# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Comedy of Errors
[V, 1]

Solinus

1798

Why, here begins his morning story right;
These two Antipholuses, these two so like,
And these two Dromios, one in semblance,—
Besides her urging of her wreck at sea,—
These are the parents to these children,
Which accidentally are met together.
Antipholus, thou camest from Corinth first?

2

Cymbeline
[II, 4]

Posthumus Leonatus

1308

O, no, no, no! 'tis true. Here, take this too;
[Gives the ring]
It is a basilisk unto mine eye,
Kills me to look on't. Let there be no honour
Where there is beauty; truth, where semblance; love,
Where there's another man: the vows of women
Of no more bondage be, to where they are made,
Than they are to their virtues; which is nothing.
O, above measure false!

3

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

4

Henry VI, Part I
[V, 3]

Earl of Suffolk

2659

O, wert thou for myself! But, Suffolk, stay;
Thou mayst not wander in that labyrinth;
There Minotaurs and ugly treasons lurk.
Solicit Henry with her wondrous praise:
Bethink thee on her virtues that surmount,
And natural graces that extinguish art;
Repeat their semblance often on the seas,
That, when thou comest to kneel at Henry's feet,
Thou mayst bereave him of his wits with wonder.

5

Henry VI, Part II
[III, 2]

Earl of Warwick

1845

See how the blood is settled in his face.
Oft have I seen a timely-parted ghost,
Of ashy semblance, meagre, pale and bloodless,
Being all descended to the labouring heart;
Who, in the conflict that it holds with death,
Attracts the same for aidance 'gainst the enemy;
Which with the heart there cools and ne'er returneth
To blush and beautify the cheek again.
But see, his face is black and full of blood,
His eye-balls further out than when he lived,
Staring full ghastly like a strangled man;
His hair uprear'd, his nostrils stretched with struggling;
His hands abroad display'd, as one that grasp'd
And tugg'd for life and was by strength subdued:
Look, on the sheets his hair you see, is sticking;
His well-proportion'd beard made rough and rugged,
Like to the summer's corn by tempest lodged.
It cannot be but he was murder'd here;
The least of all these signs were probable.

6

Henry VIII
[I, 2]

Surveyor

543

'If,' quoth he, 'I for this had been committed,
As, to the Tower, I thought, I would have play'd
The part my father meant to act upon
The usurper Richard; who, being at Salisbury,
Made suit to come in's presence; which if granted,
As he made semblance of his duty, would
Have put his knife to him.'

7

Julius Caesar
[II, 1]

Brutus

688

Let 'em enter.
[Exit LUCIUS]
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
[Enter the conspirators, CASSIUS, CASCA, DECIUS
BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS]

8

King John
[IV, 3]

Arthur

2016

The wall is high, and yet will I leap down:
Good ground, be pitiful and hurt me not!
There's few or none do know me: if they did,
This ship-boy's semblance hath disguised me quite.
I am afraid; and yet I'll venture it.
If I get down, and do not break my limbs,
I'll find a thousand shifts to get away:
As good to die and go, as die and stay.
[Leaps down]
O me! my uncle's spirit is in these stones:
Heaven take my soul, and England keep my bones!

9

King Lear
[V, 3]

Edgar

3340

By nursing them, my lord. List a brief tale;
And when 'tis told, O that my heart would burst!
The bloody proclamation to escape
That follow'd me so near (O, our lives' sweetness!
That with the pain of death would hourly die
Rather than die at once!) taught me to shift
Into a madman's rags, t' assume a semblance
That very dogs disdain'd; and in this habit
Met I my father with his bleeding rings,
Their precious stones new lost; became his guide,
Led him, begg'd for him, sav'd him from despair;
Never (O fault!) reveal'd myself unto him
Until some half hour past, when I was arm'd,
Not sure, though hoping of this good success,
I ask'd his blessing, and from first to last
Told him my pilgrimage. But his flaw'd heart
(Alack, too weak the conflict to support!)
'Twixt two extremes of passion, joy and grief,
Burst smilingly.

10

Merchant of Venice
[III, 4]

Portia

1759

I never did repent for doing good,
Nor shall not now: for in companions
That do converse and waste the time together,
Whose souls do bear an equal yoke Of love,
There must be needs a like proportion
Of lineaments, of manners and of spirit;
Which makes me think that this Antonio,
Being the bosom lover of my lord,
Must needs be like my lord. If it be so,
How little is the cost I have bestow'd
In purchasing the semblance of my soul
From out the state of hellish misery!
This comes too near the praising of myself;
Therefore no more of it: hear other things.
Lorenzo, I commit into your hands
The husbandry and manage of my house
Until my lord's return: for mine own part,
I have toward heaven breathed a secret vow
To live in prayer and contemplation,
Only attended by Nerissa here,
Until her husband and my lord's return:
There is a monastery two miles off;
And there will we abide. I do desire you
Not to deny this imposition;
The which my love and some necessity
Now lays upon you.

