# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Countess

489

Yes, Helen, you might be my daughter-in-law:
God shield you mean it not! daughter and mother
So strive upon your pulse. What, pale again?
My fear hath catch'd your fondness: now I see
The mystery of your loneliness, and find
Your salt tears' head: now to all sense 'tis gross
You love my son; invention is ashamed,
Against the proclamation of thy passion,
To say thou dost not: therefore tell me true;
But tell me then, 'tis so; for, look thy cheeks
Confess it, th' one to th' other; and thine eyes
See it so grossly shown in thy behaviors
That in their kind they speak it: only sin
And hellish obstinacy tie thy tongue,
That truth should be suspected. Speak, is't so?
If it be so, you have wound a goodly clew;
If it be not, forswear't: howe'er, I charge thee,
As heaven shall work in me for thine avail,
Tell me truly.

2

All's Well That Ends Well
[II, 3]

Bertram

1013

But follows it, my lord, to bring me down
Must answer for your raising? I know her well:
She had her breeding at my father's charge.
A poor physician's daughter my wife! Disdain
Rather corrupt me ever!

3

All's Well That Ends Well
[III, 3]

Bertram

1546

Sir, it is
A charge too heavy for my strength, but yet
We'll strive to bear it for your worthy sake
To the extreme edge of hazard.

4

All's Well That Ends Well
[III, 5]

Helena

1720

I humbly thank you:
Please it this matron and this gentle maid
To eat with us to-night, the charge and thanking
Shall be for me; and, to requite you further,
I will bestow some precepts of this virgin
Worthy the note.

5

All's Well That Ends Well
[III, 6]

Parolles

1773

'But a drum'! is't 'but a drum'? A drum so lost!
There was excellent command,—to charge in with our
horse upon our own wings, and to rend our own soldiers!

6

All's Well That Ends Well
[IV, 2]

Bertram

2041

Change it, change it;
Be not so holy-cruel: love is holy;
And my integrity ne'er knew the crafts
That you do charge men with. Stand no more off,
But give thyself unto my sick desires,
Who then recover: say thou art mine, and ever
My love as it begins shall so persever.

7

All's Well That Ends Well
[IV, 2]

Diana

2067

When midnight comes, knock at my chamber-window:
I'll order take my mother shall not hear.
Now will I charge you in the band of truth,
When you have conquer'd my yet maiden bed,
Remain there but an hour, nor speak to me:
My reasons are most strong; and you shall know them
When back again this ring shall be deliver'd:
And on your finger in the night I'll put
Another ring, that what in time proceeds
May token to the future our past deeds.
Adieu, till then; then, fail not. You have won
A wife of me, though there my hope be done.

8

All's Well That Ends Well
[V, 3]

Bertram

2866

My lord, I neither can nor will deny
But that I know them: do they charge me further?

9

All's Well That Ends Well
[V, 3]

King of France

2948

Tell me, sirrah, but tell me true, I charge you,
Not fearing the displeasure of your master,
Which on your just proceeding I'll keep off,
By him and by this woman here what know you?

10

Antony and Cleopatra
[I, 2]

Charmian

79

Lord Alexas, sweet Alexas, most any thing Alexas,
almost most absolute Alexas, where's the soothsayer
that you praised so to the queen? O, that I knew
this husband, which, you say, must charge his horns
with garlands!

11

Antony and Cleopatra
[II, 2]

Octavius

784

You have broken
The article of your oath; which you shall never
Have tongue to charge me with.

12

Antony and Cleopatra
[III, 7]

Cleopatra

1955

Sink Rome, and their tongues rot
That speak against us! A charge we bear i' the war,
And, as the president of my kingdom, will
Appear there for a man. Speak not against it:
I will not stay behind.

13

Antony and Cleopatra
[IV, 4]

Antony

2636

Rarely, rarely:
He that unbuckles this, till we do please
To daff't for our repose, shall hear a storm.
Thou fumblest, Eros; and my queen's a squire
More tight at this than thou: dispatch. O love,
That thou couldst see my wars to-day, and knew'st
The royal occupation! thou shouldst see
A workman in't.
[Enter an armed Soldier]
Good morrow to thee; welcome:
Thou look'st like him that knows a warlike charge:
To business that we love we rise betime,
And go to't with delight.

14

Antony and Cleopatra
[IV, 5]

Antony

2695

Go, Eros, send his treasure after; do it;
Detain no jot, I charge thee: write to him—
I will subscribe—gentle adieus and greetings;
Say that I wish he never find more cause
To change a master. O, my fortunes have
Corrupted honest men! Dispatch.—Enobarbus!

15

Antony and Cleopatra
[IV, 6]

Octavius

2715

Go charge Agrippa
Plant those that have revolted in the van,
That Antony may seem to spend his fury
Upon himself.

16

As You Like It
[I, 3]

Celia

495

O my poor Rosalind! Whither wilt thou go?
Wilt thou change fathers? I will give thee mine.
I charge thee be not thou more griev'd than I am.

17

As You Like It
[I, 3]

Celia

503

No, hath not? Rosalind lacks, then, the love
Which teacheth thee that thou and I am one.
Shall we be sund'red? Shall we part, sweet girl?
No; let my father seek another heir.
Therefore devise with me how we may fly,
Whither to go, and what to bear with us;
And do not seek to take your charge upon you,
To bear your griefs yourself, and leave me out;
For, by this heaven, now at our sorrows pale,
Say what thou canst, I'll go along with thee.

18

As You Like It
[III, 2]

Orlando

1438

Can you remember any of the principal evils that he laid
to the charge of women?

19

As You Like It
[IV, 3]

Rosalind

2068

Do you pity him? No, he deserves no pity. Wilt thou love
such a woman? What, to make thee an instrument, and play false
strains upon thee! Not to be endur'd! Well, go your way to her,
for I see love hath made thee tame snake, and say this to her-
that if she love me, I charge her to love thee; if she will not,
I will never have her unless thou entreat for her. If you be a
true lover, hence, and not a word; for here comes more company.

20

As You Like It
[V, 4]

Rosalind

2596

It is not the fashion to see the lady the epilogue; but
it is no more unhandsome than to see the lord the prologue. If it
be true that good wine needs no bush, 'tis true that a good play
needs no epilogue. Yet to good wine they do use good bushes; and
good plays prove the better by the help of good epilogues. What a
case am I in then, that am neither a good epilogue, nor cannot
insinuate with you in the behalf of a good play! I am not
furnish'd like a beggar; therefore to beg will not become me. My
way is to conjure you; and I'll begin with the women. I charge
you, O women, for the love you bear to men, to like as much of
this play as please you; and I charge you, O men, for the love
you bear to women- as I perceive by your simp'ring none of you
hates them- that between you and the women the play may please.
If I were a woman, I would kiss as many of you as had beards that
pleas'd me, complexions that lik'd me, and breaths that I defied
not; and, I am sure, as many as have good beards, or good faces,
or sweet breaths, will, for my kind offer, when I make curtsy,
bid me farewell.