# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 1]

First Gentleman

20

He that hath miss'd the princess is a thing
Too bad for bad report: and he that hath her—
I mean, that married her, alack, good man!
And therefore banish'd—is a creature such
As, to seek through the regions of the earth
For one his like, there would be something failing
In him that should compare. I do not think
So fair an outward and such stuff within
Endows a man but he.

2

Cymbeline
[I, 1]

Posthumus Leonatus

111

My queen! my mistress!
O lady, weep no more, lest I give cause
To be suspected of more tenderness
Than doth become a man. I will remain
The loyal'st husband that did e'er plight troth:
My residence in Rome at one Philario's,
Who to my father was a friend, to me
Known but by letter: thither write, my queen,
And with mine eyes I'll drink the words you send,
Though ink be made of gall.

3

Cymbeline
[I, 1]

Cymbeline

182

O thou vile one!

4

Cymbeline
[I, 4]

Frenchman

367

'Faith, yes, to be put to the arbitrement of swords,
and by such two that would by all likelihood have
confounded one the other, or have fallen both.

5

Cymbeline
[I, 4]

Posthumus Leonatus

399

You are mistaken: the one may be sold, or given, if
there were wealth enough for the purchase, or merit
for the gift: the other is not a thing for sale,
and only the gift of the gods.

6

Cymbeline
[I, 4]

Iachimo

405

You may wear her in title yours: but, you know,
strange fowl light upon neighbouring ponds. Your
ring may be stolen too: so your brace of unprizable
estimations; the one is but frail and the other
casual; a cunning thief, or a that way accomplished
courtier, would hazard the winning both of first and last.

7

Cymbeline
[I, 4]

Iachimo

462

By the gods, it is one. If I bring you no
sufficient testimony that I have enjoyed the dearest
bodily part of your mistress, my ten thousand ducats
are yours; so is your diamond too: if I come off,
and leave her in such honour as you have trust in,
she your jewel, this your jewel, and my gold are
yours: provided I have your commendation for my more
free entertainment.

8

Cymbeline
[I, 5]

Cornelius

533

[Aside] I do not like her. She doth think she has
Strange lingering poisons: I do know her spirit,
And will not trust one of her malice with
A drug of such damn'd nature. Those she has
Will stupefy and dull the sense awhile;
Which first, perchance, she'll prove on
cats and dogs,
Then afterward up higher: but there is
No danger in what show of death it makes,
More than the locking-up the spirits a time,
To be more fresh, reviving. She is fool'd
With a most false effect; and I the truer,
So to be false with her.

9

Cymbeline
[I, 5]

Queen

550

Weeps she still, say'st thou? Dost thou think in time
She will not quench and let instructions enter
Where folly now possesses? Do thou work:
When thou shalt bring me word she loves my son,
I'll tell thee on the instant thou art then
As great as is thy master, greater, for
His fortunes all lie speechless and his name
Is at last gasp: return he cannot, nor
Continue where he is: to shift his being
Is to exchange one misery with another,
And every day that comes comes to decay
A day's work in him. What shalt thou expect,
To be depender on a thing that leans,
Who cannot be new built, nor has no friends,
So much as but to prop him?
[The QUEEN drops the box: PISANIO takes it up]
Thou takest up
Thou know'st not what; but take it for thy labour:
It is a thing I made, which hath the king
Five times redeem'd from death: I do not know
What is more cordial. Nay, I prethee, take it;
It is an earnest of a further good
That I mean to thee. Tell thy mistress how
The case stands with her; do't as from thyself.
Think what a chance thou changest on, but think
Thou hast thy mistress still, to boot, my son,
Who shall take notice of thee: I'll move the king
To any shape of thy preferment such
As thou'lt desire; and then myself, I chiefly,
That set thee on to this desert, am bound
To load thy merit richly. Call my women:
Think on my words.
[Exit PISANIO]
A sly and constant knave,
Not to be shaked; the agent for his master
And the remembrancer of her to hold
The hand-fast to her lord. I have given him that
Which, if he take, shall quite unpeople her
Of liegers for her sweet, and which she after,
Except she bend her humour, shall be assured
To taste of too.
[Re-enter PISANIO and Ladies]
So, so: well done, well done:
The violets, cowslips, and the primroses,
Bear to my closet. Fare thee well, Pisanio;
Think on my words.

10

Cymbeline
[I, 6]

Imogen

627

[Reads] 'He is one of the noblest note, to whose
kindnesses I am most infinitely tied. Reflect upon
him accordingly, as you value your trust—
LEONATUS.'
So far I read aloud:
But even the very middle of my heart
Is warm'd by the rest, and takes it thankfully.
You are as welcome, worthy sir, as I
Have words to bid you, and shall find it so
In all that I can do.

11

Cymbeline
[I, 6]

Iachimo

678

I never saw him sad.
There is a Frenchman his companion, one
An eminent monsieur, that, it seems, much loves
A Gallian girl at home; he furnaces
The thick sighs from him, whiles the jolly Briton—
Your lord, I mean—laughs from's free lungs, cries 'O,
Can my sides hold, to think that man, who knows
By history, report, or his own proof,
What woman is, yea, what she cannot choose
But must be, will his free hours languish for
Assured bondage?'

12

Cymbeline
[I, 6]

Imogen

702

Am I one, sir?
You look on me: what wreck discern you in me
Deserves your pity?

13

Cymbeline
[I, 6]

Iachimo

722

Had I this cheek
To bathe my lips upon; this hand, whose touch,
Whose every touch, would force the feeler's soul
To the oath of loyalty; this object, which
Takes prisoner the wild motion of mine eye,
Fixing it only here; should I, damn'd then,
Slaver with lips as common as the stairs
That mount the Capitol; join gripes with hands
Made hard with hourly falsehood—falsehood, as
With labour; then by-peeping in an eye
Base and unlustrous as the smoky light
That's fed with stinking tallow; it were fit
That all the plagues of hell should at one time
Encounter such revolt.

14

Cymbeline
[I, 6]

Iachimo

785

O happy Leonatus! I may say
The credit that thy lady hath of thee
Deserves thy trust, and thy most perfect goodness
Her assured credit. Blessed live you long!
A lady to the worthiest sir that ever
Country call'd his! and you his mistress, only
For the most worthiest fit! Give me your pardon.
I have spoke this, to know if your affiance
Were deeply rooted; and shall make your lord,
That which he is, new o'er: and he is one
The truest manner'd; such a holy witch
That he enchants societies into him;
Half all men's hearts are his.

15

Cymbeline
[II, 1]

Cloten

865

Whoreson dog! I give him satisfaction?
Would he had been one of my rank!

16

Cymbeline
[II, 1]

First Lord

887

There's an Italian come; and, 'tis thought, one of
Leonatus' friends.

17

Cymbeline
[II, 1]

First Lord

891

One of your lordship's pages.

18

Cymbeline
[II, 2]

(stage directions)

917

a trunk in one corner of it.

19

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

20

Cymbeline
[II, 3]

Messenger

1037

So like you, sir, ambassadors from Rome;
The one is Caius Lucius.