# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Clown

362

You're shallow, madam, in great friends; for the
knaves come to do that for me which I am aweary of.
He that ears my land spares my team and gives me
leave to in the crop; if I be his cuckold, he's my
drudge: he that comforts my wife is the cherisher
of my flesh and blood; he that cherishes my flesh
and blood loves my flesh and blood; he that loves my
flesh and blood is my friend: ergo, he that kisses
my wife is my friend. If men could be contented to
be what they are, there were no fear in marriage;
for young Charbon the Puritan and old Poysam the
Papist, howsome'er their hearts are severed in
religion, their heads are both one; they may jowl
horns together, like any deer i' the herd.

2

Antony and Cleopatra
[I, 5]

Alexas

566

Last thing he did, dear queen,
He kiss'd,—the last of many doubled kisses,—
This orient pearl. His speech sticks in my heart.

3

Antony and Cleopatra
[III, 2]

(stage directions)

1678

[Kisses OCTAVIA]

4

Antony and Cleopatra
[III, 13]

Cleopatra

2349

Your Caesar's father oft,
When he hath mused of taking kingdoms in,
Bestow'd his lips on that unworthy place,
As it rain'd kisses.

5

Antony and Cleopatra
[IV, 4]

Antony

2656

'Tis well blown, lads:
This morning, like the spirit of a youth
That means to be of note, begins betimes.
So, so; come, give me that: this way; well said.
Fare thee well, dame, whate'er becomes of me:
This is a soldier's kiss: rebukeable
[Kisses her]
And worthy shameful cheque it were, to stand
On more mechanic compliment; I'll leave thee
Now, like a man of steel. You that will fight,
Follow me close; I'll bring you to't. Adieu.

6

Antony and Cleopatra
[IV, 15]

Antony

3187

I am dying, Egypt, dying; only
I here importune death awhile, until
Of many thousand kisses the poor last
I lay up thy lips.

7

Antony and Cleopatra
[V, 2]

Cleopatra

3738

Give me my robe, put on my crown; I have
Immortal longings in me: now no more
The juice of Egypt's grape shall moist this lip:
Yare, yare, good Iras; quick. Methinks I hear
Antony call; I see him rouse himself
To praise my noble act; I hear him mock
The luck of Caesar, which the gods give men
To excuse their after wrath: husband, I come:
Now to that name my courage prove my title!
I am fire and air; my other elements
I give to baser life. So; have you done?
Come then, and take the last warmth of my lips.
Farewell, kind Charmian; Iras, long farewell.
[Kisses them. IRAS falls and dies]
Have I the aspic in my lips? Dost fall?
If thou and nature can so gently part,
The stroke of death is as a lover's pinch,
Which hurts, and is desired. Dost thou lie still?
If thus thou vanishest, thou tell'st the world
It is not worth leave-taking.

8

As You Like It
[III, 4]

Celia

1601

Something browner than Judas's.
Marry, his kisses are Judas's own children.

9

As You Like It
[III, 4]

Celia

1607

He hath bought a pair of cast lips of Diana. A nun of
winter's sisterhood kisses not more religiously; the very ice of
chastity is in them.

10

Coriolanus
[II, 1]

Junius Brutus

1143

All tongues speak of him, and the bleared sights
Are spectacled to see him: your prattling nurse
Into a rapture lets her baby cry
While she chats him: the kitchen malkin pins
Her richest lockram 'bout her reechy neck,
Clambering the walls to eye him: stalls, bulks, windows,
Are smother'd up, leads fill'd, and ridges horsed
With variable complexions, all agreeing
In earnestness to see him: seld-shown flamens
Do press among the popular throngs and puff
To win a vulgar station: or veil'd dames
Commit the war of white and damask in
Their nicely-gawded cheeks to the wanton spoil
Of Phoebus' burning kisses: such a pother
As if that whatsoever god who leads him
Were slily crept into his human powers
And gave him graceful posture.

11

Hamlet
[III, 2]

Hamlet

2009

So long? Nay then, let the devil wear black, for I'll have a
suit of sables. O heavens! die two months ago, and not forgotten
yet? Then there's hope a great man's memory may outlive his life
half a year. But, by'r Lady, he must build churches then; or else
shall he suffer not thinking on, with the hobby-horse, whose
epitaph is 'For O, for O, the hobby-horse is forgot!'
[Hautboys play. The dumb show enters.]
Enter a King and a Queen very lovingly; the Queen embracing
him and he her. She kneels, and makes show of protestation
unto him. He takes her up, and declines his head upon her
neck. He lays him down upon a bank of flowers. She, seeing
him asleep, leaves him. Anon comes in a fellow, takes off his
crown, kisses it, pours poison in the sleeper's ears, and
leaves him. The Queen returns, finds the King dead, and makes
passionate action. The Poisoner with some three or four Mutes,
comes in again, seem to condole with her. The dead body is
carried away. The Poisoner wooes the Queen with gifts; she
seems harsh and unwilling awhile, but in the end accepts
his love.

