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Could I come near your beauty with my nails,
I'd set my ten commandments in your face.

      — King Henry VI. Part II, Act I Scene 3

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1-10 of 10 total

KEYWORD: eye

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 5]

Olivia

606

I do I know not what, and fear to find
Mine eye too great a flatterer for my mind.
Fate, show thy force: ourselves we do not owe;
What is decreed must be, and be this so.

2

Twelfth Night
[II, 2]

Malvolio

669

Come, sir, you peevishly threw it to her; and her
will is, it should be so returned: if it be worth
stooping for, there it lies in your eye; if not, be
it his that finds it.

3

Twelfth Night
[II, 3]

Maria

854

I will drop in his way some obscure epistles of
love; wherein, by the colour of his beard, the shape
of his leg, the manner of his gait, the expressure
of his eye, forehead, and complexion, he shall find
himself most feelingly personated. I can write very
like my lady your niece: on a forgotten matter we
can hardly make distinction of our hands.

4

Twelfth Night
[II, 4]

Orsino

912

Thou dost speak masterly:
My life upon't, young though thou art, thine eye
Hath stay'd upon some favour that it loves:
Hath it not, boy?

5

Twelfth Night
[II, 5]

Sir Toby Belch

1074

O, for a stone-bow, to hit him in the eye!

6

Twelfth Night
[II, 5]

Fabian

1157

Ay, an you had any eye behind you, you might see
more detraction at your heels than fortunes before
you.

7

Twelfth Night
[III, 1]

Viola

1294

This fellow is wise enough to play the fool;
And to do that well craves a kind of wit:
He must observe their mood on whom he jests,
The quality of persons, and the time,
And, like the haggard, cheque at every feather
That comes before his eye. This is a practise
As full of labour as a wise man's art
For folly that he wisely shows is fit;
But wise men, folly-fall'n, quite taint their wit.

8

Twelfth Night
[III, 3]

Antonio

1535

Haply your eye shall light upon some toy
You have desire to purchase; and your store,
I think, is not for idle markets, sir.

9

Twelfth Night
[III, 4]

Malvolio

1566

Sad, lady! I could be sad: this does make some
obstruction in the blood, this cross-gartering; but
what of that? if it please the eye of one, it is
with me as the very true sonnet is, 'Please one, and
please all.'

10

Twelfth Night
[V, 1]

Orsino

2309

Why should I not, had I the heart to do it,
Like to the Egyptian thief at point of death,
Kill what I love?—a savage jealousy
That sometimes savours nobly. But hear me this:
Since you to non-regardance cast my faith,
And that I partly know the instrument
That screws me from my true place in your favour,
Live you the marble-breasted tyrant still;
But this your minion, whom I know you love,
And whom, by heaven I swear, I tender dearly,
Him will I tear out of that cruel eye,
Where he sits crowned in his master's spite.
Come, boy, with me; my thoughts are ripe in mischief:
I'll sacrifice the lamb that I do love,
To spite a raven's heart within a dove.

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