# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[II, 3]

Bertram

1188

It shall be so: I'll send her to my house,
Acquaint my mother with my hate to her,
And wherefore I am fled; write to the king
That which I durst not speak; his present gift
Shall furnish me to those Italian fields,
Where noble fellows strike: war is no strife
To the dark house and the detested wife.

2

All's Well That Ends Well
[III, 2]

Helena

1509

'Till I have no wife, I have nothing in France.'
Nothing in France, until he has no wife!
Thou shalt have none, Rousillon, none in France;
Then hast thou all again. Poor lord! is't I
That chase thee from thy country and expose
Those tender limbs of thine to the event
Of the none-sparing war? and is it I
That drive thee from the sportive court, where thou
Wast shot at with fair eyes, to be the mark
Of smoky muskets? O you leaden messengers,
That ride upon the violent speed of fire,
Fly with false aim; move the still-peering air,
That sings with piercing; do not touch my lord.
Whoever shoots at him, I set him there;
Whoever charges on his forward breast,
I am the caitiff that do hold him to't;
And, though I kill him not, I am the cause
His death was so effected: better 'twere
I met the ravin lion when he roar'd
With sharp constraint of hunger; better 'twere
That all the miseries which nature owes
Were mine at once. No, come thou home, Rousillon,
Whence honour but of danger wins a scar,
As oft it loses all: I will be gone;
My being here it is that holds thee hence:
Shall I stay here to do't? no, no, although
The air of paradise did fan the house
And angels officed all: I will be gone,
That pitiful rumour may report my flight,
To consolate thine ear. Come, night; end, day!
For with the dark, poor thief, I'll steal away.

3

All's Well That Ends Well
[IV, 1]

Second Lord

2001

Till then I'll keep him dark and safely lock'd.

4

Antony and Cleopatra
[V, 2]

Iras

3625

Finish, good lady; the bright day is done,
And we are for the dark.

5

As You Like It
[III, 2]

Rosalind

1476

Love is merely a madness; and, I tell you, deserves as
well a dark house and a whip as madmen do; and the reason why
they are not so punish'd and cured is that the lunacy is so
ordinary that the whippers are in love too. Yet I profess curing
it by counsel.

6

As You Like It
[III, 5]

Rosalind

1688

[Advancing] And why, I pray you? Who might be your
mother,
That you insult, exult, and all at once,
Over the wretched? What though you have no beauty-
As, by my faith, I see no more in you
Than without candle may go dark to bed-
Must you be therefore proud and pitiless?
Why, what means this? Why do you look on me?
I see no more in you than in the ordinary
Of nature's sale-work. 'Od's my little life,
I think she means to tangle my eyes too!
No faith, proud mistress, hope not after it;
'Tis not your inky brows, your black silk hair,
Your bugle eyeballs, nor your cheek of cream,
That can entame my spirits to your worship.
You foolish shepherd, wherefore do you follow her,
Like foggy south, puffing with wind and rain?
You are a thousand times a properer man
Than she a woman. 'Tis such fools as you
That makes the world full of ill-favour'd children.
'Tis not her glass, but you, that flatters her;
And out of you she sees herself more proper
Than any of her lineaments can show her.
But, mistress, know yourself. Down on your knees,
And thank heaven, fasting, for a good man's love;
For I must tell you friendly in your ear:
Sell when you can; you are not for all markets.
Cry the man mercy, love him, take his offer;
Foul is most foul, being foul to be a scoffer.
So take her to thee, shepherd. Fare you well.

7

Comedy of Errors
[IV, 4]

Pinch

1343

Mistress, both man and master is possess'd;
I know it by their pale and deadly looks:
They must be bound and laid in some dark room.

