# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Lafeu

13

He hath abandoned his physicians, madam; under whose
practises he hath persecuted time with hope, and
finds no other advantage in the process but only the
losing of hope by time.

2

All's Well That Ends Well
[I, 1]

Countess

58

Be thou blest, Bertram, and succeed thy father
In manners, as in shape! thy blood and virtue
Contend for empire in thee, and thy goodness
Share with thy birthright! Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use, and keep thy friend
Under thy own life's key: be cheque'd for silence,
But never tax'd for speech. What heaven more will,
That thee may furnish and my prayers pluck down,
Fall on thy head! Farewell, my lord;
'Tis an unseason'd courtier; good my lord,
Advise him.

3

All's Well That Ends Well
[I, 1]

Helena

193

Monsieur Parolles, you were born under a charitable star.

4

All's Well That Ends Well
[I, 1]

Parolles

194

Under Mars, I.

5

All's Well That Ends Well
[I, 1]

Helena

195

I especially think, under Mars.

6

All's Well That Ends Well
[I, 1]

Parolles

196

Why under Mars?

7

All's Well That Ends Well
[I, 1]

Helena

197

The wars have so kept you under that you must needs
be born under Mars.

8

All's Well That Ends Well
[II, 1]

Parolles

648

[To BERTRAM] Use a more spacious ceremony to the
noble lords; you have restrained yourself within the
list of too cold an adieu: be more expressive to
them: for they wear themselves in the cap of the
time, there do muster true gait, eat, speak, and
move under the influence of the most received star;
and though the devil lead the measure, such are to
be followed: after them, and take a more dilated farewell.

9

All's Well That Ends Well
[III, 5]

Mariana

1622

I know that knave; hang him! one Parolles: a
filthy officer he is in those suggestions for the
young earl. Beware of them, Diana; their promises,
enticements, oaths, tokens, and all these engines of
lust, are not the things they go under: many a maid
hath been seduced by them; and the misery is,
example, that so terrible shows in the wreck of
maidenhood, cannot for all that dissuade succession,
but that they are limed with the twigs that threaten
them. I hope I need not to advise you further; but
I hope your own grace will keep you where you are,
though there were no further danger known but the
modesty which is so lost.

10

All's Well That Ends Well
[IV, 4]

Helena

2440

Nor you, mistress,
Ever a friend whose thoughts more truly labour
To recompense your love: doubt not but heaven
Hath brought me up to be your daughter's dower,
As it hath fated her to be my motive
And helper to a husband. But, O strange men!
That can such sweet use make of what they hate,
When saucy trusting of the cozen'd thoughts
Defiles the pitchy night: so lust doth play
With what it loathes for that which is away.
But more of this hereafter. You, Diana,
Under my poor instructions yet must suffer
Something in my behalf.

11

All's Well That Ends Well
[V, 2]

Lafeu

2644

And what would you have me to do? 'Tis too late to
pare her nails now. Wherein have you played the
knave with fortune, that she should scratch you, who
of herself is a good lady and would not have knaves
thrive long under her? There's a quart d'ecu for
you: let the justices make you and fortune friends:
I am for other business.

12

All's Well That Ends Well
[V, 3]

Widow

2862

I am her mother, sir, whose age and honour
Both suffer under this complaint we bring,
And both shall cease, without your remedy.

13

Antony and Cleopatra
[I, 2]

Domitius Enobarus

231

Under a compelling occasion, let women die; it were
pity to cast them away for nothing; though, between
them and a great cause, they should be esteemed
nothing. Cleopatra, catching but the least noise of
this, dies instantly; I have seen her die twenty
times upon far poorer moment: I do think there is
mettle in death, which commits some loving act upon
her, she hath such a celerity in dying.

14

Antony and Cleopatra
[I, 2]

Antony

271

No more light answers. Let our officers
Have notice what we purpose. I shall break
The cause of our expedience to the queen,
And get her leave to part. For not alone
The death of Fulvia, with more urgent touches,
Do strongly speak to us; but the letters too
Of many our contriving friends in Rome
Petition us at home: Sextus Pompeius
Hath given the dare to Caesar, and commands
The empire of the sea: our slippery people,
Whose love is never link'd to the deserver
Till his deserts are past, begin to throw
Pompey the Great and all his dignities
Upon his son; who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier: whose quality, going on,
The sides o' the world may danger: much is breeding,
Which, like the courser's hair, hath yet but life,
And not a serpent's poison. Say, our pleasure,
To such whose place is under us, requires
Our quick remove from hence.

15

Antony and Cleopatra
[II, 3]

Antony

1015

Get thee gone:
Say to Ventidius I would speak with him:
[Exit Soothsayer]
He shall to Parthia. Be it art or hap,
He hath spoken true: the very dice obey him;
And in our sports my better cunning faints
Under his chance: if we draw lots, he speeds;
His cocks do win the battle still of mine,
When it is all to nought; and his quails ever
Beat mine, inhoop'd, at odds. I will to Egypt:
And though I make this marriage for my peace,
I' the east my pleasure lies.
[Enter VENTIDIUS]
O, come, Ventidius,
You must to Parthia: your commission's ready;
Follow me, and receive't.

16

Antony and Cleopatra
[III, 13]

Antony

2269

To him again: tell him he wears the rose
Of youth upon him; from which the world should note
Something particular: his coin, ships, legions,
May be a coward's; whose ministers would prevail
Under the service of a child as soon
As i' the command of Caesar: I dare him therefore
To lay his gay comparisons apart,
And answer me declined, sword against sword,
Ourselves alone. I'll write it: follow me.

17

Antony and Cleopatra
[III, 13]

Thyreus

2328

Shall I say to Caesar
What you require of him? for he partly begs
To be desired to give. It much would please him,
That of his fortunes you should make a staff
To lean upon: but it would warm his spirits,
To hear from me you had left Antony,
And put yourself under his shrowd,
The universal landlord.

18

Antony and Cleopatra
[IV, 3]

(stage directions)

2593

[Music of the hautboys as under the stage]

19

Antony and Cleopatra
[IV, 3]

Third Soldier

2598

Under the earth.

20

Antony and Cleopatra
[IV, 12]

Antony

2940

Vanish, or I shall give thee thy deserving,
And blemish Caesar's triumph. Let him take thee,
And hoist thee up to the shouting plebeians:
Follow his chariot, like the greatest spot
Of all thy sex; most monster-like, be shown
For poor'st diminutives, for doits; and let
Patient Octavia plough thy visage up
With her prepared nails.
[Exit CLEOPATRA]
'Tis well thou'rt gone,
If it be well to live; but better 'twere
Thou fell'st into my fury, for one death
Might have prevented many. Eros, ho!
The shirt of Nessus is upon me: teach me,
Alcides, thou mine ancestor, thy rage:
Let me lodge Lichas on the horns o' the moon;
And with those hands, that grasp'd the heaviest club,
Subdue my worthiest self. The witch shall die:
To the young Roman boy she hath sold me, and I fall
Under this plot; she dies for't. Eros, ho!