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      — All's Well that Ends Well, Act I Scene 3

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KEYWORD: fails

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

All's Well That Ends Well
[II, 1]

Helena

743

What I can do can do no hurt to try,
Since you set up your rest 'gainst remedy.
He that of greatest works is finisher
Oft does them by the weakest minister:
So holy writ in babes hath judgment shown,
When judges have been babes; great floods have flown
From simple sources, and great seas have dried
When miracles have by the greatest been denied.
Oft expectation fails and most oft there
Where most it promises, and oft it hits
Where hope is coldest and despair most fits.

2

Coriolanus
[III, 1]

Coriolanus

1927

Thou wretch, despite o'erwhelm thee!
What should the people do with these bald tribunes?
On whom depending, their obedience fails
To the greater bench: in a rebellion,
When what's not meet, but what must be, was law,
Then were they chosen: in a better hour,
Let what is meet be said it must be meet,
And throw their power i' the dust.

3

Henry IV, Part II
[IV, 4]

Henry IV

2854

And wherefore should these good news make me sick?
Will Fortune never come with both hands full,
But write her fair words still in foulest letters?
She either gives a stomach and no food-
Such are the poor, in health—or else a feast,
And takes away the stomach—such are the rich
That have abundance and enjoy it not.
I should rejoice now at this happy news;
And now my sight fails, and my brain is giddy.
O me! come near me now I am much ill.

4

Henry VI, Part II
[II, 2]

Earl of Warwick

1009

What plain proceeding is more plain than this?
Henry doth claim the crown from John of Gaunt,
The fourth son; York claims it from the third.
Till Lionel's issue fails, his should not reign:
It fails not yet, but flourishes in thee
And in thy sons, fair slips of such a stock.
Then, father Salisbury, kneel we together;
And in this private plot be we the first
That shall salute our rightful sovereign
With honour of his birthright to the crown.

5

Romeo and Juliet
[III, 5]

Juliet

2154

O God, I have an ill-divining soul!
Methinks I see thee, now thou art below,
As one dead in the bottom of a tomb:
Either my eyesight fails, or thou look'st pale.

6

Tempest
[V, 1]

Prospero

2404

Now my charms are all o'erthrown,
And what strength I have's mine own,
Which is most faint: now, 'tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon'd the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.

7

Troilus and Cressida
[I, 3]

Agamemnon

451

Princes,
What grief hath set the jaundice on your cheeks?
The ample proposition that hope makes
In all designs begun on earth below
Fails in the promised largeness: cheques and disasters
Grow in the veins of actions highest rear'd,
As knots, by the conflux of meeting sap,
Infect the sound pine and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works,
And call them shames? which are indeed nought else
But the protractive trials of great Jove
To find persistive constancy in men:
The fineness of which metal is not found
In fortune's love; for then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft seem all affined and kin:
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter, by itself
Lies rich in virtue and unmingled.

8

Winter's Tale
[II, 2]

Paulina

880

I dare be sworn
These dangerous unsafe lunes i' the king,
beshrew them!
He must be told on't, and he shall: the office
Becomes a woman best; I'll take't upon me:
If I prove honey-mouth'd let my tongue blister
And never to my red-look'd anger be
The trumpet any more. Pray you, Emilia,
Commend my best obedience to the queen:
If she dares trust me with her little babe,
I'll show't the king and undertake to be
Her advocate to the loud'st. We do not know
How he may soften at the sight o' the child:
The silence often of pure innocence
Persuades when speaking fails.

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