# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[I, 2]

Antipholus of Syracuse

255

What, wilt thou flout me thus unto my face,
Being forbid? There, take you that, sir knave.

2

Comedy of Errors
[II, 1]

Luciana

360

Fie, how impatience loureth in your face!

3

Comedy of Errors
[II, 2]

Adriana

499

Ay, ay, Antipholus, look strange and frown:
Some other mistress hath thy sweet aspects;
I am not Adriana nor thy wife.
The time was once when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savor'd in thy taste,
Unless I spake, or look'd, or touch'd, or carved to thee.
How comes it now, my husband, O, how comes it,
That thou art thus estranged from thyself?
Thyself I call it, being strange to me,
That, undividable, incorporate,
Am better than thy dear self's better part.
Ah, do not tear away thyself from me!
For know, my love, as easy mayest thou fall
A drop of water in the breaking gulf,
And take unmingled that same drop again,
Without addition or diminishing,
As take from me thyself and not me too.
How dearly would it touch me to the quick,
Shouldst thou but hear I were licentious
And that this body, consecrate to thee,
By ruffian lust should be contaminate!
Wouldst thou not spit at me and spurn at me
And hurl the name of husband in my face
And tear the stain'd skin off my harlot-brow
And from my false hand cut the wedding-ring
And break it with a deep-divorcing vow?
I know thou canst; and therefore see thou do it.
I am possess'd with an adulterate blot;
My blood is mingled with the crime of lust:
For if we too be one and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then far league and truce with thy true bed;
I live unstain'd, thou undishonoured.

4

Comedy of Errors
[III, 1]

Antipholus of Ephesus

612

Good Signior Angelo, you must excuse us all;
My wife is shrewish when I keep not hours:
Say that I linger'd with you at your shop
To see the making of her carcanet,
And that to-morrow you will bring it home.
But here's a villain that would face me down
He met me on the mart, and that I beat him,
And charged him with a thousand marks in gold,
And that I did deny my wife and house.
Thou drunkard, thou, what didst thou mean by this?

5

Comedy of Errors
[III, 1]

Dromio of Ephesus

664

O villain! thou hast stolen both mine office and my name.
The one ne'er got me credit, the other mickle blame.
If thou hadst been Dromio to-day in my place,
Thou wouldst have changed thy face for a name or thy
name for an ass.

6

Comedy of Errors
[III, 1]

Dromio of Ephesus

708

A man may break a word with you, sir, and words are but wind,
Ay, and break it in your face, so he break it not behind.

7

Comedy of Errors
[III, 2]

Dromio of Syracuse

864

Swart, like my shoe, but her face nothing half so
clean kept: for why, she sweats; a man may go over
shoes in the grime of it.

8

Comedy of Errors
[IV, 2]

Adriana

1072

Ah, Luciana, did he tempt thee so?
Mightst thou perceive austerely in his eye
That he did plead in earnest? yea or no?
Look'd he or red or pale, or sad or merrily?
What observation madest thou in this case
Of his heart's meteors tilting in his face?

9

Comedy of Errors
[IV, 4]

Antipholus of Ephesus

1311

You minion, you, are these your customers?
Did this companion with the saffron face
Revel and feast it at my house to-day,
Whilst upon me the guilty doors were shut
And I denied to enter in my house?

10

Comedy of Errors
[V, 1]

Servant

1615

Mistress, upon my life, I tell you true;
I have not breathed almost since I did see it.
He cries for you, and vows, if he can take you,
To scorch your face and to disfigure you.
[Cry within]
Hark, hark! I hear him, mistress. fly, be gone!

11

Comedy of Errors
[V, 1]

Antipholus of Ephesus

1651

My liege, I am advised what I say,
Neither disturbed with the effect of wine,
Nor heady-rash, provoked with raging ire,
Albeit my wrongs might make one wiser mad.
This woman lock'd me out this day from dinner:
That goldsmith there, were he not pack'd with her,
Could witness it, for he was with me then;
Who parted with me to go fetch a chain,
Promising to bring it to the Porpentine,
Where Balthazar and I did dine together.
Our dinner done, and he not coming thither,
I went to seek him: in the street I met him
And in his company that gentleman.
There did this perjured goldsmith swear me down
That I this day of him received the chain,
Which, God he knows, I saw not: for the which
He did arrest me with an officer.
I did obey, and sent my peasant home
For certain ducats: he with none return'd
Then fairly I bespoke the officer
To go in person with me to my house.
By the way we met
My wife, her sister, and a rabble more
Of vile confederates. Along with them
They brought one Pinch, a hungry lean-faced villain,
A mere anatomy, a mountebank,
A threadbare juggler and a fortune-teller,
A needy, hollow-eyed, sharp-looking wretch,
A dead-looking man: this pernicious slave,
Forsooth, took on him as a conjurer,
And, gazing in mine eyes, feeling my pulse,
And with no face, as 'twere, outfacing me,
Cries out, I was possess'd. Then all together
They fell upon me, bound me, bore me thence
And in a dark and dankish vault at home
There left me and my man, both bound together;
Till, gnawing with my teeth my bonds in sunder,
I gain'd my freedom, and immediately
Ran hither to your grace; whom I beseech
To give me ample satisfaction
For these deep shames and great indignities.

12

Comedy of Errors
[V, 1]

Aegeon

1736

O, grief hath changed me since you saw me last,
And careful hours with time's deformed hand
Have written strange defeatures in my face:
But tell me yet, dost thou not know my voice?

13

Comedy of Errors
[V, 1]

Aegeon

1746

Not know my voice! O time's extremity,
Hast thou so crack'd and splitted my poor tongue
In seven short years, that here my only son
Knows not my feeble key of untuned cares?
Though now this grained face of mine be hid
In sap-consuming winter's drizzled snow,
And all the conduits of my blood froze up,
Yet hath my night of life some memory,
My wasting lamps some fading glimmer left,
My dull deaf ears a little use to hear:
All these old witnesses—I cannot err—
Tell me thou art my son Antipholus.