# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

As You Like It
[IV, 1]

Jaques (lord)

1806

I have neither the scholar's melancholy, which is
emulation; nor the musician's, which is fantastical; nor the
courtier's, which is proud; nor the soldier's, which is
ambitious; nor the lawyer's, which is politic; nor the lady's,
which is nice; nor the lover's, which is all these; but it is a
melancholy of mine own, compounded of many simples, extracted
from many objects, and, indeed, the sundry contemplation of my
travels; in which my often rumination wraps me in a most humorous
sadness.

2

Hamlet
[III, 1]

Claudius

1854

Love? his affections do not that way tend;
Nor what he spake, though it lack'd form a little,
Was not like madness. There's something in his soul
O'er which his melancholy sits on brood;
And I do doubt the hatch and the disclose
Will be some danger; which for to prevent,
I have in quick determination
Thus set it down: he shall with speed to England
For the demand of our neglected tribute.
Haply the seas, and countries different,
With variable objects, shall expel
This something-settled matter in his heart,
Whereon his brains still beating puts him thus
From fashion of himself. What think you on't?

3

Julius Caesar
[III, 1]

Antony

1483

O, pardon me, thou bleeding piece of earth,
That I am meek and gentle with these butchers!
Thou art the ruins of the noblest man
That ever lived in the tide of times.
Woe to the hand that shed this costly blood!
Over thy wounds now do I prophesy,—
Which, like dumb mouths, do ope their ruby lips,
To beg the voice and utterance of my tongue—
A curse shall light upon the limbs of men;
Domestic fury and fierce civil strife
Shall cumber all the parts of Italy;
Blood and destruction shall be so in use
And dreadful objects so familiar
That mothers shall but smile when they behold
Their infants quarter'd with the hands of war;
All pity choked with custom of fell deeds:
And Caesar's spirit, ranging for revenge,
With Ate by his side come hot from hell,
Shall in these confines with a monarch's voice
Cry 'Havoc,' and let slip the dogs of war;
That this foul deed shall smell above the earth
With carrion men, groaning for burial.
[Enter a Servant]
You serve Octavius Caesar, do you not?

4

Love's Labour's Lost
[IV, 2]

Holofernes

1213

This is a gift that I have, simple, simple; a
foolish extravagant spirit, full of forms, figures,
shapes, objects, ideas, apprehensions, motions,
revolutions: these are begot in the ventricle of
memory, nourished in the womb of pia mater, and
delivered upon the mellowing of occasion. But the
gift is good in those in whom it is acute, and I am
thankful for it.

5

Lover's Complaint

Shakespeare

135

'Many there were that did his picture get,
To serve their eyes, and in it put their mind;
Like fools that in th' imagination set
The goodly objects which abroad they find
Of lands and mansions, theirs in thought assign'd;
And labouring in moe pleasures to bestow them
Than the true gouty landlord which doth owe them:

6

Lover's Complaint

Shakespeare

212

'The diamond,—why, 'twas beautiful and hard,
Whereto his invised properties did tend;
The deep-green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hued sapphire and the opal blend
With objects manifold: each several stone,
With wit well blazon'd, smiled or made some moan.

7

Pericles
[I, 1]

Pericles

87

Antiochus, I thank thee, who hath taught
My frail mortality to know itself,
And by those fearful objects to prepare
This body, like to them, to what I must;
For death remember'd should be like a mirror,
Who tells us life's but breath, to trust it error.
I'll make my will then, and, as sick men do
Who know the world, see heaven, but, feeling woe,
Gripe not at earthly joys as erst they did;
So I bequeath a happy peace to you
And all good men, as every prince should do;
My riches to the earth from whence they came;
But my unspotted fire of love to you.
[To the Daughter of ANTIOCHUS]
Thus ready for the way of life or death,
I wait the sharpest blow, Antiochus.

8

Rape of Lucrece

Shakespeare

1425

A thousand lamentable objects there,
In scorn of nature, art gave lifeless life:
Many a dry drop seem'd a weeping tear,
Shed for the slaughter'd husband by the wife:
The red blood reek'd, to show the painter's strife;
And dying eyes gleam'd forth their ashy lights,
Like dying coals burnt out in tedious nights.

