# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Steward

421

Madam, I was very late more near her than I think
she wished me: alone she was, and did communicate
to herself her own words to her own ears; she
thought, I dare vow for her, they touched not any
stranger sense. Her matter was, she loved your son:
Fortune, she said, was no goddess, that had put
such difference betwixt their two estates; Love no
god, that would not extend his might, only where
qualities were level; Dian no queen of virgins, that
would suffer her poor knight surprised, without
rescue in the first assault or ransom afterward.
This she delivered in the most bitter touch of
sorrow that e'er I heard virgin exclaim in: which I
held my duty speedily to acquaint you withal;
sithence, in the loss that may happen, it concerns
you something to know it.

2

All's Well That Ends Well
[II, 1]

Lafeu

670

O, will you eat no grapes, my royal fox?
Yes, but you will my noble grapes, an if
My royal fox could reach them: I have seen a medicine
That's able to breathe life into a stone,
Quicken a rock, and make you dance canary
With spritely fire and motion; whose simple touch,
Is powerful to araise King Pepin, nay,
To give great Charlemain a pen in's hand,
And write to her a love-line.

3

All's Well That Ends Well
[III, 2]

Helena

1509

'Till I have no wife, I have nothing in France.'
Nothing in France, until he has no wife!
Thou shalt have none, Rousillon, none in France;
Then hast thou all again. Poor lord! is't I
That chase thee from thy country and expose
Those tender limbs of thine to the event
Of the none-sparing war? and is it I
That drive thee from the sportive court, where thou
Wast shot at with fair eyes, to be the mark
Of smoky muskets? O you leaden messengers,
That ride upon the violent speed of fire,
Fly with false aim; move the still-peering air,
That sings with piercing; do not touch my lord.
Whoever shoots at him, I set him there;
Whoever charges on his forward breast,
I am the caitiff that do hold him to't;
And, though I kill him not, I am the cause
His death was so effected: better 'twere
I met the ravin lion when he roar'd
With sharp constraint of hunger; better 'twere
That all the miseries which nature owes
Were mine at once. No, come thou home, Rousillon,
Whence honour but of danger wins a scar,
As oft it loses all: I will be gone;
My being here it is that holds thee hence:
Shall I stay here to do't? no, no, although
The air of paradise did fan the house
And angels officed all: I will be gone,
That pitiful rumour may report my flight,
To consolate thine ear. Come, night; end, day!
For with the dark, poor thief, I'll steal away.

4

Antony and Cleopatra
[II, 2]

Lepidus

706

Noble friends,
That which combined us was most great, and let not
A leaner action rend us. What's amiss,
May it be gently heard: when we debate
Our trivial difference loud, we do commit
Murder in healing wounds: then, noble partners,
The rather, for I earnestly beseech,
Touch you the sourest points with sweetest terms,
Nor curstness grow to the matter.

5

Antony and Cleopatra
[V, 2]

Clown

3700

Truly, I have him: but I would not be the party
that should desire you to touch him, for his biting
is immortal; those that do die of it do seldom or
never recover.

6

Antony and Cleopatra
[V, 2]

Dolabella

3804

Caesar, thy thoughts
Touch their effects in this: thyself art coming
To see perform'd the dreaded act which thou
So sought'st to hinder.

7

As You Like It
[II, 7]

Orlando

1023

Then but forbear your food a little while,
Whiles, like a doe, I go to find my fawn,
And give it food. There is an old poor man
Who after me hath many a weary step
Limp'd in pure love; till he be first suffic'd,
Oppress'd with two weak evils, age and hunger,
I will not touch a bit.

8

As You Like It
[III, 4]

Rosalind

1605

And his kissing is as full of sanctity as the touch of
holy bread.

9

Comedy of Errors
[II, 1]

Adriana

377

Unfeeling fools can with such wrongs dispense.
I know his eye doth homage otherwhere,
Or else what lets it but he would be here?
Sister, you know he promised me a chain;
Would that alone, alone he would detain,
So he would keep fair quarter with his bed!
I see the jewel best enamelled
Will lose his beauty; yet the gold bides still,
That others touch, and often touching will
Wear gold: and no man that hath a name,
By falsehood and corruption doth it shame.
Since that my beauty cannot please his eye,
I'll weep what's left away, and weeping die.

10

Comedy of Errors
[II, 2]

Adriana

499

Ay, ay, Antipholus, look strange and frown:
Some other mistress hath thy sweet aspects;
I am not Adriana nor thy wife.
The time was once when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savor'd in thy taste,
Unless I spake, or look'd, or touch'd, or carved to thee.
How comes it now, my husband, O, how comes it,
That thou art thus estranged from thyself?
Thyself I call it, being strange to me,
That, undividable, incorporate,
Am better than thy dear self's better part.
Ah, do not tear away thyself from me!
For know, my love, as easy mayest thou fall
A drop of water in the breaking gulf,
And take unmingled that same drop again,
Without addition or diminishing,
As take from me thyself and not me too.
How dearly would it touch me to the quick,
Shouldst thou but hear I were licentious
And that this body, consecrate to thee,
By ruffian lust should be contaminate!
Wouldst thou not spit at me and spurn at me
And hurl the name of husband in my face
And tear the stain'd skin off my harlot-brow
And from my false hand cut the wedding-ring
And break it with a deep-divorcing vow?
I know thou canst; and therefore see thou do it.
I am possess'd with an adulterate blot;
My blood is mingled with the crime of lust:
For if we too be one and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then far league and truce with thy true bed;
I live unstain'd, thou undishonoured.