8

Comedy of Errors
[V, 1]

Antipholus of Ephesus

1651

My liege, I am advised what I say,
Neither disturbed with the effect of wine,
Nor heady-rash, provoked with raging ire,
Albeit my wrongs might make one wiser mad.
This woman lock'd me out this day from dinner:
That goldsmith there, were he not pack'd with her,
Could witness it, for he was with me then;
Who parted with me to go fetch a chain,
Promising to bring it to the Porpentine,
Where Balthazar and I did dine together.
Our dinner done, and he not coming thither,
I went to seek him: in the street I met him
And in his company that gentleman.
There did this perjured goldsmith swear me down
That I this day of him received the chain,
Which, God he knows, I saw not: for the which
He did arrest me with an officer.
I did obey, and sent my peasant home
For certain ducats: he with none return'd
Then fairly I bespoke the officer
To go in person with me to my house.
By the way we met
My wife, her sister, and a rabble more
Of vile confederates. Along with them
They brought one Pinch, a hungry lean-faced villain,
A mere anatomy, a mountebank,
A threadbare juggler and a fortune-teller,
A needy, hollow-eyed, sharp-looking wretch,
A dead-looking man: this pernicious slave,
Forsooth, took on him as a conjurer,
And, gazing in mine eyes, feeling my pulse,
And with no face, as 'twere, outfacing me,
Cries out, I was possess'd. Then all together
They fell upon me, bound me, bore me thence
And in a dark and dankish vault at home
There left me and my man, both bound together;
Till, gnawing with my teeth my bonds in sunder,
I gain'd my freedom, and immediately
Ran hither to your grace; whom I beseech
To give me ample satisfaction
For these deep shames and great indignities.

9

Coriolanus
[II, 1]

Volumnia

1076

These are the ushers of CORIOLANUS: before him he
carries noise, and behind him he leaves tears:
Death, that dark spirit, in 's nervy arm doth lie;
Which, being advanced, declines, and then men die.
[A sennet. Trumpets sound. Enter COMINIUS the]
general, and TITUS LARTIUS; between them, CORIOLANUS,
crowned with an oaken garland; with Captains and
Soldiers, and a Herald]

10

Cymbeline
[III, 3]

Arviragus

1639

What should we speak of
When we are old as you? when we shall hear
The rain and wind beat dark December, how,
In this our pinching cave, shall we discourse
The freezing hours away? We have seen nothing;
We are beastly, subtle as the fox for prey,
Like warlike as the wolf for what we eat;
Our valour is to chase what flies; our cage
We make a quire, as doth the prison'd bird,
And sing our bondage freely.

11

Cymbeline
[III, 4]

Pisanio

1881

I am most glad
You think of other place. The ambassador,
Lucius the Roman, comes to Milford-Haven
To-morrow: now, if you could wear a mind
Dark as your fortune is, and but disguise
That which, to appear itself, must not yet be
But by self-danger, you should tread a course
Pretty and full of view; yea, haply, near
The residence of Posthumus; so nigh at least
That though his actions were not visible, yet
Report should render him hourly to your ear
As truly as he moves.

12

Hamlet
[V, 2]

Hamlet

3662

Up from my cabin,
My sea-gown scarf'd about me, in the dark
Grop'd I to find out them; had my desire,
Finger'd their packet, and in fine withdrew
To mine own room again; making so bold
(My fears forgetting manners) to unseal
Their grand commission; where I found, Horatio
(O royal knavery!), an exact command,
Larded with many several sorts of reasons,
Importing Denmark's health, and England's too,
With, hoo! such bugs and goblins in my life-
That, on the supervise, no leisure bated,
No, not to stay the finding of the axe,
My head should be struck off.

13

Henry IV, Part I
[II, 4]

Falstaff

1206

But, as the devil would have it, three misbegotten
knaves in Kendal green came at my back and let drive
at me; for it was so dark, Hal, that thou couldst
not see thy hand.

14

Henry IV, Part I
[II, 4]

Henry V

1216

Why, how couldst thou know these men in Kendal
green, when it was so dark thou couldst not see thy
hand? come, tell us your reason: what sayest thou to this?

