# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry IV, Part II
[III, 2]

Robert Shallow

1904

It is well said, in faith, sir; and it is well said
too. 'Better accommodated!' It is good; yea, indeed, is it.
phrases are surely, and ever were, very commendable.
'Accommodated!' It comes of accommodo. Very good; a good

2

Love's Labour's Lost
[I, 1]

Ferdinand

167

Ay, that there is. Our court, you know, is haunted
With a refined traveller of Spain;
A man in all the world's new fashion planted,
That hath a mint of phrases in his brain;
One whom the music of his own vain tongue
Doth ravish like enchanting harmony;
A man of complements, whom right and wrong
Have chose as umpire of their mutiny:
This child of fancy, that Armado hight,
For interim to our studies shall relate
In high-born words the worth of many a knight
From tawny Spain lost in the world's debate.
How you delight, my lords, I know not, I;
But, I protest, I love to hear him lie
And I will use him for my minstrelsy.

3

Love's Labour's Lost
[V, 2]

Biron

2316

Thus pour the stars down plagues for perjury.
Can any face of brass hold longer out?
Here stand I. lady, dart thy skill at me;
Bruise me with scorn, confound me with a flout;
Thrust thy sharp wit quite through my ignorance;
Cut me to pieces with thy keen conceit;
And I will wish thee never more to dance,
Nor never more in Russian habit wait.
O, never will I trust to speeches penn'd,
Nor to the motion of a schoolboy's tongue,
Nor never come in vizard to my friend,
Nor woo in rhyme, like a blind harper's song!
Taffeta phrases, silken terms precise,
Three-piled hyperboles, spruce affectation,
Figures pedantical; these summer-flies
Have blown me full of maggot ostentation:
I do forswear them; and I here protest,
By this white glove;—how white the hand, God knows!—
Henceforth my wooing mind shall be express'd
In russet yeas and honest kersey noes:
And, to begin, wench,—so God help me, la!—
My love to thee is sound, sans crack or flaw.

4

Merry Wives of Windsor
[II, 2]

Falstaff

809

Reason, you rogue, reason: thinkest thou I'll
endanger my soul gratis? At a word, hang no more
about me, I am no gibbet for you. Go. A short knife
and a throng! To your manor of Pickt-hatch! Go.
You'll not bear a letter for me, you rogue! you
stand upon your honour! Why, thou unconfinable
baseness, it is as much as I can do to keep the
terms of my honour precise: I, I, I myself
sometimes, leaving the fear of God on the left hand
and hiding mine honour in my necessity, am fain to
shuffle, to hedge and to lurch; and yet you, rogue,
will ensconce your rags, your cat-a-mountain
looks, your red-lattice phrases, and your
bold-beating oaths, under the shelter of your
honour! You will not do it, you!

5

Twelfth Night
[II, 5]

Malvolio

1115

[Reads] 'To the unknown beloved, this, and my good
wishes:'—her very phrases! By your leave, wax.
Soft! and the impressure her Lucrece, with which she
uses to seal: 'tis my lady. To whom should this be?