# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Julius Caesar
[I, 2]

(stage directions)

78

[Flourish. Enter CAESAR; ANTONY, for the course; CALPURNIA, PORTIA, DECIUS BRUTUS, CICERO, BRUTUS, CASSIUS, and CASCA; a great crowd following, among them a Soothsayer]

2

Julius Caesar
[II, 1]

(stage directions)

859

Enter PORTIA

3

Julius Caesar
[II, 1]

Brutus

861

Portia, what mean you? wherefore rise you now?
It is not for your health thus to commit
Your weak condition to the raw cold morning.

4

Julius Caesar
[II, 1]

Brutus

887

Why, so I do. Good Portia, go to bed.

5

Julius Caesar
[II, 1]

Brutus

906

Kneel not, gentle Portia.

6

Julius Caesar
[II, 1]

Portia

907

I should not need, if you were gentle Brutus.
Within the bond of marriage, tell me, Brutus,
Is it excepted I should know no secrets
That appertain to you? Am I yourself
But, as it were, in sort or limitation,
To keep with you at meals, comfort your bed,
And talk to you sometimes? Dwell I but in the suburbs
Of your good pleasure? If it be no more,
Portia is Brutus' harlot, not his wife.

7

Julius Caesar
[II, 1]

Brutus

931

O ye gods,
Render me worthy of this noble wife!
[Knocking within]
Hark, hark! one knocks: Portia, go in awhile;
And by and by thy bosom shall partake
The secrets of my heart.
All my engagements I will construe to thee,
All the charactery of my sad brows:
Leave me with haste.
[Exit PORTIA]
Lucius, who's that knocks?

8

Julius Caesar
[II, 4]

(stage directions)

1137

Enter PORTIA and LUCIUS

9

Julius Caesar
[IV, 3]

Brutus

2145

No man bears sorrow better. Portia is dead.

10

Julius Caesar
[IV, 3]

Cassius

2146

Ha! Portia!

11

Julius Caesar
[IV, 3]

Cassius

2171

Portia, art thou gone?

12

Julius Caesar
[IV, 3]

Brutus

2198

Why, farewell, Portia. We must die, Messala:
With meditating that she must die once,
I have the patience to endure it now.

13

Merchant of Venice
[I, 1]

Bassanio

168

In Belmont is a lady richly left;
And she is fair, and, fairer than that word,
Of wondrous virtues: sometimes from her eyes
I did receive fair speechless messages:
Her name is Portia, nothing undervalued
To Cato's daughter, Brutus' Portia:
Nor is the wide world ignorant of her worth,
For the four winds blow in from every coast
Renowned suitors, and her sunny locks
Hang on her temples like a golden fleece;
Which makes her seat of Belmont Colchos' strand,
And many Jasons come in quest of her.
O my Antonio, had I but the means
To hold a rival place with one of them,
I have a mind presages me such thrift,
That I should questionless be fortunate!

14

Merchant of Venice
[I, 1]

Antonio

184

Thou know'st that all my fortunes are at sea;
Neither have I money nor commodity
To raise a present sum: therefore go forth;
Try what my credit can in Venice do:
That shall be rack'd, even to the uttermost,
To furnish thee to Belmont, to fair Portia.
Go, presently inquire, and so will I,
Where money is, and I no question make
To have it of my trust or for my sake.

15

Merchant of Venice
[I, 2]

(stage directions)

194

[Enter PORTIA and NERISSA]

16

Merchant of Venice
[II, 1]

(stage directions)

513

Flourish of cornets. Enter the PRINCE OF MOROCCO
and his train; PORTIA, NERISSA, and others attending

17

Merchant of Venice
[II, 7]

(stage directions)

986

Flourish of cornets. Enter PORTIA, with the PRINCE OF MOROCCO, and their trains

18

Merchant of Venice
[II, 7]

Prince of Morocco

999

Some god direct my judgment! Let me see;
I will survey the inscriptions back again.
What says this leaden casket?
'Who chooseth me must give and hazard all he hath.'
Must give: for what? for lead? hazard for lead?
This casket threatens. Men that hazard all
Do it in hope of fair advantages:
A golden mind stoops not to shows of dross;
I'll then nor give nor hazard aught for lead.
What says the silver with her virgin hue?
'Who chooseth me shall get as much as he deserves.'
As much as he deserves! Pause there, Morocco,
And weigh thy value with an even hand:
If thou be'st rated by thy estimation,
Thou dost deserve enough; and yet enough
May not extend so far as to the lady:
And yet to be afeard of my deserving
Were but a weak disabling of myself.
As much as I deserve! Why, that's the lady:
I do in birth deserve her, and in fortunes,
In graces and in qualities of breeding;
But more than these, in love I do deserve.
What if I stray'd no further, but chose here?
Let's see once more this saying graved in gold
'Who chooseth me shall gain what many men desire.'
Why, that's the lady; all the world desires her;
From the four corners of the earth they come,
To kiss this shrine, this mortal-breathing saint:
The Hyrcanian deserts and the vasty wilds
Of wide Arabia are as thoroughfares now
For princes to come view fair Portia:
The watery kingdom, whose ambitious head
Spits in the face of heaven, is no bar
To stop the foreign spirits, but they come,
As o'er a brook, to see fair Portia.
One of these three contains her heavenly picture.
Is't like that lead contains her? 'Twere damnation
To think so base a thought: it were too gross
To rib her cerecloth in the obscure grave.
Or shall I think in silver she's immured,
Being ten times undervalued to tried gold?
O sinful thought! Never so rich a gem
Was set in worse than gold. They have in England
A coin that bears the figure of an angel
Stamped in gold, but that's insculp'd upon;
But here an angel in a golden bed
Lies all within. Deliver me the key:
Here do I choose, and thrive I as I may!

19

Merchant of Venice
[II, 7]

Prince of Morocco

1050

O hell! what have we here?
A carrion Death, within whose empty eye
There is a written scroll! I'll read the writing.
[Reads]
All that glitters is not gold;
Often have you heard that told:
Many a man his life hath sold
But my outside to behold:
Gilded tombs do worms enfold.
Had you been as wise as bold,
Young in limbs, in judgment old,
Your answer had not been inscroll'd:
Fare you well; your suit is cold.
Cold, indeed; and labour lost:
Then, farewell, heat, and welcome, frost!
Portia, adieu. I have too grieved a heart
To take a tedious leave: thus losers part.

20

Merchant of Venice
[II, 9]

Nerissa

1129

Quick, quick, I pray thee; draw the curtain straight:
The Prince of Arragon hath ta'en his oath,
And comes to his election presently.
[Flourish of cornets. Enter the PRINCE OF ARRAGON,]
PORTIA, and their trains]