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He makes sweet music with th' enamell'd stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage.

      — The Two Gentleman of Verona, Act II Scene 7

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KEYWORD: soft

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Troilus and Cressida
[I, 1]

Troilus

78

O Pandarus! I tell thee, Pandarus,—
When I do tell thee, there my hopes lie drown'd,
Reply not in how many fathoms deep
They lie indrench'd. I tell thee I am mad
In Cressid's love: thou answer'st 'she is fair;'
Pour'st in the open ulcer of my heart
Her eyes, her hair, her cheek, her gait, her voice,
Handlest in thy discourse, O, that her hand,
In whose comparison all whites are ink,
Writing their own reproach, to whose soft seizure
The cygnet's down is harsh and spirit of sense
Hard as the palm of ploughman: this thou tell'st me,
As true thou tell'st me, when I say I love her;
But, saying thus, instead of oil and balm,
Thou lay'st in every gash that love hath given me
The knife that made it.

2

Troilus and Cressida
[I, 3]

Agamemnon

451

Princes,
What grief hath set the jaundice on your cheeks?
The ample proposition that hope makes
In all designs begun on earth below
Fails in the promised largeness: cheques and disasters
Grow in the veins of actions highest rear'd,
As knots, by the conflux of meeting sap,
Infect the sound pine and divert his grain
Tortive and errant from his course of growth.
Nor, princes, is it matter new to us
That we come short of our suppose so far
That after seven years' siege yet Troy walls stand;
Sith every action that hath gone before,
Whereof we have record, trial did draw
Bias and thwart, not answering the aim,
And that unbodied figure of the thought
That gave't surmised shape. Why then, you princes,
Do you with cheeks abash'd behold our works,
And call them shames? which are indeed nought else
But the protractive trials of great Jove
To find persistive constancy in men:
The fineness of which metal is not found
In fortune's love; for then the bold and coward,
The wise and fool, the artist and unread,
The hard and soft seem all affined and kin:
But, in the wind and tempest of her frown,
Distinction, with a broad and powerful fan,
Puffing at all, winnows the light away;
And what hath mass or matter, by itself
Lies rich in virtue and unmingled.

3

Troilus and Cressida
[II, 2]

Cassandra

1099

Virgins and boys, mid-age and wrinkled eld,
Soft infancy, that nothing canst but cry,
Add to my clamours! let us pay betimes
A moiety of that mass of moan to come.
Cry, Trojans, cry! practise your eyes with tears!
Troy must not be, nor goodly Ilion stand;
Our firebrand brother, Paris, burns us all.
Cry, Trojans, cry! a Helen and a woe:
Cry, cry! Troy burns, or else let Helen go.

4

Troilus and Cressida
[IV, 2]

Troilus

2289

Trouble him not;
To bed, to bed: sleep kill those pretty eyes,
And give as soft attachment to thy senses
As infants' empty of all thought!

5

Troilus and Cressida
[V, 3]

Cassandra

3380

Farewell: yet, soft! Hector! take my leave:
Thou dost thyself and all our Troy deceive.

6

Troilus and Cressida
[V, 4]

Thersites

3410

Now they are clapper-clawing one another; I'll go
look on. That dissembling abominable varlets Diomed,
has got that same scurvy doting foolish young knave's
sleeve of Troy there in his helm: I would fain see
them meet; that that same young Trojan ass, that
loves the whore there, might send that Greekish
whore-masterly villain, with the sleeve, back to the
dissembling luxurious drab, of a sleeveless errand.
O' the t'other side, the policy of those crafty
swearing rascals, that stale old mouse-eaten dry
cheese, Nestor, and that same dog-fox, Ulysses, is
not proved worthy a blackberry: they set me up, in
policy, that mongrel cur, Ajax, against that dog of
as bad a kind, Achilles: and now is the cur Ajax
prouder than the cur Achilles, and will not arm
to-day; whereupon the Grecians begin to proclaim
barbarism, and policy grows into an ill opinion.
Soft! here comes sleeve, and t'other.

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