# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 3]

Countess

458

Nay, a mother:
Why not a mother? When I said 'a mother,'
Methought you saw a serpent: what's in 'mother,'
That you start at it? I say, I am your mother;
And put you in the catalogue of those
That were enwombed mine: 'tis often seen
Adoption strives with nature and choice breeds
A native slip to us from foreign seeds:
You ne'er oppress'd me with a mother's groan,
Yet I express to you a mother's care:
God's mercy, maiden! does it curd thy blood
To say I am thy mother? What's the matter,
That this distemper'd messenger of wet,
The many-colour'd Iris, rounds thine eye?
Why? that you are my daughter?

2

All's Well That Ends Well
[III, 4]

Countess

1586

What angel shall
Bless this unworthy husband? he cannot thrive,
Unless her prayers, whom heaven delights to hear
And loves to grant, reprieve him from the wrath
Of greatest justice. Write, write, Rinaldo,
To this unworthy husband of his wife;
Let every word weigh heavy of her worth
That he does weigh too light: my greatest grief.
Though little he do feel it, set down sharply.
Dispatch the most convenient messenger:
When haply he shall hear that she is gone,
He will return; and hope I may that she,
Hearing so much, will speed her foot again,
Led hither by pure love: which of them both
Is dearest to me. I have no skill in sense
To make distinction: provide this messenger:
My heart is heavy and mine age is weak;
Grief would have tears, and sorrow bids me speak.

3

All's Well That Ends Well
[IV, 3]

First Lord

2158

The web of our life is of a mingled yarn, good and
ill together: our virtues would be proud, if our
faults whipped them not; and our crimes would
despair, if they were not cherished by our virtues.
[Enter a Messenger]
How now! where's your master?

4

Antony and Cleopatra
[I, 1]

Antony

59

Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose every passion fully strives
To make itself, in thee, fair and admired!
No messenger, but thine; and all alone
To-night we'll wander through the streets and note
The qualities of people. Come, my queen;
Last night you did desire it: speak not to us.
[Exeunt MARK ANTONY and CLEOPATRA with]
their train]

5

Antony and Cleopatra
[I, 2]

(stage directions)

169

[Enter MARK ANTONY with a Messenger and Attendants]

6

Antony and Cleopatra
[I, 2]

Antony

202

Let him appear.
These strong Egyptian fetters I must break,
Or lose myself in dotage.
[Enter another Messenger]
What are you?

7

Antony and Cleopatra
[I, 2]

Antony

213

Forbear me.
[Exit Second Messenger]
There's a great spirit gone! Thus did I desire it:
What our contempt doth often hurl from us,
We wish it ours again; the present pleasure,
By revolution lowering, does become
The opposite of itself: she's good, being gone;
The hand could pluck her back that shoved her on.
I must from this enchanting queen break off:
Ten thousand harms, more than the ills I know,
My idleness doth hatch. How now! Enobarbus!

8

Antony and Cleopatra
[I, 4]

(stage directions)

459

[Enter a Messenger]

9

Antony and Cleopatra
[II, 5]

Cleopatra

1071

That time,—O times!—
I laugh'd him out of patience; and that night
I laugh'd him into patience; and next morn,
Ere the ninth hour, I drunk him to his bed;
Then put my tires and mantles on him, whilst
I wore his sword Philippan.
[Enter a Messenger]
O, from Italy
Ram thou thy fruitful tidings in mine ears,
That long time have been barren.

10

Antony and Cleopatra
[II, 5]

Cleopatra

1156

I will not hurt him.
[Exit CHARMIAN]
These hands do lack nobility, that they strike
A meaner than myself; since I myself
Have given myself the cause.
[Re-enter CHARMIAN and Messenger]
Come hither, sir.
Though it be honest, it is never good
To bring bad news: give to a gracious message.
An host of tongues; but let ill tidings tell
Themselves when they be felt.

11

Antony and Cleopatra
[II, 5]

(stage directions)

1189

[Exit Messenger]

12

Antony and Cleopatra
[III, 3]

Cleopatra

1684

Go to, go to.
[Enter the Messenger as before]
Come hither, sir.

13

Antony and Cleopatra
[III, 3]

(stage directions)

1737

[Exit Messenger]

14

Antony and Cleopatra
[III, 6]

Octavius

1856

'Tis done already, and the messenger gone.
I have told him, Lepidus was grown too cruel;
That he his high authority abused,
And did deserve his change: for what I have conquer'd,
I grant him part; but then, in his Armenia,
And other of his conquer'd kingdoms, I
Demand the like.

15

Antony and Cleopatra
[III, 7]

Antony

1999

Our overplus of shipping will we burn;
And, with the rest full-mann'd, from the head of Actium
Beat the approaching Caesar. But if we fail,
We then can do't at land.
[Enter a Messenger]
Thy business?

16

Antony and Cleopatra
[III, 7]

(stage directions)

2038

[Enter a Messenger]

17

Antony and Cleopatra
[III, 13]

Attendant

2289

A messenger from CAESAR.

18

Antony and Cleopatra
[III, 13]

Cleopatra

2338

Most kind messenger,
Say to great Caesar this: in deputation
I kiss his conquering hand: tell him, I am prompt
To lay my crown at 's feet, and there to kneel:
Tell him from his all-obeying breath I hear
The doom of Egypt.

19

Antony and Cleopatra
[IV, 1]

Octavius

2496

He calls me boy; and chides, as he had power
To beat me out of Egypt; my messenger
He hath whipp'd with rods; dares me to personal combat,
Caesar to Antony: let the old ruffian know
I have many other ways to die; meantime
Laugh at his challenge.

20

Antony and Cleopatra
[IV, 6]

(stage directions)

2712

[Enter a Messenger]