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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[II, 1] |
Helena |
711 |
The rather will I spare my praises towards him:
Knowing him is enough. On's bed of death
Many receipts he gave me: chiefly one.
Which, as the dearest issue of his practise,
And of his old experience the oily darling,
He bade me store up, as a triple eye,
Safer than mine own two, more dear; I have so;
And hearing your high majesty is touch'd
With that malignant cause wherein the honour
Of my dear father's gift stands chief in power,
I come to tender it and my appliance
With all bound humbleness.
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2 |
All's Well That Ends Well
[II, 1] |
King of France |
738 |
I cannot give thee less, to be call'd grateful:
Thou thought'st to help me; and such thanks I give
As one near death to those that wish him live:
But what at full I know, thou know'st no part,
I knowing all my peril, thou no art.
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3 |
All's Well That Ends Well
[IV, 1] |
Parolles |
1936 |
What the devil should move me to undertake the
recovery of this drum, being not ignorant of the
impossibility, and knowing I had no such purpose? I
must give myself some hurts, and say I got them in
exploit: yet slight ones will not carry it; they
will say, 'Came you off with so little?' and great
ones I dare not give. Wherefore, what's the
instance? Tongue, I must put you into a
butter-woman's mouth and buy myself another of
Bajazet's mule, if you prattle me into these perils.
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4 |
All's Well That Ends Well
[V, 3] |
King of France |
2737 |
Well excused:
That thou didst love her, strikes some scores away
From the great compt: but love that comes too late,
Like a remorseful pardon slowly carried,
To the great sender turns a sour offence,
Crying, 'That's good that's gone.' Our rash faults
Make trivial price of serious things we have,
Not knowing them until we know their grave:
Oft our displeasures, to ourselves unjust,
Destroy our friends and after weep their dust
Our own love waking cries to see what's done,
While shame full late sleeps out the afternoon.
Be this sweet Helen's knell, and now forget her.
Send forth your amorous token for fair Maudlin:
The main consents are had; and here we'll stay
To see our widower's second marriage-day.
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