12

Hamlet
[III, 2]

Hamlet

2073

[aside] Wormwood, wormwood!
Queen. The instances that second marriage move
Are base respects of thrift, but none of love.
A second time I kill my husband dead
When second husband kisses me in bed.

13

Hamlet
[III, 4]

Hamlet

2585

Not this, by no means, that I bid you do:
Let the bloat King tempt you again to bed;
Pinch wanton on your cheek; call you his mouse;
And let him, for a pair of reechy kisses,
Or paddling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good you let him know;
For who that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib
Such dear concernings hide? Who would do so?
No, in despite of sense and secrecy,
Unpeg the basket on the house's top,
Let the birds fly, and like the famous ape,
To try conclusions, in the basket creep
And break your own neck down.

14

Henry IV, Part I
[III, 1]

Mortimer

1748

I understand thy looks: that pretty Welsh
Which thou pour'st down from these swelling heavens
I am too perfect in; and, but for shame,
In such a parley should I answer thee.
[The lady speaks again in Welsh]
I understand thy kisses and thou mine,
And that's a feeling disputation:
But I will never be a truant, love,
Till I have learned thy language; for thy tongue
Makes Welsh as sweet as ditties highly penn'd,
Sung by a fair queen in a summer's bower,
With ravishing division, to her lute.

15

Henry V
[IV, 6]

Duke of Exeter

2483

In which array, brave soldier, doth he lie,
Larding the plain; and by his bloody side,
Yoke-fellow to his honour-owing wounds,
The noble Earl of Suffolk also lies.
Suffolk first died: and York, all haggled over,
Comes to him, where in gore he lay insteep'd,
And takes him by the beard; kisses the gashes
That bloodily did spawn upon his face;
And cries aloud 'Tarry, dear cousin Suffolk!
My soul shall thine keep company to heaven;
Tarry, sweet soul, for mine, then fly abreast,
As in this glorious and well-foughten field
We kept together in our chivalry!'
Upon these words I came and cheer'd him up:
He smiled me in the face, raught me his hand,
And, with a feeble gripe, says 'Dear my lord,
Commend my service to me sovereign.'
So did he turn and over Suffolk's neck
He threw his wounded arm and kiss'd his lips;
And so espoused to death, with blood he seal'd
A testament of noble-ending love.
The pretty and sweet manner of it forced
Those waters from me which I would have stopp'd;
But I had not so much of man in me,
And all my mother came into mine eyes
And gave me up to tears.

16

Henry VI, Part I
[V, 3]

(stage directions)

2655

[Kisses her]

17

Henry VI, Part II
[III, 2]

Henry VI

1819

O Thou that judgest all things, stay my thoughts,
My thoughts, that labour to persuade my soul
Some violent hands were laid on Humphrey's life!
If my suspect be false, forgive me, God,
For judgment only doth belong to thee.
Fain would I go to chafe his paly lips
With twenty thousand kisses, and to drain
Upon his face an ocean of salt tears,
To tell my love unto his dumb deaf trunk,
And with my fingers feel his hand unfeeling:
But all in vain are these mean obsequies;
And to survey his dead and earthly image,
What were it but to make my sorrow greater?
[Re-enter WARWICK and others, bearing]
GLOUCESTER'S body on a bed]

18

Henry VIII
[I, 2]

Henry VIII

316

My life itself, and the best heart of it,
Thanks you for this great care: I stood i' the level
Of a full-charged confederacy, and give thanks
To you that choked it. Let be call'd before us
That gentleman of Buckingham's; in person
I'll hear him his confessions justify;
And point by point the treasons of his master
He shall again relate.
[A noise within, crying 'Room for the Queen!' Enter]
QUEEN KATHARINE, ushered by NORFOLK, and SUFFOLK:
she kneels. KING HENRY VIII riseth from his state,
takes her up, kisses and placeth her by him]

19

Henry VIII
[I, 4]

(stage directions)

695

[Kisses her]

20

Henry VIII
[V, 5]

Henry VIII

3390

Stand up, lord.
[KING HENRY VIII kisses the child]
With this kiss take my blessing: God protect thee!
Into whose hand I give thy life.