15

Henry V
[IV, 0]

Chorus

1788

Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts. O now, who will behold
The royal captain of this ruin'd band
Walking from watch to watch, from tent to tent,
Let him cry 'Praise and glory on his head!'
For forth he goes and visits all his host.
Bids them good morrow with a modest smile
And calls them brothers, friends and countrymen.
Upon his royal face there is no note
How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night,
But freshly looks and over-bears attaint
With cheerful semblance and sweet majesty;
That every wretch, pining and pale before,
Beholding him, plucks comfort from his looks:
A largess universal like the sun
His liberal eye doth give to every one,
Thawing cold fear, that mean and gentle all,
Behold, as may unworthiness define,
A little touch of Harry in the night.
And so our scene must to the battle fly;
Where—O for pity!—we shall much disgrace
With four or five most vile and ragged foils,
Right ill-disposed in brawl ridiculous,
The name of Agincourt. Yet sit and see,
Minding true things by what their mockeries be.

16

Henry VI, Part II
[I, 4]

Bolingbroke

642

Patience, good lady; wizards know their times:
Deep night, dark night, the silent of the night,
The time of night when Troy was set on fire;
The time when screech-owls cry and ban-dogs howl,
And spirits walk and ghosts break up their graves,
That time best fits the work we have in hand.
Madam, sit you and fear not: whom we raise,
We will make fast within a hallow'd verge.
[Here they do the ceremonies belonging, and make the]
circle; BOLINGBROKE or SOUTHWELL reads, Conjuro te,
&c. It thunders and lightens terribly; then the
Spirit riseth]

17

Henry VI, Part II
[II, 4]

Eleanor

1187

Ah, Gloucester, teach me to forget myself!
For whilst I think I am thy married wife
And thou a prince, protector of this land,
Methinks I should not thus be led along,
Mail'd up in shame, with papers on my back,
And followed with a rabble that rejoice
To see my tears and hear my deep-fet groans.
The ruthless flint doth cut my tender feet,
And when I start, the envious people laugh
And bid me be advised how I tread.
Ah, Humphrey, can I bear this shameful yoke?
Trow'st thou that e'er I'll look upon the world,
Or count them happy that enjoy the sun?
No; dark shall be my light and night my day;
To think upon my pomp shall be my hell.
Sometime I'll say, I am Duke Humphrey's wife,
And he a prince and ruler of the land:
Yet so he ruled and such a prince he was
As he stood by whilst I, his forlorn duchess,
Was made a wonder and a pointing-stock
To every idle rascal follower.
But be thou mild and blush not at my shame,
Nor stir at nothing till the axe of death
Hang over thee, as, sure, it shortly will;
For Suffolk, he that can do all in all
With her that hateth thee and hates us all,
And York and impious Beaufort, that false priest,
Have all limed bushes to betray thy wings,
And, fly thou how thou canst, they'll tangle thee:
But fear not thou, until thy foot be snared,
Nor never seek prevention of thy foes.

18

Henry VI, Part III
[II, 6]

Earl of Warwick

1313

I think his understanding is bereft.
Speak, Clifford, dost thou know who speaks to thee?
Dark cloudy death o'ershades his beams of life,
And he nor sees nor hears us what we say.

19

Julius Caesar
[II, 1]

Brutus

688

Let 'em enter.
[Exit LUCIUS]
They are the faction. O conspiracy,
Shamest thou to show thy dangerous brow by night,
When evils are most free? O, then by day
Where wilt thou find a cavern dark enough
To mask thy monstrous visage? Seek none, conspiracy;
Hide it in smiles and affability:
For if thou path, thy native semblance on,
Not Erebus itself were dim enough
To hide thee from prevention.
[Enter the conspirators, CASSIUS, CASCA, DECIUS
BRUTUS, CINNA, METELLUS CIMBER, and TREBONIUS]

20

King Lear
[II, 1]

Edmund

968

Here stood he in the dark, his sharp sword out,
Mumbling of wicked charms, conjuring the moon
To stand 's auspicious mistress.