# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[III, 5]

Cloten

2084

It is Posthumus' hand; I know't. Sirrah, if thou
wouldst not be a villain, but do me true service,
undergo those employments wherein I should have
cause to use thee with a serious industry, that is,
what villany soe'er I bid thee do, to perform it
directly and truly, I would think thee an honest
man: thou shouldst neither want my means for thy
relief nor my voice for thy preferment.

2

Cymbeline
[III, 6]

Belarius

2174

You, Polydote, have proved best woodman and
Are master of the feast: Cadwal and I
Will play the cook and servant; 'tis our match:
The sweat of industry would dry and die,
But for the end it works to. Come; our stomachs
Will make what's homely savoury: weariness
Can snore upon the flint, when resty sloth
Finds the down pillow hard. Now peace be here,
Poor house, that keep'st thyself!

3

Henry IV, Part I
[II, 4]

Henry V

1089

That ever this fellow should have fewer words than a
parrot, and yet the son of a woman! His industry is
upstairs and downstairs; his eloquence the parcel of
a reckoning. I am not yet of Percy's mind, the
Hotspur of the north; he that kills me some six or
seven dozen of Scots at a breakfast, washes his
hands, and says to his wife 'Fie upon this quiet
life! I want work.' 'O my sweet Harry,' says she,
'how many hast thou killed to-day?' 'Give my roan
horse a drench,' says he; and answers 'Some
fourteen,' an hour after; 'a trifle, a trifle.' I
prithee, call in Falstaff: I'll play Percy, and
that damned brawn shall play Dame Mortimer his
wife. 'Rivo!' says the drunkard. Call in ribs, call in tallow.

4

Henry IV, Part II
[IV, 5]

Henry IV

2951

The Prince hath ta'en it hence. Go, seek him out.
Is he so hasty that he doth suppose
My sleep my death?
Find him, my lord of Warwick; chide him hither.
[Exit WARWICK]
This part of his conjoins with my disease
And helps to end me. See, sons, what things you are!
How quickly nature falls into revolt
When gold becomes her object!
For this the foolish over-careful fathers
Have broke their sleep with thoughts,
Their brains with care, their bones with industry;
For this they have engrossed and pil'd up
The cank'red heaps of strange-achieved gold;
For this they have been thoughtful to invest
Their sons with arts and martial exercises;
When, like the bee, tolling from every flower
The virtuous sweets,
Our thighs with wax, our mouths with honey pack'd,
We bring it to the hive, and, like the bees,
Are murd'red for our pains. This bitter taste
Yields his engrossments to the ending father.
[Re-enter WARWICK]
Now where is he that will not stay so long
Till his friend sickness hath determin'd me?

5

Henry VI, Part III
[V, 4]

Queen Margaret

2805

Great lords, wise men ne'er sit and wail their loss,
But cheerly seek how to redress their harms.
What though the mast be now blown overboard,
The cable broke, the holding-anchor lost,
And half our sailors swallow'd in the flood?
Yet lives our pilot still. Is't meet that he
Should leave the helm and like a fearful lad
With tearful eyes add water to the sea
And give more strength to that which hath too much,
Whiles, in his moan, the ship splits on the rock,
Which industry and courage might have saved?
Ah, what a shame! ah, what a fault were this!
Say Warwick was our anchor; what of that?
And Montague our topmost; what of him?
Our slaughter'd friends the tackles; what of these?
Why, is not Oxford here another anchor?
And Somerset another goodly mast?
The friends of France our shrouds and tacklings?
And, though unskilful, why not Ned and I
For once allow'd the skilful pilot's charge?
We will not from the helm to sit and weep,
But keep our course, though the rough wind say no,
From shelves and rocks that threaten us with wreck.
As good to chide the waves as speak them fair.
And what is Edward but ruthless sea?
What Clarence but a quicksand of deceit?
And Richard but a ragged fatal rock?
All these the enemies to our poor bark.
Say you can swim; alas, 'tis but a while!
Tread on the sand; why, there you quickly sink:
Bestride the rock; the tide will wash you off,
Or else you famish; that's a threefold death.
This speak I, lords, to let you understand,
If case some one of you would fly from us,
That there's no hoped-for mercy with the brothers
More than with ruthless waves, with sands and rocks.
Why, courage then! what cannot be avoided
'Twere childish weakness to lament or fear.

6

Love's Labour's Lost
[IV, 1]

Boyet

1034

'By heaven, that thou art fair, is most infallible;
true, that thou art beauteous; truth itself, that
thou art lovely. More fairer than fair, beautiful
than beauteous, truer than truth itself, have
commiseration on thy heroical vassal! The
magnanimous and most illustrate king Cophetua set
eye upon the pernicious and indubitate beggar
Zenelophon; and he it was that might rightly say,
Veni, vidi, vici; which to annothanize in the
vulgar,—O base and obscure vulgar!—videlicet, He
came, saw, and overcame: he came, one; saw two;
overcame, three. Who came? the king: why did he
come? to see: why did he see? to overcome: to
whom came he? to the beggar: what saw he? the
beggar: who overcame he? the beggar. The
conclusion is victory: on whose side? the king's.
The captive is enriched: on whose side? the
beggar's. The catastrophe is a nuptial: on whose
side? the king's: no, on both in one, or one in
both. I am the king; for so stands the comparison:
thou the beggar; for so witnesseth thy lowliness.
Shall I command thy love? I may: shall I enforce
thy love? I could: shall I entreat thy love? I
will. What shalt thou exchange for rags? robes;
for tittles? titles; for thyself? me. Thus,
expecting thy reply, I profane my lips on thy foot,
my eyes on thy picture. and my heart on thy every
part. Thine, in the dearest design of industry,
DON ADRIANO DE ARMADO.'
Thus dost thou hear the Nemean lion roar
'Gainst thee, thou lamb, that standest as his prey.
Submissive fall his princely feet before,
And he from forage will incline to play:
But if thou strive, poor soul, what art thou then?
Food for his rage, repasture for his den.

7

Othello
[I, 3]

Iago

677

Virtue! a fig! 'tis in ourselves that we are thus
or thus. Our bodies are our gardens, to the which
our wills are gardeners: so that if we will plant
nettles, or sow lettuce, set hyssop and weed up
thyme, supply it with one gender of herbs, or
distract it with many, either to have it sterile
with idleness, or manured with industry, why, the
power and corrigible authority of this lies in our
wills. If the balance of our lives had not one
scale of reason to poise another of sensuality, the
blood and baseness of our natures would conduct us
to most preposterous conclusions: but we have
reason to cool our raging motions, our carnal
stings, our unbitted lusts, whereof I take this that
you call love to be a sect or scion.

8

Pericles
[IV, 1]

Marina

1613

When I was born:
Never was waves nor wind more violent;
And from the ladder-tackle washes off
A canvas-climber. 'Ha!' says one, 'wilt out?'
And with a dropping industry they skip
From stem to stern: the boatswain whistles, and
The master calls, and trebles their confusion.

9

Two Gentlemen of Verona
[I, 3]

Antonio

320

Nor need'st thou much importune me to that
Whereon this month I have been hammering.
I have consider'd well his loss of time
And how he cannot be a perfect man,
Not being tried and tutor'd in the world:
Experience is by industry achieved
And perfected by the swift course of time.
Then tell me, whither were I best to send him?