself. Be happy, lady; for you are like an
honourable father.

5

Much Ado about Nothing
[I, 1]

Benedick

106

What, my dear Lady Disdain! are you yet living?

6

Much Ado about Nothing
[I, 1]

Benedick

125

Well, you are a rare parrot-teacher.

7

Much Ado about Nothing
[I, 1]

Benedick

255

Nay, mock not, mock not. The body of your
discourse is sometime guarded with fragments, and
the guards are but slightly basted on neither: ere
you flout old ends any further, examine your
conscience: and so I leave you.

8

Much Ado about Nothing
[I, 2]

Leonato

307

Are they good?

9

Much Ado about Nothing
[I, 3]

Conrade

330

What the good-year, my lord! why are you thus out
of measure sad?

10

Much Ado about Nothing
[I, 3]

Don John

388

Come, come, let us thither: this may prove food to
my displeasure. That young start-up hath all the
glory of my overthrow: if I can cross him any way, I
bless myself every way. You are both sure, and will assist me?

11

Much Ado about Nothing
[II, 1]

Beatrice

450

Not till God make men of some other metal than
earth. Would it not grieve a woman to be
overmastered with a pierce of valiant dust? to make
an account of her life to a clod of wayward marl?
No, uncle, I'll none: Adam's sons are my brethren;
and, truly, I hold it a sin to match in my kindred.

12

Much Ado about Nothing
[II, 1]

Leonato

471

The revellers are entering, brother: make good room.
[All put on their masks]
[Enter DON PEDRO, CLAUDIO, BENEDICK, BALTHASAR,]
DON JOHN, BORACHIO, MARGARET, URSULA and others, masked]

13

Much Ado about Nothing
[II, 1]

Ursula

498

I know you well enough; you are Signior Antonio.

14

Much Ado about Nothing
[II, 1]

Ursula

502

You could never do him so ill-well, unless you were
the very man. Here's his dry hand up and down: you
are he, you are he.

15

Much Ado about Nothing
[II, 1]

Ursula

506

Come, come, do you think I do not know you by your
excellent wit? can virtue hide itself? Go to,
mum, you are he: graces will appear, and there's an
end.

16

Much Ado about Nothing
[II, 1]

Beatrice

512

Nor will you not tell me who you are?

17

Much Ado about Nothing
[II, 1]

Don John

545

Are not you Signior Benedick?

18

Much Ado about Nothing
[II, 1]

Don John

547

Signior, you are very near my brother in his love:
he is enamoured on Hero; I pray you, dissuade him
from her: she is no equal for his birth: you may
do the part of an honest man in it.

19

Much Ado about Nothing
[II, 1]

Don Pedro

667

Why, how now, count! wherefore are you sad?

20

Much Ado about Nothing
[II, 1]

Claudio

684

Silence is the perfectest herald of joy: I were
but little happy, if I could say how much. Lady, as
you are mine, I am yours: I give away myself for
you and dote upon the exchange.