# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Helena

218

Our remedies oft in ourselves do lie,
Which we ascribe to heaven: the fated sky
Gives us free scope, only doth backward pull
Our slow designs when we ourselves are dull.
What power is it which mounts my love so high,
That makes me see, and cannot feed mine eye?
The mightiest space in fortune nature brings
To join like likes and kiss like native things.
Impossible be strange attempts to those
That weigh their pains in sense and do suppose
What hath been cannot be: who ever strove
So show her merit, that did miss her love?
The king's disease—my project may deceive me,
But my intents are fix'd and will not leave me.

2

Antony and Cleopatra
[II, 2]

Antony

858

May I never
To this good purpose, that so fairly shows,
Dream of impediment! Let me have thy hand:
Further this act of grace: and from this hour
The heart of brothers govern in our loves
And sway our great designs!

3

Love's Labour's Lost
[V, 1]

Don Adriano de Armado

1822

Sir, the king is a noble gentleman, and my familiar,
I do assure ye, very good friend: for what is
inward between us, let it pass. I do beseech thee,
remember thy courtesy; I beseech thee, apparel thy
head: and among other important and most serious
designs, and of great import indeed, too, but let
that pass: for I must tell thee, it will please his
grace, by the world, sometime to lean upon my poor
shoulder, and with his royal finger, thus, dally
with my excrement, with my mustachio; but, sweet
heart, let that pass. By the world, I recount no
fable: some certain special honours it pleaseth his
greatness to impart to Armado, a soldier, a man of
travel, that hath seen the world; but let that pass.
The very all of all is,—but, sweet heart, I do
implore secrecy,—that the king would have me
present the princess, sweet chuck, with some
delightful ostentation, or show, or pageant, or
antique, or firework. Now, understanding that the
curate and your sweet self are good at such
eruptions and sudden breaking out of mirth, as it
were, I have acquainted you withal, to the end to
crave your assistance.

4

Richard II
[I, 3]

Lord Marshal

337

On pain of death, no person be so bold
Or daring-hardy as to touch the lists,
Except the marshal and such officers
Appointed to direct these fair designs.

5

Richard II
[II, 2]

Queen

1037

Why hopest thou so? 'tis better hope he is;
For his designs crave haste, his haste good hope:
Then wherefore dost thou hope he is not shipp'd?

6

Richard III
[I, 2]

Richard III (Duke of Gloucester)

399

That it would please thee leave these sad designs
To him that hath more cause to be a mourner,
And presently repair to Crosby Place;
Where, after I have solemnly interr'd
At Chertsey monastery this noble king,
And wet his grave with my repentant tears,
I will with all expedient duty see you:
For divers unknown reasons. I beseech you,
Grant me this boon.

7

Richard III
[III, 4]

Richard III (Duke of Gloucester)

1971

My noble lords and cousins all, good morrow.
I have been long a sleeper; but, I hope,
My absence doth neglect no great designs,
Which by my presence might have been concluded.

8

Richard III
[III, 7]

Duke of Buckingham

2270

Return, good Catesby, to thy lord again;
Tell him, myself, the mayor and citizens,
In deep designs and matters of great moment,
No less importing than our general good,
Are come to have some conference with his grace.

9

Richard III
[IV, 4]

Richard III (Duke of Gloucester)

3211

As I intend to prosper and repent,
So thrive I in my dangerous attempt
Of hostile arms! myself myself confound!
Heaven and fortune bar me happy hours!
Day, yield me not thy light; nor, night, thy rest!
Be opposite all planets of good luck
To my proceedings, if, with pure heart's love,
Immaculate devotion, holy thoughts,
I tender not thy beauteous princely daughter!
In her consists my happiness and thine;
Without her, follows to this land and me,
To thee, herself, and many a Christian soul,
Death, desolation, ruin and decay:
It cannot be avoided but by this;
It will not be avoided but by this.
Therefore, good mother,—I must can you so—
Be the attorney of my love to her:
Plead what I will be, not what I have been;
Not my deserts, but what I will deserve:
Urge the necessity and state of times,
And be not peevish-fond in great designs.

