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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
As You Like It
[II, 7] |
Orlando |
1023 |
Then but forbear your food a little while,
Whiles, like a doe, I go to find my fawn,
And give it food. There is an old poor man
Who after me hath many a weary step
Limp'd in pure love; till he be first suffic'd,
Oppress'd with two weak evils, age and hunger,
I will not touch a bit.
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2 |
Henry IV, Part I
[II, 1] |
First Carrier |
658 |
Like a tench! by the mass, there is ne'er a king
christen could be better bit than I have been since
the first cock.
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3 |
Henry V
[IV, 2] |
Grandpre |
2203 |
Why do you stay so long, my lords of France?
Yon island carrions, desperate of their bones,
Ill-favouredly become the morning field:
Their ragged curtains poorly are let loose,
And our air shakes them passing scornfully:
Big Mars seems bankrupt in their beggar'd host
And faintly through a rusty beaver peeps:
The horsemen sit like fixed candlesticks,
With torch-staves in their hand; and their poor jades
Lob down their heads, dropping the hides and hips,
The gum down-roping from their pale-dead eyes
And in their pale dull mouths the gimmal bit
Lies foul with chew'd grass, still and motionless;
And their executors, the knavish crows,
Fly o'er them, all impatient for their hour.
Description cannot suit itself in words
To demonstrate the life of such a battle
In life so lifeless as it shows itself.
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4 |
King Lear
[I, 4] |
Fool |
736 |
For you know, nuncle,
The hedge-sparrow fed the cuckoo so long
That it had it head bit off by it young.
So out went the candle, and we were left darkling.
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5 |
King Lear
[IV, 7] |
Cordelia |
2946 |
Had you not been their father, these white flakes
Had challeng'd pity of them. Was this a face
To be oppos'd against the warring winds?
To stand against the deep dread-bolted thunder?
In the most terrible and nimble stroke
Of quick cross lightning? to watch- poor perdu!-
With this thin helm? Mine enemy's dog,
Though he had bit me, should have stood that night
Against my fire; and wast thou fain, poor father,
To hovel thee with swine and rogues forlorn,
In short and musty straw? Alack, alack!
'Tis wonder that thy life and wits at once
Had not concluded all.- He wakes. Speak to him.
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6 |
Romeo and Juliet
[I, 1] |
Montague |
166 |
Both by myself and many other friends:
But he, his own affections' counsellor,
Is to himself—I will not say how true—
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow.
We would as willingly give cure as know.
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7 |
Taming of the Shrew
[III, 2] |
Biondello |
1405 |
Why, Petruchio is coming- in a new hat and an old
jerkin; a pair of old breeches thrice turn'd; a pair of boots
that have been candle-cases, one buckled, another lac'd; an old
rusty sword ta'en out of the town armoury, with a broken hilt,
and chapeless; with two broken points; his horse hipp'd, with an
old motley saddle and stirrups of no kindred; besides, possess'd
with the glanders and like to mose in the chine, troubled with
the lampass, infected with the fashions, full of windgalls, sped
with spavins, rayed with the yellows, past cure of the fives,
stark spoil'd with the staggers, begnawn with the bots, sway'd in
the back and shoulder-shotten, near-legg'd before, and with a
half-cheek'd bit, and a head-stall of sheep's leather which,
being restrained to keep him from stumbling, hath been often
burst, and now repaired with knots; one girth six times piec'd,
and a woman's crupper of velure, which hath two letters for her
name fairly set down in studs, and here and there piec'd with
pack-thread.
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8 |
Venus and Adonis |
Shakespeare |
285 |
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crusheth 'tween his teeth,
Controlling what he was controlled with.
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