# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 5]

Cleopatra

1094

Well, go to, I will;
But there's no goodness in thy face: if Antony
Be free and healthful,—so tart a favour
To trumpet such good tidings! If not well,
Thou shouldst come like a Fury crown'd with snakes,
Not like a formal man.

2

As You Like It
[II, 7]

Jaques (lord)

1037

All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms;
Then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lin'd,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well sav'd, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing.

3

Comedy of Errors
[V, 1]

Aemilia

1533

Be patient; for I will not let him stir
Till I have used the approved means I have,
With wholesome syrups, drugs and holy prayers,
To make of him a formal man again:
It is a branch and parcel of mine oath,
A charitable duty of my order.
Therefore depart and leave him here with me.

4

Hamlet
[IV, 5]

Laertes

3089

Let this be so.
His means of death, his obscure funeral-
No trophy, sword, nor hatchment o'er his bones,
No noble rite nor formal ostentation,-
Cry to be heard, as 'twere from heaven to earth,
That I must call't in question.

5

Henry IV, Part II
[V, 2]

Henry V

3350

You are right, Justice, and you weigh this well;
Therefore still bear the balance and the sword;
And I do wish your honours may increase
Till you do live to see a son of mine
Offend you, and obey you, as I did.
So shall I live to speak my father's words:
'Happy am I that have a man so bold
That dares do justice on my proper son;
And not less happy, having such a son
That would deliver up his greatness so
Into the hands of justice.' You did commit me;
For which I do commit into your hand
Th' unstained sword that you have us'd to bear;
With this remembrance—that you use the same
With the like bold, just, and impartial spirit
As you have done 'gainst me. There is my hand.
You shall be as a father to my youth;
My voice shall sound as you do prompt mine ear;
And I will stoop and humble my intents
To your well-practis'd wise directions.
And, Princes all, believe me, I beseech you,
My father is gone wild into his grave,
For in his tomb lie my affections;
And with his spirits sadly I survive,
To mock the expectation of the world,
To frustrate prophecies, and to raze out
Rotten opinion, who hath writ me down
After my seeming. The tide of blood in me
Hath proudly flow'd in vanity till now.
Now doth it turn and ebb back to the sea,
Where it shall mingle with the state of floods,
And flow henceforth in formal majesty.
Now call we our high court of parliament;
And let us choose such limbs of noble counsel,
That the great body of our state may go
In equal rank with the best govern'd nation;
That war, or peace, or both at once, may be
As things acquainted and familiar to us;
In which you, father, shall have foremost hand.
Our coronation done, we will accite,
As I before rememb'red, all our state;
And—God consigning to my good intents-
No prince nor peer shall have just cause to say,
God shorten Harry's happy life one day. Exeunt

6

Julius Caesar
[II, 1]

Brutus

848

Good gentlemen, look fresh and merrily;
Let not our looks put on our purposes,
But bear it as our Roman actors do,
With untired spirits and formal constancy:
And so good morrow to you every one.
[Exeunt all but BRUTUS]
Boy! Lucius! Fast asleep? It is no matter;
Enjoy the honey-heavy dew of slumber:
Thou hast no figures nor no fantasies,
Which busy care draws in the brains of men;
Therefore thou sleep'st so sound.

7

Lover's Complaint

Shakespeare

29

Her hair, nor loose nor tied in formal plat,
Proclaim'd in her a careless hand of pride
For some, untuck'd, descended her sheaved hat,
Hanging her pale and pined cheek beside;
Some in her threaden fillet still did bide,
And true to bondage would not break from thence,
Though slackly braided in loose negligence.

8

Richard III
[III, 1]

Richard III (Duke of Gloucester)

1651

I say, without characters, fame lives long.
[Aside]
Thus, like the formal vice, Iniquity,
I moralize two meanings in one word.

9

Taming of the Shrew
[III, 1]

Lucentio

1327

Are you so formal, sir? Well, I must wait,
[Aside] And watch withal; for, but I be deceiv'd,
Our fine musician groweth amorous.

10

Taming of the Shrew
[IV, 2]

Biondello

1893

Master, a mercatante or a pedant,
I know not what; but formal in apparel,
In gait and countenance surely like a father.

11

Twelfth Night
[II, 5]

Malvolio

1139

'I may command where I adore.' Why, she may command
me: I serve her; she is my lady. Why, this is
evident to any formal capacity; there is no
obstruction in this: and the end,—what should
that alphabetical position portend? If I could make
that resemble something in me,—Softly! M, O, A,
I,—