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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[I, 3] |
Clown |
408 |
That man should be at woman's command, and yet no
hurt done! Though honesty be no puritan, yet it
will do no hurt; it will wear the surplice of
humility over the black gown of a big heart. I am
going, forsooth: the business is for Helen to come hither.
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2 |
Coriolanus
[II, 2] |
Coriolanus |
1390 |
I do beseech you,
Let me o'erleap that custom, for I cannot
Put on the gown, stand naked and entreat them,
For my wounds' sake, to give their suffrage: please you
That I may pass this doing.
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3 |
Coriolanus
[II, 3] |
Third Citizen |
1457 |
Are you all resolved to give your voices? But
that's no matter, the greater part carries it. I
say, if he would incline to the people, there was
never a worthier man.
[Enter CORIOLANUS in a gown of humility,]
with MENENIUS]
Here he comes, and in the gown of humility: mark his
behavior. We are not to stay all together, but to
come by him where he stands, by ones, by twos, and
by threes. He's to make his requests by
particulars; wherein every one of us has a single
honour, in giving him our own voices with our own
tongues: therefore follow me, and I direct you how
you shall go by him.
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4 |
Coriolanus
[II, 3] |
Coriolanus |
1518 |
Pray you now, if it may stand with the tune of your
voices that I may be consul, I have here the
customary gown.
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5 |
Henry IV, Part I
[III, 3] |
Falstaff |
2008 |
Bardolph, am I not fallen away vilely since this last
action? do I not bate? do I not dwindle? Why my
skin hangs about me like an like an old lady's loose
gown; I am withered like an old apple-john. Well,
I'll repent, and that suddenly, while I am in some
liking; I shall be out of heart shortly, and then I
shall have no strength to repent. An I have not
forgotten what the inside of a church is made of, I
am a peppercorn, a brewer's horse: the inside of a
church! Company, villanous company, hath been the
spoil of me.
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6 |
Henry IV, Part II
[II, 1] |
Hostess Quickly |
902 |
Well, you shall have it, though I pawn my gown.
I hope you'll come to supper. you'll pay me all together?
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7 |
Henry IV, Part II
[III, 2] |
Falstaff |
2036 |
Come, thou shalt go to the wars in a gown. We will
away thy cold; and I will take such order that thy friends
ring for thee. Is here all?
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8 |
Henry VI, Part II
[I, 3] |
Queen Margaret |
466 |
Not all these lords do vex me half so much
As that proud dame, the lord protector's wife.
She sweeps it through the court with troops of ladies,
More like an empress than Duke Humphrey's wife:
Strangers in court do take her for the queen:
She bears a duke's revenues on her back,
And in her heart she scorns our poverty:
Shall I not live to be avenged on her?
Contemptuous base-born callet as she is,
She vaunted 'mongst her minions t'other day,
The very train of her worst wearing gown
Was better worth than all my father's lands,
Till Suffolk gave two dukedoms for his daughter.
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9 |
Henry VI, Part II
[II, 1] |
Duke of Gloucester |
857 |
Why, that's well said. What colour is my gown of?
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10 |
Henry VI, Part III
[IV, 3] |
Second Watchman |
2192 |
Stay, or thou diest!
[WARWICK and the rest cry all, 'Warwick! Warwick!']
and set upon the Guard, who fly, crying, 'Arm!
arm!' WARWICK and the rest following them]
[The drum playing and trumpet sounding, reenter]
WARWICK, SOMERSET, and the rest, bringing KING
EDWARD IV out in his gown, sitting in a chair.
RICHARD and HASTINGS fly over the stage]
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11 |
Julius Caesar
[IV, 3] |
Brutus |
2244 |
Lucius!
[Enter LUCIUS]
My gown.
[Exit LUCIUS]
Farewell, good Messala:
Good night, Tintinius. Noble, noble Cassius,
Good night, and good repose.
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12 |
Julius Caesar
[IV, 3] |
Brutus |
2259 |
Farewell, every one.
[Exeunt all but BRUTUS]
[Re-enter LUCIUS, with the gown]
Give me the gown. Where is thy instrument?
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13 |
Julius Caesar
[IV, 3] |
Brutus |
2275 |
I will not have it so: lie down, good sirs;
It may be I shall otherwise bethink me.
Look, Lucius, here's the book I sought for so;
I put it in the pocket of my gown.
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14 |
Love's Labour's Lost
[V, 2] |
Maria |
2776 |
At the twelvemonth's end
I'll change my black gown for a faithful friend.
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15 |
Measure for Measure
[II, 2] |
Lucio |
796 |
[Aside to ISABELLA] Give't not o'er so: to him
again, entreat him;
Kneel down before him, hang upon his gown:
You are too cold; if you should need a pin,
You could not with more tame a tongue desire it:
To him, I say!
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16 |
Measure for Measure
[III, 2] |
Pompey |
1518 |
'Twas never merry world since, of two usuries, the
merriest was put down, and the worser allowed by
order of law a furred gown to keep him warm; and
furred with fox and lamb-skins too, to signify, that
craft, being richer than innocency, stands for the facing.
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17 |
Merry Wives of Windsor
[III, 1] |
Sir Hugh Evans |
1227 |
Pray you, give me my gown; or else keep it in your arms.
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18 |
Merry Wives of Windsor
[IV, 2] |
Mistress Page |
2028 |
Alas the day, I know not! There is no woman's gown
big enough for him otherwise he might put on a hat,
a muffler and a kerchief, and so escape.
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19 |
Merry Wives of Windsor
[IV, 2] |
Mistress Ford |
2033 |
My maid's aunt, the fat woman of Brentford, has a
gown above.
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20 |
Merry Wives of Windsor
[IV, 2] |
Mistress Page |
2040 |
Quick, quick! we'll come dress you straight: put
on the gown the while.
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