# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 2]

Viola

96

There is a fair behavior in thee, captain;
And though that nature with a beauteous wall
Doth oft close in pollution, yet of thee
I will believe thou hast a mind that suits
With this thy fair and outward character.
I prithee, and I'll pay thee bounteously,
Conceal me what I am, and be my aid
For such disguise as haply shall become
The form of my intent. I'll serve this duke:
Thou shall present me as an eunuch to him:
It may be worth thy pains; for I can sing
And speak to him in many sorts of music
That will allow me very worth his service.
What else may hap to time I will commit;
Only shape thou thy silence to my wit.

2

Twelfth Night
[I, 3]

Sir Toby Belch

116

What a plague means my niece, to take the death of
her brother thus? I am sure care's an enemy to life.

3

Twelfth Night
[I, 3]

Sir Toby Belch

124

Confine! I'll confine myself no finer than I am:
these clothes are good enough to drink in; and so be
these boots too: an they be not, let them hang
themselves in their own straps.

4

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

183

Why, I think so: I am not such an ass but I can
keep my hand dry. But what's your jest?

5

Twelfth Night
[I, 3]

Maria

187

Ay, sir, I have them at my fingers' ends: marry,
now I let go your hand, I am barren.

6

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

192

Never in your life, I think; unless you see canary
put me down. Methinks sometimes I have no more wit
than a Christian or an ordinary man has: but I am a
great eater of beef and I believe that does harm to my wit.

7

Twelfth Night
[I, 3]

Sir Andrew Aguecheek

218

I'll stay a month longer. I am a fellow o' the
strangest mind i' the world; I delight in masques
and revels sometimes altogether.

8

Twelfth Night
[I, 4]

Orsino

277

Dear lad, believe it;
For they shall yet belie thy happy years,
That say thou art a man: Diana's lip
Is not more smooth and rubious; thy small pipe
Is as the maiden's organ, shrill and sound,
And all is semblative a woman's part.
I know thy constellation is right apt
For this affair. Some four or five attend him;
All, if you will; for I myself am best
When least in company. Prosper well in this,
And thou shalt live as freely as thy lord,
To call his fortunes thine.

9

Twelfth Night
[I, 5]

Feste

314

Not so, neither; but I am resolved on two points.

10

Twelfth Night
[I, 5]

Feste

323

Wit, an't be thy will, put me into good fooling!
Those wits, that think they have thee, do very oft
prove fools; and I, that am sure I lack thee, may
pass for a wise man: for what says Quinapalus?
'Better a witty fool, than a foolish wit.'
[Enter OLIVIA with MALVOLIO]
God bless thee, lady!

11

Twelfth Night
[I, 5]

Feste

367

God send you, sir, a speedy infirmity, for the
better increasing your folly! Sir Toby will be
sworn that I am no fox; but he will not pass his
word for two pence that you are no fool.

12

Twelfth Night
[I, 5]

Olivia

396

Fetch him off, I pray you; he speaks nothing but
madman: fie on him!
[Exit MARIA]
Go you, Malvolio: if it be a suit from the count, I
am sick, or not at home; what you will, to dismiss it.
[Exit MALVOLIO]
Now you see, sir, how your fooling grows old, and
people dislike it.

13

Twelfth Night
[I, 5]

Viola

464

Most radiant, exquisite and unmatchable beauty,—I
pray you, tell me if this be the lady of the house,
for I never saw her: I would be loath to cast away
my speech, for besides that it is excellently well
penned, I have taken great pains to con it. Good
beauties, let me sustain no scorn; I am very
comptible, even to the least sinister usage.

14

Twelfth Night
[I, 5]

Viola

477

No, my profound heart: and yet, by the very fangs
of malice I swear, I am not that I play. Are you
the lady of the house?

15

Twelfth Night
[I, 5]

Olivia

480

If I do not usurp myself, I am.

16

Twelfth Night
[I, 5]

Viola

495

No, good swabber; I am to hull here a little
longer. Some mollification for your giant, sweet
lady. Tell me your mind: I am a messenger.

17

Twelfth Night
[I, 5]

Viola

504

The rudeness that hath appeared in me have I
learned from my entertainment. What I am, and what I
would, are as secret as maidenhead; to your ears,
divinity, to any other's, profanation.

18

Twelfth Night
[I, 5]

Viola

570

Above my fortunes, yet my state is well:
I am a gentleman.

19

Twelfth Night
[I, 5]

Viola

577

I am no fee'd post, lady; keep your purse:
My master, not myself, lacks recompense.
Love make his heart of flint that you shall love;
And let your fervor, like my master's, be
Placed in contempt! Farewell, fair cruelty.

20

Twelfth Night
[I, 5]

Olivia

583

'What is your parentage?'
'Above my fortunes, yet my state is well:
I am a gentleman.' I'll be sworn thou art;
Thy tongue, thy face, thy limbs, actions and spirit,
Do give thee five-fold blazon: not too fast:
soft, soft!
Unless the master were the man. How now!
Even so quickly may one catch the plague?
Methinks I feel this youth's perfections
With an invisible and subtle stealth
To creep in at mine eyes. Well, let it be.
What ho, Malvolio!