# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Henry IV, Part I
[I, 1]

Henry IV

2

So shaken as we are, so wan with care,
Find we a time for frighted peace to pant,
And breathe short-winded accents of new broils
To be commenced in strands afar remote.
No more the thirsty entrance of this soil
Shall daub her lips with her own children's blood;
Nor more shall trenching war channel her fields,
Nor bruise her flowerets with the armed hoofs
Of hostile paces: those opposed eyes,
Which, like the meteors of a troubled heaven,
All of one nature, of one substance bred,
Did lately meet in the intestine shock
And furious close of civil butchery
Shall now, in mutual well-beseeming ranks,
March all one way and be no more opposed
Against acquaintance, kindred and allies:
The edge of war, like an ill-sheathed knife,
No more shall cut his master. Therefore, friends,
As far as to the sepulchre of Christ,
Whose soldier now, under whose blessed cross
We are impressed and engaged to fight,
Forthwith a power of English shall we levy;
Whose arms were moulded in their mothers' womb
To chase these pagans in those holy fields
Over whose acres walk'd those blessed feet
Which fourteen hundred years ago were nail'd
For our advantage on the bitter cross.
But this our purpose now is twelve month old,
And bootless 'tis to tell you we will go:
Therefore we meet not now. Then let me hear
Of you, my gentle cousin Westmoreland,
What yesternight our council did decree
In forwarding this dear expedience.

2

Henry IV, Part II
[Prologue, 1]

Rumour

2

Open your ears; for which of you will stop
The vent of hearing when loud Rumour speaks?
I, from the orient to the drooping west,
Making the wind my post-horse, still unfold
The acts commenced on this ball of earth.
Upon my tongues continual slanders ride,
The which in every language I pronounce,
Stuffing the ears of men with false reports.
I speak of peace while covert emnity,
Under the smile of safety, wounds the world;
And who but Rumour, who but only I,
Make fearful musters and prepar'd defence,
Whiles the big year, swoln with some other grief,
Is thought with child by the stern tyrant war,
And no such matter? Rumour is a pipe
Blown by surmises, jealousies, conjectures,
And of so easy and so plain a stop
That the blunt monster with uncounted heads,
The still-discordant wav'ring multitude,
Can play upon it. But what need I thus
My well-known body to anatomize
Among my household? Why is Rumour here?
I run before King Harry's victory,
Who, in a bloody field by Shrewsbury,
Hath beaten down young Hotspur and his troops,
Quenching the flame of bold rebellion
Even with the rebels' blood. But what mean I
To speak so true at first? My office is
To noise abroad that Harry Monmouth fell
Under the wrath of noble Hotspur's sword,
And that the King before the Douglas' rage
Stoop'd his anointed head as low as death.
This have I rumour'd through the peasant towns
Between that royal field of Shrewsbury
And this worm-eaten hold of ragged stone,
Where Hotspur's father, old Northumberland,
Lies crafty-sick. The posts come tiring on,
And not a man of them brings other news
Than they have learnt of me. From Rumour's tongues
They bring smooth comforts false, worse than true wrongs.

3

Henry VI, Part II
[III, 2]

Queen Margaret

1754

Be woe for me, more wretched than he is.
What, dost thou turn away and hide thy face?
I am no loathsome leper; look on me.
What! art thou, like the adder, waxen deaf?
Be poisonous too and kill thy forlorn queen.
Is all thy comfort shut in Gloucester's tomb?
Why, then, dame Margaret was ne'er thy joy.
Erect his statue and worship it,
And make my image but an alehouse sign.
Was I for this nigh wreck'd upon the sea
And twice by awkward wind from England's bank
Drove back again unto my native clime?
What boded this, but well forewarning wind
Did seem to say 'Seek not a scorpion's nest,
Nor set no footing on this unkind shore'?
What did I then, but cursed the gentle gusts
And he that loosed them forth their brazen caves:
And bid them blow towards England's blessed shore,
Or turn our stern upon a dreadful rock
Yet AEolus would not be a murderer,
But left that hateful office unto thee:
The pretty-vaulting sea refused to drown me,
Knowing that thou wouldst have me drown'd on shore,
With tears as salt as sea, through thy unkindness:
The splitting rocks cower'd in the sinking sands
And would not dash me with their ragged sides,
Because thy flinty heart, more hard than they,
Might in thy palace perish Margaret.
As far as I could ken thy chalky cliffs,
When from thy shore the tempest beat us back,
I stood upon the hatches in the storm,
And when the dusky sky began to rob
My earnest-gaping sight of thy land's view,
I took a costly jewel from my neck,
A heart it was, bound in with diamonds,
And threw it towards thy land: the sea received it,
And so I wish'd thy body might my heart:
And even with this I lost fair England's view
And bid mine eyes be packing with my heart
And call'd them blind and dusky spectacles,
For losing ken of Albion's wished coast.
How often have I tempted Suffolk's tongue,
The agent of thy foul inconstancy,
To sit and witch me, as Ascanius did
When he to madding Dido would unfold
His father's acts commenced in burning Troy!
Am I not witch'd like her? or thou not false like him?
Ay me, I can no more! die, Margaret!
For Henry weeps that thou dost live so long.