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The god of my idolatry.

      — Romeo and Juliet, Act II Scene 2

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1-20 of 78 total

KEYWORD: iago

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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1

Othello
[I, 1]

(stage directions)

1

[Enter RODERIGO and IAGO]

2

Othello
[I, 1]

Roderigo

2

Tush! never tell me; I take it much unkindly
That thou, Iago, who hast had my purse
As if the strings were thine, shouldst know of this.

3

Othello
[I, 1]

Iago

42

O, sir, content you;
I follow him to serve my turn upon him:
We cannot all be masters, nor all masters
Cannot be truly follow'd. You shall mark
Many a duteous and knee-crooking knave,
That, doting on his own obsequious bondage,
Wears out his time, much like his master's ass,
For nought but provender, and when he's old, cashier'd:
Whip me such honest knaves. Others there are
Who, trimm'd in forms and visages of duty,
Keep yet their hearts attending on themselves,
And, throwing but shows of service on their lords,
Do well thrive by them and when they have lined
their coats
Do themselves homage: these fellows have some soul;
And such a one do I profess myself. For, sir,
It is as sure as you are Roderigo,
Were I the Moor, I would not be Iago:
In following him, I follow but myself;
Heaven is my judge, not I for love and duty,
But seeming so, for my peculiar end:
For when my outward action doth demonstrate
The native act and figure of my heart
In compliment extern, 'tis not long after
But I will wear my heart upon my sleeve
For daws to peck at: I am not what I am.

4

Othello
[I, 2]

(stage directions)

202

[Enter OTHELLO, IAGO, and Attendants with torches]

5

Othello
[I, 2]

Othello

221

Let him do his spite:
My services which I have done the signiory
Shall out-tongue his complaints. 'Tis yet to know,—
Which, when I know that boasting is an honour,
I shall promulgate—I fetch my life and being
From men of royal siege, and my demerits
May speak unbonneted to as proud a fortune
As this that I have reach'd: for know, Iago,
But that I love the gentle Desdemona,
I would not my unhoused free condition
Put into circumscription and confine
For the sea's worth. But, look! what lights come yond?

6

Othello
[I, 3]

(stage directions)

381

[Enter BRABANTIO, OTHELLO, IAGO, RODERIGO, and Officers]

7

Othello
[I, 3]

Othello

465

Ancient, conduct them: you best know the place.
[Exeunt IAGO and Attendants]
And, till she come, as truly as to heaven
I do confess the vices of my blood,
So justly to your grave ears I'll present
How I did thrive in this fair lady's love,
And she in mine.

8

Othello
[I, 3]

(stage directions)

516

[Enter DESDEMONA, IAGO, and Attendants]

9

Othello
[I, 3]

Othello

652

My life upon her faith! Honest Iago,
My Desdemona must I leave to thee:
I prithee, let thy wife attend on her:
And bring them after in the best advantage.
Come, Desdemona: I have but an hour
Of love, of worldly matters and direction,
To spend with thee: we must obey the time.

10

Othello
[I, 3]

Roderigo

660

Iago,—

11

Othello
[II, 1]

Second Gentleman

842

'Tis one Iago, ancient to the general.

12

Othello
[II, 1]

Cassio

851

She that I spake of, our great captain's captain,
Left in the conduct of the bold Iago,
Whose footing here anticipates our thoughts
A se'nnight's speed. Great Jove, Othello guard,
And swell his sail with thine own powerful breath,
That he may bless this bay with his tall ship,
Make love's quick pants in Desdemona's arms,
Give renew'd fire to our extincted spirits
And bring all Cyprus comfort!
[Enter DESDEMONA, EMILIA, IAGO, RODERIGO, and Attendants]
O, behold,
The riches of the ship is come on shore!
Ye men of Cyprus, let her have your knees.
Hail to thee, lady! and the grace of heaven,
Before, behind thee, and on every hand,
Enwheel thee round!

13

Othello
[II, 1]

Cassio

877

See for the news.
[Exit Gentleman]
Good ancient, you are welcome.
[To EMILIA]
Welcome, mistress.
Let it not gall your patience, good Iago,
That I extend my manners; 'tis my breeding
That gives me this bold show of courtesy.

14

Othello
[II, 1]

Othello

997

Come, let us to the castle.
News, friends; our wars are done, the Turks
are drown'd.
How does my old acquaintance of this isle?
Honey, you shall be well desired in Cyprus;
I have found great love amongst them. O my sweet,
I prattle out of fashion, and I dote
In mine own comforts. I prithee, good Iago,
Go to the bay and disembark my coffers:
Bring thou the master to the citadel;
He is a good one, and his worthiness
Does challenge much respect. Come, Desdemona,
Once more, well met at Cyprus.

15

Othello
[II, 3]

Cassio

1133

Iago hath direction what to do;
But, notwithstanding, with my personal eye
Will I look to't.

16

Othello
[II, 3]

Othello

1136

Iago is most honest.
Michael, good night: to-morrow with your earliest
Let me have speech with you.
[To DESDEMONA]
Come, my dear love,
The purchase made, the fruits are to ensue;
That profit's yet to come 'tween me and you.
Good night.

17

Othello
[II, 3]

(stage directions)

1145

[Enter IAGO]

18

Othello
[II, 3]

Cassio

1146

Welcome, Iago; we must to the watch.

19

Othello
[II, 3]

Cassio

1164

Not to-night, good Iago: I have very poor and
unhappy brains for drinking: I could well wish
courtesy would invent some other custom of
entertainment.

20

Othello
[II, 3]

Othello

1315

Why, how now, ho! from whence ariseth this?
Are we turn'd Turks, and to ourselves do that
Which heaven hath forbid the Ottomites?
For Christian shame, put by this barbarous brawl:
He that stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence that dreadful bell: it frights the isle
From her propriety. What is the matter, masters?
Honest Iago, that look'st dead with grieving,
Speak, who began this? on thy love, I charge thee.

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