# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Tempest
[I, 2]

Prospero

293

Know thus far forth.
By accident most strange, bountiful Fortune,
Now my dear lady, hath mine enemies
Brought to this shore; and by my prescience
I find my zenith doth depend upon
A most auspicious star, whose influence
If now I court not but omit, my fortunes
Will ever after droop. Here cease more questions:
Thou art inclined to sleep; 'tis a good dulness,
And give it way: I know thou canst not choose.
[MIRANDA sleeps]
Come away, servant, come. I am ready now.
Approach, my Ariel, come.

2

Tempest
[I, 2]

Ferdinand

550

Where should this music be? i' the air or the earth?
It sounds no more: and sure, it waits upon
Some god o' the island. Sitting on a bank,
Weeping again the king my father's wreck,
This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air: thence I have follow'd it,
Or it hath drawn me rather. But 'tis gone.
No, it begins again.
[ARIEL sings]
Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell
[Burthen Ding-dong]
Hark! now I hear them,—Ding-dong, bell.

3

Tempest
[II, 1]

Alonso

806

You cram these words into mine ears against
The stomach of my sense. Would I had never
Married my daughter there! for, coming thence,
My son is lost and, in my rate, she too,
Who is so far from Italy removed
I ne'er again shall see her. O thou mine heir
Of Naples and of Milan, what strange fish
Hath made his meal on thee?

4

Tempest
[II, 1]

Sebastian

916

What a strange drowsiness possesses them!

5

Tempest
[II, 1]

Sebastian

931

I do; and surely
It is a sleepy language and thou speak'st
Out of thy sleep. What is it thou didst say?
This is a strange repose, to be asleep
With eyes wide open; standing, speaking, moving,
And yet so fast asleep.

6

Tempest
[II, 1]

Gonzalo

1066

Upon mine honour, sir, I heard a humming,
And that a strange one too, which did awake me:
I shaked you, sir, and cried: as mine eyes open'd,
I saw their weapons drawn: there was a noise,
That's verily. 'Tis best we stand upon our guard,
Or that we quit this place; let's draw our weapons.

7

Tempest
[II, 2]

Trinculo

1101

Here's neither bush nor shrub, to bear off
any weather at all, and another storm brewing;
I hear it sing i' the wind: yond same black
cloud, yond huge one, looks like a foul
bombard that would shed his liquor. If it
should thunder as it did before, I know not
where to hide my head: yond same cloud cannot
choose but fall by pailfuls. What have we
here? a man or a fish? dead or alive? A fish:
he smells like a fish; a very ancient and fish-
like smell; a kind of not of the newest Poor-
John. A strange fish! Were I in England now,
as once I was, and had but this fish painted,
not a holiday fool there but would give a piece
of silver: there would this monster make a
man; any strange beast there makes a man:
when they will not give a doit to relieve a lame
beggar, they will lazy out ten to see a dead
Indian. Legged like a man and his fins like
arms! Warm o' my troth! I do now let loose
my opinion; hold it no longer: this is no fish,
but an islander, that hath lately suffered by a
thunderbolt.
[Thunder]
Alas, the storm is come again! my best way is to
creep under his gaberdine; there is no other
shelter hereabouts: misery acquaints a man with
strange bed-fellows. I will here shroud till the
dregs of the storm be past.

8

Tempest
[III, 3]

(stage directions)

1576

[Solemn and strange music]

9

Tempest
[III, 3]

Gonzalo

1578

Marvellous sweet music!
[Enter PROSPERO above, invisible. Enter several]
strange Shapes, bringing in a banquet;
they dance about it with gentle actions of
salutation; and, inviting the King, &c. to
eat, they depart]

10

Tempest
[III, 3]

Prospero

1664

Bravely the figure of this harpy hast thou
Perform'd, my Ariel; a grace it had, devouring:
Of my instruction hast thou nothing bated
In what thou hadst to say: so, with good life
And observation strange, my meaner ministers
Their several kinds have done. My high charms work
And these mine enemies are all knit up
In their distractions; they now are in my power;
And in these fits I leave them, while I visit
Young Ferdinand, whom they suppose is drown'd,
And his and mine loved darling.

11

Tempest
[III, 3]

Gonzalo

1676

I' the name of something holy, sir, why stand you
In this strange stare?

12

Tempest
[IV, 1]

Iris

1849

You nymphs, call'd Naiads, of the windring brooks,
With your sedged crowns and ever-harmless looks,
Leave your crisp channels and on this green land
Answer your summons; Juno does command:
Come, temperate nymphs, and help to celebrate
A contract of true love; be not too late.
[Enter certain Nymphs]
You sunburnt sicklemen, of August weary,
Come hither from the furrow and be merry:
Make holiday; your rye-straw hats put on
And these fresh nymphs encounter every one
In country footing.
[Enter certain Reapers, properly habited: they]
join with the Nymphs in a graceful dance;
towards the end whereof PROSPERO starts
suddenly, and speaks; after which, to a
strange, hollow, and confused noise, they
heavily vanish]

13

Tempest
[IV, 1]

Ferdinand

1873

This is strange: your father's in some passion
That works him strongly.

14

Tempest
[IV, 1]

Caliban

1972

The dropsy drown this fool I what do you mean
To dote thus on such luggage? Let's alone
And do the murder first: if he awake,
From toe to crown he'll fill our skins with pinches,
Make us strange stuff.

15

Tempest
[V, 1]

Alonso

2144

Whether thou best he or no,
Or some enchanted trifle to abuse me,
As late I have been, I not know: thy pulse
Beats as of flesh and blood; and, since I saw thee,
The affliction of my mind amends, with which,
I fear, a madness held me: this must crave,
An if this be at all, a most strange story.
Thy dukedom I resign and do entreat
Thou pardon me my wrongs. But how should Prospero
Be living and be here?

16

Tempest
[V, 1]

Alonso

2291

These are not natural events; they strengthen
From strange to stranger. Say, how came you hither?

17

Tempest
[V, 1]

Boatswain

2293

If I did think, sir, I were well awake,
I'ld strive to tell you. We were dead of sleep,
And—how we know not—all clapp'd under hatches;
Where but even now with strange and several noises
Of roaring, shrieking, howling, jingling chains,
And more diversity of sounds, all horrible,
We were awaked; straightway, at liberty;
Where we, in all her trim, freshly beheld
Our royal, good and gallant ship, our master
Capering to eye her: on a trice, so please you,
Even in a dream, were we divided from them
And were brought moping hither.

18

Tempest
[V, 1]

Alonso

2307

This is as strange a maze as e'er men trod
And there is in this business more than nature
Was ever conduct of: some oracle
Must rectify our knowledge.

19

Tempest
[V, 1]

Alonso

2364

This is a strange thing as e'er I look'd on.