11

Coriolanus
[II, 1]

Menenius Agrippa

961

I am known to be a humorous patrician, and one that
loves a cup of hot wine with not a drop of allaying
Tiber in't; said to be something imperfect in
favouring the first complaint; hasty and tinder-like
upon too trivial motion; one that converses more
with the buttock of the night than with the forehead
of the morning: what I think I utter, and spend my
malice in my breath. Meeting two such wealsmen as
you are—I cannot call you Lycurguses—if the drink
you give me touch my palate adversely, I make a
crooked face at it. I can't say your worships have
delivered the matter well, when I find the ass in
compound with the major part of your syllables: and
though I must be content to bear with those that say
you are reverend grave men, yet they lie deadly that
tell you you have good faces. If you see this in
the map of my microcosm, follows it that I am known
well enough too? what barm can your bisson
conspectuities glean out of this character, if I be
known well enough too?

12

Coriolanus
[II, 1]

Sicinius Velutus

1201

This, as you say, suggested
At some time when his soaring insolence
Shall touch the people—which time shall not want,
If he be put upon 't; and that's as easy
As to set dogs on sheep—will be his fire
To kindle their dry stubble; and their blaze
Shall darken him for ever.

13

Coriolanus
[IV, 3]

Coriolanus

2570

Fare ye well:
Thou hast years upon thee; and thou art too full
Of the wars' surfeits, to go rove with one
That's yet unbruised: bring me but out at gate.
Come, my sweet wife, my dearest mother, and
My friends of noble touch, when I am forth,
Bid me farewell, and smile. I pray you, come.
While I remain above the ground, you shall
Hear from me still, and never of me aught
But what is like me formerly.

14

Cymbeline
[I, 1]

Imogen

169

I beseech you, sir,
Harm not yourself with your vexation
I am senseless of your wrath; a touch more rare
Subdues all pangs, all fears.

15

Cymbeline
[I, 6]

Iachimo

722

Had I this cheek
To bathe my lips upon; this hand, whose touch,
Whose every touch, would force the feeler's soul
To the oath of loyalty; this object, which
Takes prisoner the wild motion of mine eye,
Fixing it only here; should I, damn'd then,
Slaver with lips as common as the stairs
That mount the Capitol; join gripes with hands
Made hard with hourly falsehood—falsehood, as
With labour; then by-peeping in an eye
Base and unlustrous as the smoky light
That's fed with stinking tallow; it were fit
That all the plagues of hell should at one time
Encounter such revolt.

16

Cymbeline
[II, 2]

Iachimo

933

The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded. Cytherea,
How bravely thou becomest thy bed, fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd,
How dearly they do't! 'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows, white and azure laced
With blue of heaven's own tinct. But my design,
To note the chamber: I will write all down:
Such and such pictures; there the window; such
The adornment of her bed; the arras; figures,
Why, such and such; and the contents o' the story.
Ah, but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, to enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off:
[Taking off her bracelet]
As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.
[Clock strikes]
One, two, three: time, time!

17

Cymbeline
[III, 4]

Pisanio

1896

Well, then, here's the point:
You must forget to be a woman; change
Command into obedience: fear and niceness—
The handmaids of all women, or, more truly,
Woman its pretty self—into a waggish courage:
Ready in gibes, quick-answer'd, saucy and
As quarrelous as the weasel; nay, you must
Forget that rarest treasure of your cheek,
Exposing it—but, O, the harder heart!
Alack, no remedy!—to the greedy touch
Of common-kissing Titan, and forget
Your laboursome and dainty trims, wherein
You made great Juno angry.

18

Cymbeline
[IV, 3]

Cymbeline

2825

Again; and bring me word how 'tis with her.
[Exit an Attendant]
A fever with the absence of her son,
A madness, of which her life's in danger. Heavens,
How deeply you at once do touch me! Imogen,
The great part of my comfort, gone; my queen
Upon a desperate bed, and in a time
When fearful wars point at me; her son gone,
So needful for this present: it strikes me, past
The hope of comfort. But for thee, fellow,
Who needs must know of her departure and
Dost seem so ignorant, we'll enforce it from thee
By a sharp torture.

19

Cymbeline
[V, 3]

Posthumus Leonatus

3093

Still going?
[Exit Lord]
This is a lord! O noble misery,
To be i' the field, and ask 'what news?' of me!
To-day how many would have given their honours
To have saved their carcasses! took heel to do't,
And yet died too! I, in mine own woe charm'd,
Could not find death where I did hear him groan,
Nor feel him where he struck: being an ugly monster,
'Tis strange he hides him in fresh cups, soft beds,
Sweet words; or hath more ministers than we
That draw his knives i' the war. Well, I will find him
For being now a favourer to the Briton,
No more a Briton, I have resumed again
The part I came in: fight I will no more,
But yield me to the veriest hind that shall
Once touch my shoulder. Great the slaughter is
Here made by the Roman; great the answer be
Britons must take. For me, my ransom's death;
On either side I come to spend my breath;
Which neither here I'll keep nor bear again,
But end it by some means for Imogen.

20

Hamlet
[II, 1]

Polonius

954

Marry, well said, very well said. Look you, sir,
Enquire me first what Danskers are in Paris;
And how, and who, what means, and where they keep,
What company, at what expense; and finding
By this encompassment and drift of question
That they do know my son, come you more nearer
Than your particular demands will touch it.
Take you, as 'twere, some distant knowledge of him;
As thus, 'I know his father and his friends,
And in part him.' Do you mark this, Reynaldo?