11

Merry Wives of Windsor
[IV, 2]

Mistress Page

2025

If you go out in your own semblance, you die, Sir
John. Unless you go out disguised—

12

Merry Wives of Windsor
[V, 5]

Falstaff

2560

The Windsor bell hath struck twelve; the minute
draws on. Now, the hot-blooded gods assist me!
Remember, Jove, thou wast a bull for thy Europa; love
set on thy horns. O powerful love! that, in some
respects, makes a beast a man, in some other, a man
a beast. You were also, Jupiter, a swan for the love
of Leda. O omnipotent Love! how near the god drew
to the complexion of a goose! A fault done first in
the form of a beast. O Jove, a beastly fault! And
then another fault in the semblance of a fowl; think
on 't, Jove; a foul fault! When gods have hot
backs, what shall poor men do? For me, I am here a
Windsor stag; and the fattest, I think, i' the
forest. Send me a cool rut-time, Jove, or who can
blame me to piss my tallow? Who comes here? my
doe?

13

Much Ado about Nothing
[II, 2]

Borachio

788

Go, then; find me a meet hour to draw Don Pedro and
the Count Claudio alone: tell them that you know
that Hero loves me; intend a kind of zeal both to the
prince and Claudio, as,—in love of your brother's
honour, who hath made this match, and his friend's
reputation, who is thus like to be cozened with the
semblance of a maid,—that you have discovered
thus. They will scarcely believe this without trial:
offer them instances; which shall bear no less
likelihood than to see me at her chamber-window,
hear me call Margaret Hero, hear Margaret term me
Claudio; and bring them to see this the very night
before the intended wedding,—for in the meantime I
will so fashion the matter that Hero shall be
absent,—and there shall appear such seeming truth
of Hero's disloyalty that jealousy shall be called
assurance and all the preparation overthrown.

14

Much Ado about Nothing
[IV, 1]

Claudio

1670

Sweet prince, you learn me noble thankfulness.
There, Leonato, take her back again:
Give not this rotten orange to your friend;
She's but the sign and semblance of her honour.
Behold how like a maid she blushes here!
O, what authority and show of truth
Can cunning sin cover itself withal!
Comes not that blood as modest evidence
To witness simple virtue? Would you not swear,
All you that see her, that she were a maid,
By these exterior shows? But she is none:
She knows the heat of a luxurious bed;
Her blush is guiltiness, not modesty.

15

Much Ado about Nothing
[V, 1]

Claudio

2322

Sweet Hero! now thy image doth appear
In the rare semblance that I loved it first.

16

Pericles
[I, 1]

Antiochus

73

Before thee stands this fair Hesperides,
With golden fruit, but dangerous to be touch'd;
For death-like dragons here affright thee hard:
Her face, like heaven, enticeth thee to view
Her countless glory, which desert must gain;
And which, without desert, because thine eye
Presumes to reach, all thy whole heap must die.
Yon sometimes famous princes, like thyself,
Drawn by report, adventurous by desire,
Tell thee, with speechless tongues and semblance pale,
That without covering, save yon field of stars,
Here they stand martyrs, slain in Cupid's wars;
And with dead cheeks advise thee to desist
For going on death's net, whom none resist.

17

Pericles
[I, 4]

Lord

488

That's the least fear; for, by the semblance
Of their white flags display'd, they bring us peace,
And come to us as favourers, not as foes.

18

Rape of Lucrece

Shakespeare

1158

The little birds that tune their morning's joy
Make her moans mad with their sweet melody:
For mirth doth search the bottom of annoy;
Sad souls are slain in merry company;
Grief best is pleased with grief's society:
True sorrow then is feelingly sufficed
When with like semblance it is sympathized.

19

Rape of Lucrece

Shakespeare

1291

For men have marble, women waxen, minds,
And therefore are they form'd as marble will;
The weak oppress'd, the impression of strange kinds
Is form'd in them by force, by fraud, or skill:
Then call them not the authors of their ill,
No more than wax shall be accounted evil
Wherein is stamp'd the semblance of a devil.

20

Rape of Lucrece

Shakespeare

1501

In her the painter had anatomized
Time's ruin, beauty's wreck, and grim care's reign:
Her cheeks with chaps and wrinkles were disguised;
Of what she was no semblance did remain:
Her blue blood changed to black in every vein,
Wanting the spring that those shrunk pipes had fed,
Show'd life imprison'd in a body dead.