# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 1]

Cleopatra

20

I'll set a bourn how far to be beloved.

2

Hamlet
[III, 1]

Hamlet

1749

To be, or not to be- that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them. To die- to sleep-
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die- to sleep.
To sleep- perchance to dream: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despis'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death-
The undiscover'd country, from whose bourn
No traveller returns- puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.- Soft you now!
The fair Ophelia!- Nymph, in thy orisons
Be all my sins rememb'red.

3

King Lear
[III, 6]

Edgar

2028

Look, where he stands and glares! Want'st thou eyes at trial,
madam?
Come o'er the bourn, Bessy, to me.

4

King Lear
[IV, 6]

Edgar

2664

From the dread summit of this chalky bourn.
Look up a-height. The shrill-gorg'd lark so far
Cannot be seen or heard. Do but look up.

5

Pericles
[IV, 4]

Gower

1875

Thus time we waste, and longest leagues make short;
Sail seas in cockles, have an wish but for't;
Making, to take your imagination,
From bourn to bourn, region to region.
By you being pardon'd, we commit no crime
To use one language in each several clime
Where our scenes seem to live. I do beseech you
To learn of me, who stand i' the gaps to teach you,
The stages of our story. Pericles
Is now again thwarting the wayward seas,
Attended on by many a lord and knight.
To see his daughter, all his life's delight.
Old Escanes, whom Helicanus late
Advanced in time to great and high estate,
Is left to govern. Bear you it in mind,
Old Helicanus goes along behind.
Well-sailing ships and bounteous winds have brought
This king to Tarsus,—think his pilot thought;
So with his steerage shall your thoughts grow on,—
To fetch his daughter home, who first is gone.
Like motes and shadows see them move awhile;
Your ears unto your eyes I'll reconcile.
DUMB SHOW.
[Enter PERICLES, at one door, with all his train;]
CLEON and DIONYZA, at the other. CLEON shows
PERICLES the tomb; whereat PERICLES makes
lamentation, puts on sackcloth, and in a mighty
passion departs. Then exeunt CLEON and DIONYZA]
See how belief may suffer by foul show!
This borrow'd passion stands for true old woe;
And Pericles, in sorrow all devour'd,
With sighs shot through, and biggest tears
o'ershower'd,
Leaves Tarsus and again embarks. He swears
Never to wash his face, nor cut his hairs:
He puts on sackcloth, and to sea. He bears
A tempest, which his mortal vessel tears,
And yet he rides it out. Now please you wit.
The epitaph is for Marina writ
By wicked Dionyza.
[Reads the inscription on MARINA's monument]
'The fairest, sweet'st, and best lies here,
Who wither'd in her spring of year.
She was of Tyrus the king's daughter,
On whom foul death hath made this slaughter;
Marina was she call'd; and at her birth,
Thetis, being proud, swallow'd some part o' the earth:
Therefore the earth, fearing to be o'erflow'd,
Hath Thetis' birth-child on the heavens bestow'd:
Wherefore she does, and swears she'll never stint,
Make raging battery upon shores of flint.'
No visor does become black villany
So well as soft and tender flattery.
Let Pericles believe his daughter's dead,
And bear his courses to be ordered
By Lady Fortune; while our scene must play
His daughter's woe and heavy well-a-day
In her unholy service. Patience, then,
And think you now are all in Mytilene.

6

Tempest
[II, 1]

Gonzalo

856

I' the commonwealth I would by contraries
Execute all things; for no kind of traffic
Would I admit; no name of magistrate;
Letters should not be known; riches, poverty,
And use of service, none; contract, succession,
Bourn, bound of land, tilth, vineyard, none;
No use of metal, corn, or wine, or oil;
No occupation; all men idle, all;
And women too, but innocent and pure;
No sovereignty;—

7

Troilus and Cressida
[II, 3]

Ulysses

1462

Thank the heavens, lord, thou art of sweet composure;
Praise him that got thee, she that gave thee suck:
Famed be thy tutor, and thy parts of nature
Thrice famed, beyond all erudition:
But he that disciplined thy arms to fight,
Let Mars divide eternity in twain,
And give him half: and, for thy vigour,
Bull-bearing Milo his addition yield
To sinewy Ajax. I will not praise thy wisdom,
Which, like a bourn, a pale, a shore, confines
Thy spacious and dilated parts: here's Nestor;
Instructed by the antiquary times,
He must, he is, he cannot but be wise:
Put pardon, father Nestor, were your days
As green as Ajax' and your brain so temper'd,
You should not have the eminence of him,
But be as Ajax.

8

Winter's Tale
[I, 2]

Leontes

207

Thou want'st a rough pash and the shoots that I have,
To be full like me: yet they say we are
Almost as like as eggs; women say so,
That will say anything but were they false
As o'er-dyed blacks, as wind, as waters, false
As dice are to be wish'd by one that fixes
No bourn 'twixt his and mine, yet were it true
To say this boy were like me. Come, sir page,
Look on me with your welkin eye: sweet villain!
Most dear'st! my collop! Can thy dam?—may't be?—
Affection! thy intention stabs the centre:
Thou dost make possible things not so held,
Communicatest with dreams;—how can this be?—
With what's unreal thou coactive art,
And fellow'st nothing: then 'tis very credent
Thou mayst co-join with something; and thou dost,
And that beyond commission, and I find it,
And that to the infection of my brains
And hardening of my brows.