# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 1]

Cleopatra

32

Perchance! nay, and most like:
You must not stay here longer, your dismission
Is come from Caesar; therefore hear it, Antony.
Where's Fulvia's process? Caesar's I would say? both?
Call in the messengers. As I am Egypt's queen,
Thou blushest, Antony; and that blood of thine
Is Caesar's homager: else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!

2

Antony and Cleopatra
[I, 1]

Antony

59

Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
[Exeunt MARK ANTONY and CLEOPATRA with]
their train]

3

Antony and Cleopatra
[I, 2]

Charmian

79

Lord Alexas, sweet Alexas, most any thing Alexas,
almost most absolute Alexas, where's the soothsayer
that you praised so to the queen? O, that I knew
this husband, which, you say, must charge his horns
with garlands!

4

Antony and Cleopatra
[I, 2]

Charmian

155

Not he; the queen.

5

Antony and Cleopatra
[I, 2]

Antony

213

Forbear me.
[Exit Second Messenger]
There's a great spirit gone! Thus did I desire it:
What our contempt doth often hurl from us,
We wish it ours again; the present pleasure,
By revolution lowering, does become
The opposite of itself: she's good, being gone;
The hand could pluck her back that shoved her on.
I must from this enchanting queen break off:
Ten thousand harms, more than the ills I know,
My idleness doth hatch. How now! Enobarbus!

6

Antony and Cleopatra
[I, 2]

Antony

271

No more light answers. Let our officers
Have notice what we purpose. I shall break
The cause of our expedience to the queen,
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us; but the letters too
Of many our contriving friends in Rome
Petition us at home: Sextus Pompeius
Hath given the dare to Caesar, and commands
The empire of the sea: our slippery people,
Whose love is never link'd to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
Upon his son; who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier: whose quality, going on,
The sides o' the world may danger: much is breeding,
Which, like the courser's hair, hath yet but life,
And not a serpent's poison. Say, our pleasure,
To such whose place is under us, requires
Our quick remove from hence.

7

Antony and Cleopatra
[I, 3]

Antony

317

Now, my dearest queen,—

8

Antony and Cleopatra
[I, 3]

Cleopatra

326

O, never was there queen
So mightily betray'd! yet at the first
I saw the treasons planted.

9

Antony and Cleopatra
[I, 3]

Antony

335

Most sweet queen,—

10

Antony and Cleopatra
[I, 3]

Antony

347

Hear me, queen:
The strong necessity of time commands
Our services awhile; but my full heart
Remains in use with you. Our Italy
Shines o'er with civil swords: Sextus Pompeius
Makes his approaches to the port of Rome:
Equality of two domestic powers
Breed scrupulous faction: the hated, grown to strength,
Are newly grown to love: the condemn'd Pompey,
Rich in his father's honour, creeps apace,
Into the hearts of such as have not thrived
Upon the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change: my more particular,
And that which most with you should safe my going,
Is Fulvia's death.

11

Antony and Cleopatra
[I, 3]

Antony

365

She's dead, my queen:
Look here, and at thy sovereign leisure read
The garboils she awaked; at the last, best:
See when and where she died.

12

Antony and Cleopatra
[I, 3]

Antony

382

My precious queen, forbear;
And give true evidence to his love, which stands
An honourable trial.

13

Antony and Cleopatra
[I, 4]

Octavius

424

You may see, Lepidus, and henceforth know,
It is not Caesar's natural vice to hate
Our great competitor: from Alexandria
This is the news: he fishes, drinks, and wastes
The lamps of night in revel; is not more man-like
Than Cleopatra; nor the queen of Ptolemy
More womanly than he; hardly gave audience, or
Vouchsafed to think he had partners: you shall find there
A man who is the abstract of all faults
That all men follow.

14

Antony and Cleopatra
[I, 5]

Alexas

566

Last thing he did, dear queen,
He kiss'd,—the last of many doubled kisses,—
This orient pearl. His speech sticks in my heart.

15

Antony and Cleopatra
[II, 6]

Domitius Enobarus

1301

A certain queen to Caesar in a mattress.

16

Antony and Cleopatra
[III, 3]

Messenger

1695

Ay, dread queen.

17

Antony and Cleopatra
[III, 6]

Octavius

1822

Contemning Rome, he has done all this, and more,
In Alexandria: here's the manner of 't:
I' the market-place, on a tribunal silver'd,
Cleopatra and himself in chairs of gold
Were publicly enthroned: at the feet sat
Caesarion, whom they call my father's son,
And all the unlawful issue that their lust
Since then hath made between them. Unto her
He gave the stablishment of Egypt; made her
Of lower Syria, Cyprus, Lydia,
Absolute queen.

18

Antony and Cleopatra
[III, 7]

(stage directions)

2021

[Exeunt MARK ANTONY, QUEEN CLEOPATRA, and DOMITIUS ENOBARBUS]

19

Antony and Cleopatra
[III, 11]

Iras

2140

Do, most dear queen.

20

Antony and Cleopatra
[III, 11]

Eros

2156

The queen, my lord, the queen.