# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[V, 3]

King of France

2673

We lost a jewel of her; and our esteem
Was made much poorer by it: but your son,
As mad in folly, lack'd the sense to know
Her estimation home.

2

All's Well That Ends Well
[V, 3]

Parolles

2968

Yes, so please your majesty. I did go between them,
as I said; but more than that, he loved her: for
indeed he was mad for her, and talked of Satan and
of Limbo and of Furies and I know not what: yet I
was in that credit with them at that time that I
knew of their going to bed, and of other motions,
as promising her marriage, and things which would
derive me ill will to speak of; therefore I will not
speak what I know.

3

Antony and Cleopatra
[II, 5]

Cleopatra

1151

Some innocents 'scape not the thunderbolt.
Melt Egypt into Nile! and kindly creatures
Turn all to serpents! Call the slave again:
Though I am mad, I will not bite him: call.

4

Antony and Cleopatra
[II, 7]

Pompey

1438

[Aside to MENAS] I think thou'rt mad.
The matter?

5

Antony and Cleopatra
[III, 11]

Antony

2149

Yes, my lord, yes; he at Philippi kept
His sword e'en like a dancer; while I struck
The lean and wrinkled Cassius; and 'twas I
That the mad Brutus ended: he alone
Dealt on lieutenantry, and no practise had
In the brave squares of war: yet now—No matter.

6

Antony and Cleopatra
[IV, 13]

Cleopatra

2962

Help me, my women! O, he is more mad
Than Telamon for his shield; the boar of Thessaly
Was never so emboss'd.

7

Antony and Cleopatra
[IV, 15]

Cleopatra

3255

No more, but e'en a woman, and commanded
By such poor passion as the maid that milks
And does the meanest chares. It were for me
To throw my sceptre at the injurious gods;
To tell them that this world did equal theirs
Till they had stol'n our jewel. All's but naught;
Patience is scottish, and impatience does
Become a dog that's mad: then is it sin
To rush into the secret house of death,
Ere death dare come to us? How do you, women?
What, what! good cheer! Why, how now, Charmian!
My noble girls! Ah, women, women, look,
Our lamp is spent, it's out! Good sirs, take heart:
We'll bury him; and then, what's brave,
what's noble,
Let's do it after the high Roman fashion,
And make death proud to take us. Come, away:
This case of that huge spirit now is cold:
Ah, women, women! come; we have no friend
But resolution, and the briefest end.

8

As You Like It
[I, 3]

Rosalind

413

Then there were two cousins laid up, when the one should
be lam'd with reasons and the other mad without any.

9

As You Like It
[III, 2]

Rosalind

1482

Yes, one; and in this manner. He was to imagine me his
love, his mistress; and I set him every day to woo me; at which
time would I, being but a moonish youth, grieve, be effeminate,
changeable, longing and liking, proud, fantastical, apish,
shallow, inconstant, full of tears, full of smiles; for every
passion something and for no passion truly anything, as boys and
women are for the most part cattle of this colour; would now like
him, now loathe him; then entertain him, then forswear him; now
weep for him, then spit at him; that I drave my suitor from his
mad humour of love to a living humour of madness; which was, to
forswear the full stream of the world and to live in a nook
merely monastic. And thus I cur'd him; and this way will I take
upon me to wash your liver as clean as a sound sheep's heart,
that there shall not be one spot of love in 't.

10

Comedy of Errors
[II, 1]

Dromio of Ephesus

331

I mean not cuckold-mad;
But, sure, he is stark mad.
When I desired him to come home to dinner,
He ask'd me for a thousand marks in gold:
'Tis dinner-time,' quoth I; 'My gold!' quoth he;
'Your meat doth burn,' quoth I; 'My gold!' quoth he:
'Will you come home?' quoth I; 'My gold!' quoth he.
'Where is the thousand marks I gave thee, villain?'
'The pig,' quoth I, 'is burn'd;' 'My gold!' quoth he:
'My mistress, sir' quoth I; 'Hang up thy mistress!
I know not thy mistress; out on thy mistress!'

11

Comedy of Errors
[II, 1]

Luciana

390

How many fond fools serve mad jealousy!

12

Comedy of Errors
[II, 2]

Antipholus of Syracuse

393

The gold I gave to Dromio is laid up
Safe at the Centaur; and the heedful slave
Is wander'd forth, in care to seek me out
By computation and mine host's report.
I could not speak with Dromio since at first
I sent him from the mart. See, here he comes.
[Enter DROMIO of Syracuse]
How now sir! is your merry humour alter'd?
As you love strokes, so jest with me again.
You know no Centaur? you received no gold?
Your mistress sent to have me home to dinner?
My house was at the Phoenix? Wast thou mad,
That thus so madly thou didst answer me?

13

Comedy of Errors
[II, 2]

Antipholus of Syracuse

602

Am I in earth, in heaven, or in hell?
Sleeping or waking? mad or well-advised?
Known unto these, and to myself disguised!
I'll say as they say and persever so,
And in this mist at all adventures go.

14

Comedy of Errors
[III, 1]

Dromio of Ephesus

702

You would say so, master, if your garments were thin.
Your cake there is warm within; you stand here in the cold:
It would make a man mad as a buck, to be so bought and sold.

15

Comedy of Errors
[III, 2]

Luciana

815

What, are you mad, that you do reason so?

16

Comedy of Errors
[III, 2]

Antipholus of Syracuse

816

Not mad, but mated; how, I do not know.

17

Comedy of Errors
[IV, 3]

Courtezan

1231

Now, out of doubt Antipholus is mad,
Else would he never so demean himself.
A ring he hath of mine worth forty ducats,
And for the same he promised me a chain:
Both one and other he denies me now.
The reason that I gather he is mad,
Besides this present instance of his rage,
Is a mad tale he told to-day at dinner,
Of his own doors being shut against his entrance.
Belike his wife, acquainted with his fits,
On purpose shut the doors against his way.
My way is now to hie home to his house,
And tell his wife that, being lunatic,
He rush'd into my house and took perforce
My ring away. This course I fittest choose;
For forty ducats is too much to lose.

18

Comedy of Errors
[IV, 4]

Courtezan

1295

How say you now? is not your husband mad?

19

Comedy of Errors
[IV, 4]

Antipholus of Ephesus

1309

Peace, doting wizard, peace! I am not mad.

20

Comedy of Errors
[IV, 4]

Antipholus of Ephesus

1381

Out on thee, villain! wherefore dost thou mad me?