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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Henry IV, Part I
[III, 3] |
Falstaff |
2036 |
No, I'll be sworn; I make as good use of it as many
a man doth of a Death's-head or a memento mori: I
never see thy face but I think upon hell-fire and
Dives that lived in purple; for there he is in his
robes, burning, burning. If thou wert any way
given to virtue, I would swear by thy face; my oath
should be 'By this fire, that's God's angel:' but
thou art altogether given over; and wert indeed, but
for the light in thy face, the son of utter
darkness. When thou rannest up Gadshill in the
night to catch my horse, if I did not think thou
hadst been an ignis fatuus or a ball of wildfire,
there's no purchase in money. O, thou art a
perpetual triumph, an everlasting bonfire-light!
Thou hast saved me a thousand marks in links and
torches, walking with thee in the night betwixt
tavern and tavern: but the sack that thou hast
drunk me would have bought me lights as good cheap
at the dearest chandler's in Europe. I have
maintained that salamander of yours with fire any
time this two and thirty years; God reward me for
it!
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3 |
Henry V
[III, 6] |
Fluellen |
1554 |
Ay, so please your majesty. The Duke of Exeter has
very gallantly maintained the pridge: the French is
gone off, look you; and there is gallant and most
prave passages; marry, th' athversary was have
possession of the pridge; but he is enforced to
retire, and the Duke of Exeter is master of the
pridge: I can tell your majesty, the duke is a
prave man.
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4 |
Love's Labour's Lost
[V, 2] |
Don Adriano de Armado |
2835 |
Holla! approach.
[Re-enter HOLOFERNES, SIR NATHANIEL, MOTH, COSTARD,]
and others]
This side is Hiems, Winter, this Ver, the Spring;
the one maintained by the owl, the other by the
cuckoo. Ver, begin.
[THE SONG]
SPRING.
When daisies pied and violets blue
And lady-smocks all silver-white
And cuckoo-buds of yellow hue
Do paint the meadows with delight,
The cuckoo then, on every tree,
Mocks married men; for thus sings he, . Cuckoo;
Cuckoo, cuckoo: O word of fear,
Unpleasing to a married ear!
When shepherds pipe on oaten straws
And merry larks are ploughmen's clocks,
When turtles tread, and rooks, and daws,
And maidens bleach their summer smocks
The cuckoo then, on every tree,
Mocks married men; for thus sings he, . Cuckoo;
Cuckoo, cuckoo: O word of fear,
Unpleasing to a married ear!
WINTER.
When icicles hang by the wall
And Dick the shepherd blows his nail
And Tom bears logs into the hall
And milk comes frozen home in pail,
When blood is nipp'd and ways be foul,
Then nightly sings the staring owl, . Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.
When all aloud the wind doth blow
And coughing drowns the parson's saw
And birds sit brooding in the snow
And Marian's nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl, . Tu-whit;
Tu-who, a merry note,
While greasy Joan doth keel the pot.
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