# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 5]

Bertram

1358

I pray you, stay not, but in haste to horse.

2

All's Well That Ends Well
[III, 3]

Duke of Florence

1543

The general of our horse thou art; and we,
Great in our hope, lay our best love and credence
Upon thy promising fortune.

3

All's Well That Ends Well
[III, 6]

Parolles

1773

'But a drum'! is't 'but a drum'? A drum so lost!
There was excellent command,—to charge in with our
horse upon our own wings, and to rend our own soldiers!

4

All's Well That Ends Well
[IV, 3]

First Soldier

2218

[Reads] 'First demand of him how many horse the
duke is strong.' What say you to that?

5

All's Well That Ends Well
[IV, 3]

Parolles

2236

Five or six thousand horse, I said,— I will say
true,—or thereabouts, set down, for I'll speak truth.

6

All's Well That Ends Well
[IV, 3]

Parolles

2375

Ay, and the captain of his horse, Count Rousillon.

7

All's Well That Ends Well
[V, 1]

Helena

2608

And you shall find yourself to be well thank'd,
Whate'er falls more. We must to horse again.
Go, go, provide.

8

Antony and Cleopatra
[I, 5]

Cleopatra

543

O Charmian,
Where think'st thou he is now? Stands he, or sits he?
Or does he walk? or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse! for wot'st thou whom thou movest?
The demi-Atlas of this earth, the arm
And burgonet of men. He's speaking now,
Or murmuring 'Where's my serpent of old Nile?'
For so he calls me: now I feed myself
With most delicious poison. Think on me,
That am with Phoebus' amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch: and great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect and die
With looking on his life.

9

Antony and Cleopatra
[III, 1]

Ventidius

1581

I'll humbly signify what in his name,
That magical word of war, we have effected;
How, with his banners and his well-paid ranks,
The ne'er-yet-beaten horse of Parthia
We have jaded out o' the field.

10

Antony and Cleopatra
[III, 2]

Domitius Enobarus

1615

They are his shards, and he their beetle.
[Trumpets within]
So;
This is to horse. Adieu, noble Agrippa.

11

Antony and Cleopatra
[III, 2]

Domitius Enobarus

1656

[Aside to AGRIPPA] He were the worse for that,
were he a horse;
So is he, being a man.

12

Antony and Cleopatra
[III, 6]

Octavius

1869

Why have you stol'n upon us thus! You come not
Like Caesar's sister: the wife of Antony
Should have an army for an usher, and
The neighs of horse to tell of her approach
Long ere she did appear; the trees by the way
Should have borne men; and expectation fainted,
Longing for what it had not; nay, the dust
Should have ascended to the roof of heaven,
Raised by your populous troops: but you are come
A market-maid to Rome; and have prevented
The ostentation of our love, which, left unshown,
Is often left unloved; we should have met you
By sea and land; supplying every stage
With an augmented greeting.

13

Antony and Cleopatra
[III, 7]

Domitius Enobarus

1943

[Aside] Well, I could reply:
If we should serve with horse and mares together,
The horse were merely lost; the mares would bear
A soldier and his horse.

14

Antony and Cleopatra
[III, 7]

Antony

2007

Can he be there in person? 'tis impossible;
Strange that power should be. Canidius,
Our nineteen legions thou shalt hold by land,
And our twelve thousand horse. We'll to our ship:
Away, my Thetis!
[Enter a Soldier]
How now, worthy soldier?

15

Antony and Cleopatra
[III, 7]

Soldier

2026

You keep by land
The legions and the horse whole, do you not?

16

Antony and Cleopatra
[III, 10]

Canidius

2103

To Caesar will I render
My legions and my horse: six kings already
Show me the way of yielding.

17

Antony and Cleopatra
[IV, 14]

Antony

2988

That which is now a horse, even with a thought
The rack dislimns, and makes it indistinct,
As water is in water.

18

As You Like It
[III, 3]

Touchstone

1568

As the ox hath his bow, sir, the horse his curb, and
the falcon her bells, so man hath his desires; and as pigeons
bill, so wedlock would be nibbling.

19

As You Like It
[III, 4]

Celia

1628

O, that's a brave man! He writes brave verses, speaks brave
words, swears brave oaths, and breaks them bravely, quite
traverse, athwart the heart of his lover; as a puny tilter, that
spurs his horse but on one side, breaks his staff like a noble
goose. But all's brave that youth mounts and folly guides. Who
comes here?

20

As You Like It
[V, 3]

Second Page

2373

I'faith, i'faith; and both in a tune, like two gipsies
on a horse.
SONG.
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o'er the green corn-field did pass
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding.
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
These pretty country folks would lie,
In the spring time, &c.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower,
In the spring time, &c.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crowned with the prime,
In the spring time, &c.