9

Richard II
[II, 2]

Bushy

1007

Each substance of a grief hath twenty shadows,
Which shows like grief itself, but is not so;
For sorrow's eye, glazed with blinding tears,
Divides one thing entire to many objects;
Like perspectives, which rightly gazed upon
Show nothing but confusion, eyed awry
Distinguish form: so your sweet majesty,
Looking awry upon your lord's departure,
Find shapes of grief, more than himself, to wail;
Which, look'd on as it is, is nought but shadows
Of what it is not. Then, thrice-gracious queen,
More than your lord's departure weep not: more's not seen;
Or if it be, 'tis with false sorrow's eye,
Which for things true weeps things imaginary.

10

Sonnet 113

Shakespeare

1570

Since I left you, mine eye is in my mind;
And that which governs me to go about
Doth part his function and is partly blind,
Seems seeing, but effectually is out;
For it no form delivers to the heart
Of bird of flower, or shape, which it doth latch:
Of his quick objects hath the mind no part,
Nor his own vision holds what it doth catch:
For if it see the rudest or gentlest sight,
The most sweet favour or deformed'st creature,
The mountain or the sea, the day or night,
The crow or dove, it shapes them to your feature:
Incapable of more, replete with you,
My most true mind thus makes mine eye untrue.

11

Sonnet 114

Shakespeare

1584

Or whether doth my mind, being crown'd with you,
Drink up the monarch's plague, this flattery?
Or whether shall I say, mine eye saith true,
And that your love taught it this alchemy,
To make of monsters and things indigest
Such cherubins as your sweet self resemble,
Creating every bad a perfect best,
As fast as objects to his beams assemble?
O,'tis the first; 'tis flattery in my seeing,
And my great mind most kingly drinks it up:
Mine eye well knows what with his gust is 'greeing,
And to his palate doth prepare the cup:
If it be poison'd, 'tis the lesser sin
That mine eye loves it and doth first begin.

12

Timon of Athens
[IV, 3]

Timon

1785

That, by killing of villains,
Thou wast born to conquer my country.
Put up thy gold: go on,—here's gold,—go on;
Be as a planetary plague, when Jove
Will o'er some high-viced city hang his poison
In the sick air: let not thy sword skip one:
Pity not honour'd age for his white beard;
He is an usurer: strike me the counterfeit matron;
It is her habit only that is honest,
Herself's a bawd: let not the virgin's cheek
Make soft thy trenchant sword; for those milk-paps,
That through the window-bars bore at men's eyes,
Are not within the leaf of pity writ,
But set them down horrible traitors: spare not the babe,
Whose dimpled smiles from fools exhaust their mercy;
Think it a bastard, whom the oracle
Hath doubtfully pronounced thy throat shall cut,
And mince it sans remorse: swear against objects;
Put armour on thine ears and on thine eyes;
Whose proof, nor yells of mothers, maids, nor babes,
Nor sight of priests in holy vestments bleeding,
Shall pierce a jot. There's gold to pay soldiers:
Make large confusion; and, thy fury spent,
Confounded be thyself! Speak not, be gone.

13

Troilus and Cressida
[IV, 5]

Ulysses

2711

The youngest son of Priam, a true knight,
Not yet mature, yet matchless, firm of word,
Speaking in deeds and deedless in his tongue;
Not soon provoked nor being provoked soon calm'd:
His heart and hand both open and both free;
For what he has he gives, what thinks he shows;
Yet gives he not till judgment guide his bounty,
Nor dignifies an impure thought with breath;
Manly as Hector, but more dangerous;
For Hector in his blaze of wrath subscribes
To tender objects, but he in heat of action
Is more vindicative than jealous love:
They call him Troilus, and on him erect
A second hope, as fairly built as Hector.
Thus says AEneas; one that knows the youth
Even to his inches, and with private soul
Did in great Ilion thus translate him to me.