# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Tempest
[I, 1]

Boatswain

19

Do you not hear him? You mar our labour: keep your
cabins: you do assist the storm.

2

Tempest
[I, 1]

Boatswain

25

None that I more love than myself. You are a
counsellor; if you can command these elements to
silence, and work the peace of the present, we will
not hand a rope more; use your authority: if you
cannot, give thanks you have lived so long, and make
yourself ready in your cabin for the mischance of
the hour, if it so hap. Cheerly, good hearts! Out
of our way, I say.

3

Tempest
[I, 1]

Boatswain

42

Down with the topmast! yare! lower, lower! Bring
her to try with main-course.
[A cry within]
A plague upon this howling! they are louder than
the weather or our office.
[Re-enter SEBASTIAN, ANTONIO, and GONZALO]
Yet again! what do you here? Shall we give o'er
and drown? Have you a mind to sink?

4

Tempest
[I, 1]

Sebastian

50

A pox o' your throat, you bawling, blasphemous,
incharitable dog!

5

Tempest
[I, 1]

Boatswain

52

Work you then.

6

Tempest
[I, 1]

Antonio

53

Hang, cur! hang, you whoreson, insolent noisemaker!
We are less afraid to be drowned than thou art.

7

Tempest
[I, 2]

Miranda

85

If by your art, my dearest father, you have
Put the wild waters in this roar, allay them.
The sky, it seems, would pour down stinking pitch,
But that the sea, mounting to the welkin's cheek,
Dashes the fire out. O, I have suffered
With those that I saw suffer: a brave vessel,
Who had, no doubt, some noble creature in her,
Dash'd all to pieces. O, the cry did knock
Against my very heart. Poor souls, they perish'd.
Had I been any god of power, I would
Have sunk the sea within the earth or ere
It should the good ship so have swallow'd and
The fraughting souls within her.

8

Tempest
[I, 2]

Miranda

124

You have often
Begun to tell me what I am, but stopp'd
And left me to a bootless inquisition,
Concluding 'Stay: not yet.'

9

Tempest
[I, 2]

Miranda

151

Sir, are not you my father?

10

Tempest
[I, 2]

Miranda

162

O, my heart bleeds
To think o' the teen that I have turn'd you to,
Which is from my remembrance! Please you, farther.

11

Tempest
[I, 2]

Miranda

261

Alack, what trouble
Was I then to you!

12

Tempest
[I, 2]

Miranda

290

Heavens thank you for't! And now, I pray you, sir,
For still 'tis beating in my mind, your reason
For raising this sea-storm?

13

Tempest
[I, 2]

Caliban

471

As wicked dew as e'er my mother brush'd
With raven's feather from unwholesome fen
Drop on you both! a south-west blow on ye
And blister you all o'er!

14

Tempest
[I, 2]

Caliban

481

I must eat my dinner.
This island's mine, by Sycorax my mother,
Which thou takest from me. When thou camest first,
Thou strokedst me and madest much of me, wouldst give me
Water with berries in't, and teach me how
To name the bigger light, and how the less,
That burn by day and night: and then I loved thee
And show'd thee all the qualities o' the isle,
The fresh springs, brine-pits, barren place and fertile:
Cursed be I that did so! All the charms
Of Sycorax, toads, beetles, bats, light on you!
For I am all the subjects that you have,
Which first was mine own king: and here you sty me
In this hard rock, whiles you do keep from me
The rest o' the island.

15

Tempest
[I, 2]

Caliban

517

You taught me language; and my profit on't
Is, I know how to curse. The red plague rid you
For learning me your language!

16

Tempest
[I, 2]

Prospero

532

So, slave; hence!
[Exit CALIBAN]
[Re-enter ARIEL, invisible, playing and singing;]
FERDINAND following]
ARIEL'S song.
Come unto these yellow sands,
And then take hands:
Courtsied when you have and kiss'd
The wild waves whist,
Foot it featly here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
[Burthen [dispersedly, within] Bow-wow]
The watch-dogs bark!
[Burthen Bow-wow]
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow.

17

Tempest
[I, 2]

Ferdinand

589

Most sure, the goddess
On whom these airs attend! Vouchsafe my prayer
May know if you remain upon this island;
And that you will some good instruction give
How I may bear me here: my prime request,
Which I do last pronounce, is, O you wonder!
If you be maid or no?

18

Tempest
[I, 2]

Prospero

611

[Aside]. The Duke of Milan
And his more braver daughter could control thee,
If now 'twere fit to do't. At the first sight
They have changed eyes. Delicate Ariel,
I'll set thee free for this.
[To FERDINAND]
A word, good sir;
I fear you have done yourself some wrong: a word.

19

Tempest
[I, 2]

Ferdinand

623

O, if a virgin,
And your affection not gone forth, I'll make you
The queen of Naples.

20

Tempest
[I, 2]

Prospero

641

Follow me.
Speak not you for him; he's a traitor. Come;
I'll manacle thy neck and feet together:
Sea-water shalt thou drink; thy food shall be
The fresh-brook muscles, wither'd roots and husks
Wherein the acorn cradled. Follow.