10

Troilus and Cressida
[I, 3]

Agamemnon

451

Princes,
What grief hath set the jaundice on your cheeks?
The ample proposition that hope makes
In all designs begun on earth below
Fails in the promised largeness: cheques and disasters
Grow in the veins of actions highest rear'd,
As knots, by the conflux of meeting sap,
Infect the sound pine and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works,
And call them shames? which are indeed nought else
But the protractive trials of great Jove
To find persistive constancy in men:
The fineness of which metal is not found
In fortune's love; for then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft seem all affined and kin:
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter, by itself
Lies rich in virtue and unmingled.

11

Troilus and Cressida
[I, 3]

Ulysses

528

Troy, yet upon his basis, had been down,
And the great Hector's sword had lack'd a master,
But for these instances.
The specialty of rule hath been neglected:
And, look, how many Grecian tents do stand
Hollow upon this plain, so many hollow factions.
When that the general is not like the hive
To whom the foragers shall all repair,
What honey is expected? Degree being vizarded,
The unworthiest shows as fairly in the mask.
The heavens themselves, the planets and this centre
Observe degree, priority and place,
Insisture, course, proportion, season, form,
Office and custom, in all line of order;
And therefore is the glorious planet Sol
In noble eminence enthroned and sphered
Amidst the other; whose medicinable eye
Corrects the ill aspects of planets evil,
And posts, like the commandment of a king,
Sans cheque to good and bad: but when the planets
In evil mixture to disorder wander,
What plagues and what portents! what mutiny!
What raging of the sea! shaking of earth!
Commotion in the winds! frights, changes, horrors,
Divert and crack, rend and deracinate
The unity and married calm of states
Quite from their fixure! O, when degree is shaked,
Which is the ladder to all high designs,
Then enterprise is sick! How could communities,
Degrees in schools and brotherhoods in cities,
Peaceful commerce from dividable shores,
The primogenitive and due of birth,
Prerogative of age, crowns, sceptres, laurels,
But by degree, stand in authentic place?
Take but degree away, untune that string,
And, hark, what discord follows! each thing meets
In mere oppugnancy: the bounded waters
Should lift their bosoms higher than the shores
And make a sop of all this solid globe:
Strength should be lord of imbecility,
And the rude son should strike his father dead:
Force should be right; or rather, right and wrong,
Between whose endless jar justice resides,
Should lose their names, and so should justice too.
Then every thing includes itself in power,
Power into will, will into appetite;
And appetite, an universal wolf,
So doubly seconded with will and power,
Must make perforce an universal prey,
And last eat up himself. Great Agamemnon,
This chaos, when degree is suffocate,
Follows the choking.
And this neglection of degree it is
That by a pace goes backward, with a purpose
It hath to climb. The general's disdain'd
By him one step below, he by the next,
That next by him beneath; so every step,
Exampled by the first pace that is sick
Of his superior, grows to an envious fever
Of pale and bloodless emulation:
And 'tis this fever that keeps Troy on foot,
Not her own sinews. To end a tale of length,
Troy in our weakness stands, not in her strength.

12

Troilus and Cressida
[I, 3]

Ulysses

595

The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs: with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action,
Which, slanderer, he imitation calls,
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on,
And, like a strutting player, whose conceit
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage,—
Such to-be-pitied and o'er-wrested seeming
He acts thy greatness in: and when he speaks,
'Tis like a chime a-mending; with terms unsquared,
Which, from the tongue of roaring Typhon dropp'd
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done, as near as the extremest ends
Of parallels, as like as Vulcan and his wife:
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth; to cough and spit,
And, with a palsy-fumbling on his gorget,
Shake in and out the rivet: and at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion,
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field, or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.