# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Troilus and Cressida
[I, 1]

Troilus

78

O Pandarus! I tell thee, Pandarus,—
When I do tell thee, there my hopes lie drown'd,
Reply not in how many fathoms deep
They lie indrench'd. I tell thee I am mad
In Cressid's love: thou answer'st 'she is fair;'
Pour'st in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice,
Handlest in thy discourse, O, that her hand,
In whose comparison all whites are ink,
Writing their own reproach, to whose soft seizure
The cygnet's down is harsh and spirit of sense
Hard as the palm of ploughman: this thou tell'st me,
As true thou tell'st me, when I say I love her;
But, saying thus, instead of oil and balm,
Thou lay'st in every gash that love hath given me
The knife that made it.

2

Troilus and Cressida
[I, 1]

Troilus

119

Peace, you ungracious clamours! peace, rude sounds!
Fools on both sides! Helen must needs be fair,
When with your blood you daily paint her thus.
I cannot fight upon this argument;
It is too starved a subject for my sword.
But Pandarus,—O gods, how do you plague me!
I cannot come to Cressid but by Pandar;
And he's as tetchy to be woo'd to woo.
As she is stubborn-chaste against all suit.
Tell me, Apollo, for thy Daphne's love,
What Cressid is, what Pandar, and what we?
Her bed is India; there she lies, a pearl:
Between our Ilium and where she resides,
Let it be call'd the wild and wandering flood,
Ourself the merchant, and this sailing Pandar
Our doubtful hope, our convoy and our bark.

3

Troilus and Cressida
[I, 2]

Cressida

283

If you love an addle egg as well as you love an idle
head, you would eat chickens i' the shell.

4

Troilus and Cressida
[I, 2]

Cressida

432

By the same token, you are a bawd.
[Exit PANDARUS]
Words, vows, gifts, tears, and love's full sacrifice,
He offers in another's enterprise;
But more in Troilus thousand fold I see
Than in the glass of Pandar's praise may be;
Yet hold I off. Women are angels, wooing:
Things won are done; joy's soul lies in the doing.
That she beloved knows nought that knows not this:
Men prize the thing ungain'd more than it is:
That she was never yet that ever knew
Love got so sweet as when desire did sue.
Therefore this maxim out of love I teach:
Achievement is command; ungain'd, beseech:
Then though my heart's content firm love doth bear,
Nothing of that shall from mine eyes appear.

5

Troilus and Cressida
[I, 3]

Agamemnon

451

Princes,
What grief hath set the jaundice on your cheeks?
The ample proposition that hope makes
In all designs begun on earth below
Fails in the promised largeness: cheques and disasters
Grow in the veins of actions highest rear'd,
As knots, by the conflux of meeting sap,
Infect the sound pine and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works,
And call them shames? which are indeed nought else
But the protractive trials of great Jove
To find persistive constancy in men:
The fineness of which metal is not found
In fortune's love; for then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft seem all affined and kin:
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter, by itself
Lies rich in virtue and unmingled.

6

Troilus and Cressida
[I, 3]

Aeneas

716

Trumpet, blow loud,
Send thy brass voice through all these lazy tents;
And every Greek of mettle, let him know,
What Troy means fairly shall be spoke aloud.
[Trumpet sounds]
We have, great Agamemnon, here in Troy
A prince call'd Hector,—Priam is his father,—
Who in this dull and long-continued truce
Is rusty grown: he bade me take a trumpet,
And to this purpose speak. Kings, princes, lords!
If there be one among the fair'st of Greece
That holds his honour higher than his ease,
That seeks his praise more than he fears his peril,
That knows his valour, and knows not his fear,
That loves his mistress more than in confession,
With truant vows to her own lips he loves,
And dare avow her beauty and her worth
In other arms than hers,—to him this challenge.
Hector, in view of Trojans and of Greeks,
Shall make it good, or do his best to do it,
He hath a lady, wiser, fairer, truer,
Than ever Greek did compass in his arms,
And will to-morrow with his trumpet call
Midway between your tents and walls of Troy,
To rouse a Grecian that is true in love:
If any come, Hector shall honour him;
If none, he'll say in Troy when he retires,
The Grecian dames are sunburnt and not worth
The splinter of a lance. Even so much.

7

Troilus and Cressida
[I, 3]

Agamemnon

745

This shall be told our lovers, Lord AEneas;
If none of them have soul in such a kind,
We left them all at home: but we are soldiers;
And may that soldier a mere recreant prove,
That means not, hath not, or is not in love!
If then one is, or hath, or means to be,
That one meets Hector; if none else, I am he.

8

Troilus and Cressida
[I, 3]

Nestor

752

Tell him of Nestor, one that was a man
When Hector's grandsire suck'd: he is old now;
But if there be not in our Grecian host
One noble man that hath one spark of fire,
To answer for his love, tell him from me
I'll hide my silver beard in a gold beaver
And in my vantbrace put this wither'd brawn,
And meeting him will tell him that my lady
Was fairer than his grandam and as chaste
As may be in the world: his youth in flood,
I'll prove this truth with my three drops of blood.

9

Troilus and Cressida
[III, 1]

Servant

1516

At mine, sir, and theirs that love music.

10

Troilus and Cressida
[III, 1]

Pandarus

1584

My niece is horribly in love with a thing you have,
sweet queen.

11

Troilus and Cressida
[III, 1]

Helen

1594

Let thy song be love: this love will undo us all.
O Cupid, Cupid, Cupid!

12

Troilus and Cressida
[III, 1]

Pandarus

1596

Love! ay, that it shall, i' faith.

13

Troilus and Cressida
[III, 1]

Paris

1597

Ay, good now, love, love, nothing but love.

14

Troilus and Cressida
[III, 1]

Pandarus

1598

In good troth, it begins so.
[Sings]
Love, love, nothing but love, still more!
For, O, love's bow
Shoots buck and doe:
The shaft confounds,
Not that it wounds,
But tickles still the sore.
These lovers cry Oh! oh! they die!
Yet that which seems the wound to kill,
Doth turn oh! oh! to ha! ha! he!
So dying love lives still:
Oh! oh! a while, but ha! ha! ha!
Oh! oh! groans out for ha! ha! ha!
Heigh-ho!

15

Troilus and Cressida
[III, 1]

Helen

1613

In love, i' faith, to the very tip of the nose.

16

Troilus and Cressida
[III, 1]

Paris

1614

He eats nothing but doves, love, and that breeds hot
blood, and hot blood begets hot thoughts, and hot
thoughts beget hot deeds, and hot deeds is love.

17

Troilus and Cressida
[III, 1]

Pandarus

1617

Is this the generation of love? hot blood, hot
thoughts, and hot deeds? Why, they are vipers:
is love a generation of vipers? Sweet lord, who's
a-field to-day?

18

Troilus and Cressida
[III, 1]

Paris

1645

Sweet, above thought I love thee.

19

Troilus and Cressida
[III, 2]

Troilus

1717

What should they grant? what makes this pretty
abruption? What too curious dreg espies my sweet
lady in the fountain of our love?

20

Troilus and Cressida
[III, 2]

Troilus

1728

Nothing, but our undertakings; when we vow to weep
seas, live in fire, eat rocks, tame tigers; thinking
it harder for our mistress to devise imposition
enough than for us to undergo any difficulty imposed.
This is the monstruosity in love, lady, that the will
is infinite and the execution confined, that the
desire is boundless and the act a slave to limit.